Claire Henry

From AI to climate change, recent technological, ecological, and cultural transformations have unsettled established assumptions about the relationship between the human and the more-than-human world. Screening the Posthuman addresses a heterogenous body of twenty-first century films that turn to the figure of the "posthuman" as a means of exploring this development. Through close analyses of films as diverse as Kûki ningyô [Air Doll] (dir. Hirokazu Koreeda 2009), Testrol és lélekrol [On Body and Soul] (dir. Ildiko Enyedi 2017) and Nomadland (dir. Chloé Zhao 2020), this wide-ranging volume shows that, while often identified as the remit of science fiction, the posthuman on screen crosses filmic genres, national contexts, and industrial settings. In the process, posthuman cinema emphasizes humanity's entanglement in broader biological, technological, and social worlds and exposes new models of subjectivity, community, and desire. In advancing these arguments, Screening the Posthuman draws on scholarship associated with critical posthumanist theory—an ongoing project unified by a decentering of the "human". As the first systematic, full-length application of this body of scholarship to cinema, Screening the Posthuman advocates for a rigorous posthumanist critique that avoids both humanist nostalgia and transhumanist fantasy in its attention to the excitements and anxieties of posthuman experience.

From AI to climate change, recent technological, ecological, and cultural transformations have unsettled established assumptions about the relationship between the human and the more-than-human world. Screening the Posthuman addresses a heterogenous body of twenty-first century films that turn to the figure of the "posthuman" as a means of exploring this development. Through close analyses of films as diverse as Kûki ningyô [Air Doll] (dir. Hirokazu Koreeda 2009), Testrol és lélekrol [On Body and Soul] (dir. Ildiko Enyedi 2017) and Nomadland (dir. Chloé Zhao 2020), this wide-ranging volume shows that, while often identified as the remit of science fiction, the posthuman on screen crosses filmic genres, national contexts, and industrial settings. In the process, posthuman cinema emphasizes humanity's entanglement in broader biological, technological, and social worlds and exposes new models of subjectivity, community, and desire. In advancing these arguments, Screening the Posthuman draws on scholarship associated with critical posthumanist theory—an ongoing project unified by a decentering of the "human". As the first systematic, full-length application of this body of scholarship to cinema, Screening the Posthuman advocates for a rigorous posthumanist critique that avoids both humanist nostalgia and transhumanist fantasy in its attention to the excitements and anxieties of posthuman experience.

A surreal and darkly humorous vision, David Lynch’s Eraserhead (1977) has been recognised as a cult classic since its breakout success as a midnight movie in the late 1970s. Claire Henry’s study of the film takes us into its netherworld, providing a detailed account of its production history, its exhibition and reception, and its elusive meanings. Using original archival research, she traces how Lynch took his nightmare of Philadelphia to the City of Dreams, infusing his LA-shot film with the industrial cityscapes and sounds of the Callowhill district. Henry then engages with Eraserhead’s irresistible inscrutability and advances a fresh interpretation, reframing auteurism to centre Lynch’s creative processes as a visual artist and Transcendental Meditation practitioner. Finally, she outlines how Lynch’s ‘dream of dark and troubling things’ became a model midnight movie and later grew in reputation and influence across broader film culture. From the opening chapter on Eraserhead’s famous ‘baby’ to the final chapter on the film’s tentacular influence, Henry’s compelling and authoritative account offers illuminating new perspectives on the making and meaning of the film and its legacy. Through an in-depth analysis of the film’s rich mise en scène, cinematography, sound and its embeddedness in visual art and screen culture, Henry not only affirms the film’s significance as Lynch’s first feature, but also advances a wider case for appreciating its status as a film classic.

Considered a notorious subset of horror in the 1970s and 1980s, there has been a massive revitalization and diversification of rape-revenge in recent years. This book analyzes the politics, ethics, and affects at play in the filmic construction of rape and its responses.

Considered a notorious subset of horror in the 1970s and 1980s, there has been a massive revitalization and diversification of rape-revenge in recent years. This book analyzes the politics, ethics, and affects at play in the filmic construction of rape and its responses.

Thousands of United States citizens are killed on the job every year despite the safety laws and regulations that have been set in place to prevent work-related deaths. Discover what the most dangerous jobs are, what it is that makes them so hazardous, and how they compare to each other with concise and up-to-date facts. This book includes a variety of charts and infographics.

With concise facts, poignant summaries, and a wide scope that covers the deadliest epidemics throughout history, this book may inspire readers to start carrying hand sanitizer. Some illnesses have been eradicated, but--as readers will learn--there are still plenty of viruses to worry about. History's deadliest epidemics are explained, compared, and contrasted with simple text, charts, and maps.

War has ravaged the world since the beginning of time, but how has it changed throughout the millennia? Grisly history is explained in detail and illuminated with handy charts and maps. A surefire hit with reluctant readers, this book takes no prisoners as it spills the gruesome details about the dark and violent side of the ancient and modern worlds.

Thousands upon thousands of death and injuries occur every year from things that no one can control--natural disasters. Death tolls and dollars of damage are laid out in comparison charts, and paths of destruction are shown in maps. Highlighting the deadliest tsunamis, hurricanes, earthquakes, and tornadoes with gritty detail, this volume is a grim reminder that sometimes all one can do is hang on and hope for the best.

As someone approaches the end of their life, it is vitally important that they receive quality care and support, that their wishes are met, and that they are treated with dignity and respect. Pathways through Care at the End of Life is a comprehensive guide to providing excellent, person-centred end of life care. Following a pathway from initial conversations about end of life to care in the last days of life and after death, it covers assessing need and planning care, co-ordinating care between different agencies, and ensuring quality in different settings, such as at home, in a hospice, or in hospital. Good practice guidance on communication, ensuring the person's needs are met, support for their family and how to facilitate a good death is given. Case studies illustrate real life practice, and questions throughout each chapter encourage reflective practice. This book will be essential reading for all those working with people at the end of life, such as nurses, social workers, GPs and home carers, as well as students in these fields.