Claire Malroux

“A Meteor of Intelligent Substance”“Something was Missing in our Culture, and Here It Is”"Invaluable""Liberties is THE place to be. Change starts in the mind.” Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers and leaders throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today’s culture and politics. In this issue of Liberties: Cass R. Sunstein - The Supreme Court Gone Wrong; Carissa Veliz - Digitization is Surveillance; Ekaterina Pravilova - The Autocrat’s War; Richard Taruskin - What is Bad Taste; Jonathan Zimmerman - Memoirs of a White Savior; Richard Wolin - The Cult of Carl Schmitt; Mark Polizzotti - Surrealism and Cancellation; Andrew Butterfield - Dante During Covid; Scott Spillman - The Strange History of the Slave Songs; Leora Batnitzky - The Sacrifice of Edith Stein; Helen Vendler - Sylvia Plath on Motherhood; Jared Marcel Pollen - Was Havel Right?; Celeste Marcus - The Curse of the Radical Israeli Right; Leon Wieseltier - The Future of Nature; and new poems by Claire Malroux, Marissa Grunes, Paula Bohince.

A bilingual collection of poetry, from elegies to poem memoirs, by a revered French master. For more than four decades Claire Malroux has forged a unique path in contemporary French poetry, informed by the French tradition, by poets such as Yves Bonnefoy and Mallarm , and, more unusually, by the Anglophone tradition, especially Emily Dickinson, Elizabeth Bishop, and Derek Walcott. A preeminent translator of English poetry into French, Malroux claims as a signal event in her literary life her discovery in 1983 of Dickinson's poetry, which she describes as "an encounter with the uncanny" and the awakening of a "personal affinity." Malroux is one of those rare poets whose work is informed by a day-to-day intimacy with a second language in its greatest variations and subtleties. Her poems move between an intense but philosophical and abstract interiority and an acute engagement with the material world. In almost every poem there is a characteristic and unsettling amalgam of past and present that collapses distance and incarnates through metaphor. This bilingual selection by the award-winning poet and translator Marilyn Hacker presents Malroux's oeuvre, from her early lyric poems to an excerpt from A Long-Gone Sun--a poem-memoir of life in southern France before and during World War II--to new and uncollected poems from two sequences of elegies written after the death of her life partner, the writer Pierre Sylvain.

Edge offers a selection of poems from Claire Malroux's previous volumes, published under her nom de plume Claire Sara Roux, with new poems all translated by Marilyn Hacker. From the "Translator's Preface" "Claire Malroux's poems have no political agenda. But, often enough, they subvert expectations by simply using undramatic womanly quotidian gestures to signify the human universal. A woman's specifically female odors and textures are transmuted into the earth's seasonal modulations: 'the lipstick poised in the air' in front of the bathroom mirror leads to a meditation on fixity, stagnation, and change; the silenced virgins of myth and provincial dining-rooms rise up out of their fathers' shadows and claim the power of the word."