Chris Thompson

Each year, the National Theatre commissions ten new plays for young people to perform, bringing together some of the UK's most exciting writers with the theatre-makers of tomorrow. This 2021 pack captures the two new plays written for the 2021 festival that are perfect for schools and youth groups to perform and study. Written with flexibility in mind, these are perfect for exploration both virtually and in-person, responding to the restrictions in place due to Covid-19. It also includes National Theatre Connections 2020 anthology which features 9 plays, 8 of which are included in the 2021 festival performances. The plays included in this pack are: Find a Partner by Miriam Battye Like There’s No Tomorrow, created by the Belgrade Young Company with Justine Themen, Claire Procter and Liz Mytton Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison Carr A series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year. This anthology brings together 9 new plays by some of the UK's most prolific and current writers and artists alongside notes on each of the texts exploring performance for schools and youth groups. Wind / Rush Generation(s) by Mojisola Adebayo Tuesday by Alison CarrA series of public apologies (in response to an unfortunate incident in the school lavatories) by John Donnelly THE IT by Vivienne Franzmann The Marxist in Heaven by Hattie Naylor Look Up by Andrew Muir Crusaders by Frances Poet Witches Can’t Be Burned by Silva Semerciyan Dungeness by Chris Thompson .

In a remote part of the UK, where nothing ever happens, a group of teenagers share a safe house for LGBT+ young people. While their shared home welcomes difference, it can be tricky for self-appointed group leader Birdie to keep the peace. The group must decide how they want to commemorate an attack that happened to people like them in a country far away. How do you take to the streets and protest if you’re not ready to tell the world who you are? If you’re invisible, does your voice still count? A play about love, commemoration and protest. Written fifty years on from the partial decriminalisation of homosexuality in England, this is a unique play for young people about the struggles and joys of being gay. Published alongside Stonewall Housing, a charity that works to ensure lesbian, gay, bisexual and trans people live in safer homes, free from fear, where they can celebrate their identity and support each other to achieve their full potential. This new edition features a new Q&A with the author alongside teaching resources and information from Stonewall Housing.

Daniel and Oliver are about to have their first baby. With their best friend, Priya, acting as surrogate, they've turned the study into a nursery and the bottles are sterilised. All that's missing is the bundle of joy they've been pining for. But when Daniel's chaotic mother gatecrashes the baby shower with a few home truths, the cracks in Daniel and Oliver's relationship begin to show. Are they as ready for this as they think they are? And more importantly, is Priya?

DVD Movies, Sex Conventions, Cool Coats, Snack Bars, Creepy Twins, Nail Polish, Sexy Twins, Latex Fetish Wear, Kidnappings, Drugs, Psychotic Pornographers, Orgies, Murder, Blood, Sex, Swords, Car Crashes, Weird Shape - Shifting Women... oh, and Vampires. Welcome to the world of Silky Delacroix, where nothing is taboo and violence gets you hot When vampires are used as sex slaves, and orgies of blood are shot from multiple angles, how do three long - time friends escape with their lives?

Applied Anatomy for Anaesthesia and Intensive Care is an invaluable tool for trainee and practised anaesthetists and intensive care physicians seeking to learn, revise and develop their anatomical knowledge and procedural skills. Concise textual descriptions of anatomy are integrated with descriptions of procedures that are frequently performed in anaesthesia and intensive care, such as nerve blocks, focussed echo, lung ultrasound, vascular access procedures, front of neck airway access and chest drainage. The text is supported by over 200 high-quality, colour, anatomical illustrations, which are correlated with ultrasound, fibre optic and radiological images, allowing the reader to easily interpret nerve block sonoanatomy, airway fibre optic images and important features on CT and MRI scans. Useful mnemonics and easily reproducible sketch diagrams make this an essential resource for anyone studying towards postgraduate examinations in anaesthesia and intensive care medicine.

‘bless this country, God bless karaoke and God save the Queen.’It’s karaoke night at The Albion, a proper East End boozer and the unofficial home of the English Protection Army. Paul runs the pub, girlfriend Christine rules the roost, and little brother Jayson hosts the karaoke. On the eve of a demonstration tensions are running high. The mosque want to build a community centre next door and the English Protection Army aren’t happy. Paul is going to fight this tooth and nail, but he knows the public won’t listen to a bunch of hooligans. Meanwhile, younger brother Jayson thinks this could be his time to shine. Family or not, this is England and it’s time to take it back. Albion examines the turbulent rise of the new far right in modern day Britain. When they embrace diversity, just how far can the far right go?

Winner Pearson Playwright Award 2014 Nominated Best New Play and Most Promising New Playwright 2014 Offie Awards. Tommy Anderson was born in a prison, and he died in one too. The last moments of his life are recorded on CCTV, and yet no one can answer the simple question: whose fault was it? His mother, Anne, is determined to hold someone accountable, but the more she incriminates others, the more she incriminates herself. She blames Marcus, the guard who restrained him. Marcus, acquitted by the courts but tormented by his part in Tommy's death, wants the family’s social worker to admit to the role she played. And social worker Sue can’t work out when it was she stopped caring…. Piecing together a boy’s life and death in care, Carthage asks who should raise our children when the systems designed to protect them can be as abusive as the situations from which they were rescued.

Felt provides a nonlinear look at the engagement of the postwar avant-garde with Eastern spirituality, a context in which the German artist Joseph Beuys appears as an uneasy shaman. Centered on a highly publicized yet famously inconclusive 1982 meeting between Beuys and the Dalai Lama, arranged by the Dutch artist Louwrien Wijers, Chris Thompson explores the interconnections among Beuys, the Fluxus movement, and Eastern philosophy and spiritual practice. Building from the resonance of felt, the fabric, in both Tibetan culture and in Beuys’s art, Thompson takes as his point of departure Deleuze and Guattari’s discussion in A Thousand Plateaus of felt as smooth space that is “in principle infinite, open, and unlimited in every direction,” its structure determined by chance as opposed to the planned, woven nature of most fabrics. Felt is thus seen as an alternative to the model of the network: felt’s anarchic form is not reducible to the regularity of the net, grid, or mesh, and the more it is pulled, tweaked, torn, and agitated, the greater its structural integrity. Felt thus invents its methodology from the material that represents its object of inquiry and from this advances a reading of the avant-garde. At the same time, Thompson demonstrates that it is sometimes the failures of thought, the disappointing meetings, even the untimely deaths that open portals through which life flows into art and allows new conjunctions of life, art, and thought. Thompson explores both the well-known engagement of Fluxus artists with Eastern spirituality and the more elusive nature of Beuys’s own late interest in Tibetan culture, arriving at a sense of how such noncausal interactions-interhuman intrigue-create culture and shape contemporary art history.