Christianna Brand

This anthology of rare stories of crime and suspense brings together 16 tales by masters of the Golden Age of Detective Fiction for the first time in book form, including a newly discovered Agatha Christie crime story that has not been seen since 1922. At a time when crime and thriller writing has once again overtaken the sales of general and literary fiction, Bodies from the Library unearths lost stories from the Golden Age, that period between the World Wars when detective fiction captured the public’s imagination and saw the emergence of some of the world’s cleverest and most popular storytellers. This anthology brings together 16 forgotten tales that have either been published only once before – perhaps in a newspaper or rare magazine – or have never before appeared in print. From a previously unpublished 1917 script featuring Ernest Bramah’s blind detective Max Carrados, to early 1950s crime stories written for London’s Evening Standard by Cyril Hare, Freeman Wills Crofts and A. A. Milne, it spans five decades of writing by masters of the Golden Age. Most anticipated of all are the contributions by women writers: the first detective story by Georgette Heyer, unseen since 1923; an unpublished story by Christianna Brand, creator of Nanny McPhee; and a dark tale by Agatha Christie published only in an Australian journal in 1922 during her ‘Grand Tour’ of the British Empire. With other stories by Detection Club stalwarts Anthony Berkeley, H. C. Bailey, J. J. Connington, John Rhode and Nicholas Blake, plus Vincent Cornier, Leo Bruce, Roy Vickers and Arthur Upfield, this essential collection harks back to a time before forensic science – when murder was a complex business.

THE FAIRER SEX? NOT THESE LADIES... The female of the species is absolutely deadlier than the male in these 14 cunningly-crafted tales of suspense, crimes of passion, and murder, all by women writers. Edited by MWA Grandmaster and bestselling mystery author John D. MacDonald, these bone-chilling stories show the depths both men and women will stoop to get what they want. Christianna Brand brings us a story of two sisters who engage in the ultimate cat-and-mouse game, with the prize being their lives. A woman accustomed to the finer things appears in Margaret Manners' twisting tale of a socialite who will go to any lengths to keep what's hers. Carolyn Thomas spins a tale of long-overdue revenge in the balmy Caribbean. From Veronica Parker Johns come the story of a cheating wife who's too clever for her own good. And Juanita Sheridan delivers a marriage slipping toward disaster amid the tropical paradise of Hawaii. Fourteen tales of scheming women (and even a few dangerous men) told by the very best classic women mystery writers as they reveal... The Lethal Sex.

It's a big day at Christophe et Cie, a small couture house off Regent Street. Mr Bevan will announce which of his staff he is sending to France to be general manager of a new branch in Deauville. Will it be the talented and elegant Miss Doon or the loyal and long-serving Miss Gregory? Perhaps senior saleswoman Irene or showroom manager Dorian will get the job. Events take a dramatic turn over a lunch of rabbit curry when Miss Doon collapses and dies, poisoned by the oxalic acid crystals that another employee, Rachel, has been using to clean her hat. Inspector Charlesworth and Sergeant Wyler have a murder enquiry on their hands. Behind the glamour and gossip of a 1930s fashion house, secrets and lies are rife and more than one person may have harboured resentment towards Miss Doon. Richard Harris's thrilling play is based on Christianna Brand's debut crime novel. Irene Best, early 40s, brisk and efficient. Frank Bevan, late 40s, a ladies' man. Rose Macinerny, 19, plump and mousy. Zelda Gregory, late 30s, tall and angular. Dorian Pouvier, late 30s, slim and fair. Rachel Gay, 30s, extremely attractive Aileen Wheeler, early 20s, a blonde stunner. Caroline Doon, late 30s, tall and well modelled. Inspector David Charlesworth, 30-something, boyishly good-looking. Sergeant Lilian Wyler, late 30s, solid and no-nonsense