Clara Drummond

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 4 The Battle of Marathon (1820) An Essay on Mind, with Other Poems (1826) from Prometheus Bound, and Miscellaneous Poems (1833) from T e Seraphim and Other Poems (1838) Poems before Congress (1860) Other Previously Published Prose and Poetry.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 5 Last Poems (1862) Works Unpublished in EBB’s Lifetime Consolidated Index.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 3: Aurora Leigh, 4th edn (1859)

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 2: Poems, 4th edn (1856), continued.

A canonical Victorian writer and thinker, Barrett Browning personified the engaged intellectual. This edition provides a foundation for a complete analysis and interpretation of her works – and of Victorian Britain. The edition presents accurate and accessible texts of all her published literary works. Volume 1 General Introduction Poems, 4th edn (1856).

Vivian’s gallery gig in Rio de Janeiro is more than a job. She’s a curator, not just at work but in every aspect of her life. Her apartment has designer armchairs. Her wallet is Comme des Garçons. Everything is selected and arranged, even her friends, culled from Brazil’s richest families, who play the supporting cast in Vivian’s ongoing performance of self. In Vivian’s world, everything comes in excess, including her own caustic self-awareness. As she informs us, “I’m a misandrist and a misogynist,” but she is fond of gay men, “the one type of human you can get along with as equals.” The gravity of real life breaks through Vivian’s ongoing act when she's confronted with an unexpected and awful proximity to police violence. Can she pause long enough to recast herself in a new role, one that fits her highly staged world and can account for the random and unpredictable? Role Play examines the super-abundances of Brazilian elites, their art and ethics, and their monied ambivalence in the face of social inequality, machismo, and violence. As sharp and sparkling as broken champagne flutes, Clara Drummond’s prose is seductively frank and unflinching in its depiction of wealth's warping effects. Her third novel and her English-language debut, Role Play is a bold and hilarious book that places everything that affirms and informs the performance of self under a harsh spotlight.