Clifford D Simak

Dieses klassische Buch wurde urspr nglich vor Jahrzehnten unter dem Titel "Mr. Meek Plays Polo". Es wurde jetzt von Writat f r seine franz sischsprachigen Leser in die franz sische Sprache bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit am Herzen. Wir haben dieses Buch ins Franz sische bersetzt, damit heutige und zuk nftige Generationen es lesen und bewahren k nnen.

Dieses klassische Buch wurde urspr nglich vor Jahrzehnten unter dem Titel "Mr. Meek-Musketeer". Es wurde jetzt von Writat f r seine franz sischsprachigen Leser in die franz sische Sprache bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit am Herzen. Wir haben dieses Buch ins Franz sische bersetzt, damit heutige und zuk nftige Generationen es lesen und bewahren k nnen.

Ce livre classique a t initialement publi il y a plusieurs d cennies sous le titre "Mr. Meek-Musketeer". Il a maintenant t traduit par Writat en langue fran aise pour ses lecteurs francophones. Chez Writat, nous sommes passionn s par la pr servation du patrimoine litt raire du pass . Nous avons traduit ce livre en fran ais afin que les g n rations pr sentes et futures puissent le lire et le pr server.

Ce livre classique a t initialement publi il y a plusieurs d cennies sous le titre "Mr. Meek Plays Polo". Il a maintenant t traduit par Writat en langue fran aise pour ses lecteurs francophones. Chez Writat, nous sommes passionn s par la pr servation du patrimoine litt raire du pass . Nous avons traduit ce livre en fran ais afin que les g n rations pr sentes et futures puissent le lire et le pr server.

A reporter uncovers a terrifying conspiracy, in this thrilling classic from a Science Fiction Grand Master. After a night out on the town, Parker Graves returns home to life-threatening danger. The science reporter for the local newspaper barely misses a bear trap sitting on his doorstep. Then, the object transforms into what looks like a bowling ball and rolls off into the night all by itself. He begins to obsess over the question—Who put the trap there? And why? The following day, there is strange news floating around at the newspaper office. Someone with limitless funds is buying up hundreds of homes and businesses, only to close them up and tear them down. People are running out of places to live and to work. Suddenly, Parker finds himself in the middle of a story nobody will believe . . . Aliens? Dolls that walk like people? Talking dogs? With a little help from a fellow reporter and an unusual visitor, Parker just might be able to put a stop to this mess—if he survives. “Some surprising jolts of violence and mayhem and a goodly dollop of cosmic paranoia.” —Fantasy Literature

A volume of eleven stories from the Hugo Award–winning science fiction author that explore inner space, future worlds, and the peculiar lives of robots. One of the twentieth century’s most pioneering science fiction authors, Clifford D. Simak had a special fondness for robots. Not only did these thinking machines represent the boundless possibilities of technology, they also had the potential to bring—in his words—“the kindness and the courage that I thought were needed in the world.” The stories in this volume offer a variety of Simak’s unique robot visions. In “Lulu,” a robot built for planetary exploration takes on a female identity, causing unforeseen challenges for her three-man crew. An examination of an unknown planet reveals the celestial body to be a single, gigantic computer whose origins and purpose are a mystery, in “Limiting Factor.” And in the title story, Simak returns to his longest-running robot character, Jenkins, who reflects on all that has come and gone one last time. Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

An enormous, mysterious box descends upon smalltown Minnesota, spelling trouble for the world, in this classic adventure from a Science Fiction Grand Master. Forestry student Jerry Conklin is fly-fishing when something huge lands on his car, crushing it into the earth. It looks like a big black box—about fifty feet high and two hundred feet long—and the object stirs up quite a commotion among the townspeople of Lone Pine, Minnesota. One of them even shoots at it—and quickly pays for it with his life. Around the country, people scramble to determine what exactly the box is. Is it a machine? Or maybe a sentient being? What does it want? They have no way of knowing. Jerry, meanwhile, has firsthand knowledge after the visitor abducts him. Then, just as he discovers it is a living, intelligent creature, it releases him into the darkness of night. As Jerry searches for a way back to civilization, more visitors descend upon Earth. They seem harmless enough. Then they begin eating trees, and that’s only the beginning . . . Praise for The Visitors “One of the most engaging novels of alien invasion ever written.” —Library Journal

This collection of stories from the Hugo Award–winning science fiction author ranges from alien planets to the more peculiar corners of the American landscape. A pioneering voice in twentieth-century science fiction, Clifford D. Simak earned his place alongside such luminaries as Isaac Asimov and Ray Bradbury. While some of his stories imagined interplanetary space travel, many others depicted strange events in otherwise ordinary American towns—in what some readers would come to think of as “Simak Country.” This volume contains examples of each. In “Horrible Example,” a small-town drunk reveals the extraordinary but essential role he plays in the community that shuns him. A space crew attempts to find substances on Jupiter that might help cure ailing humans back on Earth, in “Clerical Error.” And in the title story, a seemingly miraculous pile of treasure is scorned by a mysterious man of God. Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

In this classic novel by the Science Fiction Grand Master, a writer searching for explanations uncovers the existence of mutants and multiple Earths: “First-rate Simak” (The New York Times). Author Jay Vickers would like nothing more than to be left alone so he can finish his next book. But “there’s something strange going on,” as his peculiar neighbor, Horton Flanders, says. For instance, the market is filling with new inventions that supposedly last forever—cars, razors, cigarette lighters, and more. Individuals and whole families are disappearing. Soon, even Mr. Flanders vanishes—but not before leaving Vickers a note. Following Flanders’s advice, Vickers travels to his childhood home, where he makes a fantastic discovery. It is a mere child’s toy, a brightly colored whistling top. But for Jay Vickers, it leads to other worlds and answers all his questions. What happened to all the vanished people? Who is behind these helpful inventions? And what sort of being would want to stop them. . . ? “Unforgettable.” —New York Herald Tribune “Solid entertainment, with plenty of startling plot twists.” —The Magazine of Fantasy & Science Fiction “Some of the most ingenious plot twists in recent science-fiction.” —Galaxy

Clifford Donald Simak ( August 3, 1904 - April 25, 1988) was an American science fiction writer. He won three Hugo Awards and one Nebula Award. The Science Fiction Writers of America made him its third SFWA Grand Master, and the Horror Writers Association made him one of three inaugural winners of the Bram Stoker Award for Lifetime Achievement. imak became interested in science fiction after reading the works of H. G. Wells as a child. His first contribution to the literature was "The World of the Red Sun", published by Hugo Gernsback in the December 1931 issue of Wonder Stories with one opening illustration by Frank R. Paul. Within a year he placed three more stories in Gernsback's pulp magazines and one in Astounding Stories, then edited by Harry Bates. But his only science fiction publication between 1932 and 1938 was "The Creator" (Marvel Tales #4, March-April 1935), a story with religious implications, which was then rare in the genre. Once John W. Campbell, at the helm of Astounding from October 1937, began redefining the field, Simak returned and was a regular contributor to Astounding Science Fiction (as it was renamed in 1938) throughout the Golden Age of Science Fiction (1938-1950). At first, as in the 1939 serial novel Cosmic Engineers, he wrote in the tradition of the earlier "super science" subgenre that E. E. "Doc" Smith perfected, but he soon developed his own style, which is usually described as gentle and pastoral. During this period, Simak also published a number of war and western stories in pulp magazines. His best-known book may be City, a fix-up novel based on short stories with a common theme of mankind's eventual exodus from Earth. Simak continued to produce award-nominated novels throughout the 1950s and 1960s. Aided by a friend, he continued writing and publishing science fiction and, later, fantasy, into his 80s. He believed that science fiction not rooted in scientific fact was responsible for the failure of the genre to be taken seriously, and stated his aim was to make the genre a part of what he called "realistic fiction." (wikipedia.org)

Clifford Donald Simak ( August 3, 1904 - April 25, 1988) was an American science fiction writer. He won three Hugo Awards and one Nebula Award. The Science Fiction Writers of America made him its third SFWA Grand Master, and the Horror Writers Association made him one of three inaugural winners of the Bram Stoker Award for Lifetime Achievement. imak became interested in science fiction after reading the works of H. G. Wells as a child. His first contribution to the literature was "The World of the Red Sun", published by Hugo Gernsback in the December 1931 issue of Wonder Stories with one opening illustration by Frank R. Paul. Within a year he placed three more stories in Gernsback's pulp magazines and one in Astounding Stories, then edited by Harry Bates. But his only science fiction publication between 1932 and 1938 was "The Creator" (Marvel Tales #4, March-April 1935), a story with religious implications, which was then rare in the genre. Once John W. Campbell, at the helm of Astounding from October 1937, began redefining the field, Simak returned and was a regular contributor to Astounding Science Fiction (as it was renamed in 1938) throughout the Golden Age of Science Fiction (1938-1950). At first, as in the 1939 serial novel Cosmic Engineers, he wrote in the tradition of the earlier "super science" subgenre that E. E. "Doc" Smith perfected, but he soon developed his own style, which is usually described as gentle and pastoral. During this period, Simak also published a number of war and western stories in pulp magazines. His best-known book may be City, a fix-up novel based on short stories with a common theme of mankind's eventual exodus from Earth. Simak continued to produce award-nominated novels throughout the 1950s and 1960s. Aided by a friend, he continued writing and publishing science fiction and, later, fantasy, into his 80s. He believed that science fiction not rooted in scientific fact was responsible for the failure of the genre to be taken seriously, and stated his aim was to make the genre a part of what he called "realistic fiction." (wikipedia.org)

A mind-opening collection of short science fiction from one of the genre’s most revered Grand Masters. Legendary author Robert A. Heinlein proclaimed, “To read science fiction is to read Simak. A reader who does not like Simak stories does not like science fiction at all.” The remarkably talented Clifford D. Simak was able to ground his vast imagination in reality, and then introduce readers to fantastical worlds and concepts they could instantly and completely dig into, comprehend, and enjoy. In the title story, a man’s newfound ability to walk in the past allows him to dwell among dinosaurs, saber-toothed tigers . . . and something even more timeless. In “Construction Shack,” the first manned expedition to Pluto reveals that no matter how advanced aliens may be, even they don’t always get everything right. And in “Univac 2200,” the thin line between humans creating technology and humans becoming technology is about to be crossed—and there may be no going back. Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

Nine tales of imagination and wonder from one of the formative voices of science fiction and fantasy, the author of Way Station and City. Named a Grand Master by the Science Fiction Writers of America, Clifford D. Simak was a preeminent voice during the decades that established sci-fi as a genre to be reckoned with. Held in the same esteem as fellow luminaries Isaac Asimov, Robert A. Heinlein, and Ray Bradbury, his novels continue to enthrall today’s readers. And his short fiction is still as gripping and surprising now as when it first entertained an entire generation of fans. The title story is just one example of this. Cheviot Sherwood doesn’t believe in miracles. They never seem to pay off. So when he’s marooned on a planet with no plan for escape and no working radio, he takes it in stride and prepares for a long stay gathering food, making shelter, and collecting all the diamonds the world has to offer. But when a ship like none he’s ever encountered lands, he sees his salvation—and an opportunity to take the priceless craft for himself. Unfortunately, his “rescuer” has the same idea . . . This volume also includes the celebrated short works “Eternity Lost,” “Shotgun Cure,” and “Paradise,” among others. Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this ebook.

From tales of alien invasions and intergalactic war to visions of dystopian tomorrows, an astonishing collection from one of literary science fiction’s all-time greats, Hugo Award winner Clifford D. Simak. The twentieth century’s so-called golden age of science fiction produced many great writers—including Isaac Asimov, Ray Bradbury, Arthur C. Clarke, and Robert Heinlein—yet none is greater than Clifford D. Simak, named Grand Master by the Science Fiction Writers of America. His bold visions of and ingenious speculations about humankind’s future, always enriched with empathy and a deep understanding of human strengths, foibles, and failings, have stood the test of time, remaining powerful, affecting, and relevant. This sterling collection of fantastic stories by the multiple Hugo and Nebula Award– winning master showcases some of Simak’s finest short fiction, from his earliest published tales to his later masterworks. In the wry and wonderful title story, a science fiction writer of the far future returns to a nearly abandoned Earth in search of inspiration—and finds that the dying planet holds more wonder than he bargained for. The interdimensional invasion Simak imagines in “Hellhounds of the Cosmos” displays a conceptual ingenuity not typically seen in speculative fiction prior to World War II. And other tales in this marvelous compendium offer a wide range of wonders, from the surrender terms dictated by a cute and cuddly alien enemy and a get-rich-quick real-estate scam originating from another galaxy to the truth behind a series of strange disappearances on Jupiter and an explosion of ladybugs in a salesman’s suburban home—an infestation quite possibly not of this Earth. Whether he’s rocketing us to another galaxy, leading us through the otherworldly shadows of small-town America, or preparing us for a Wild West shootout, every literary outing with Simak is an excursion to remember.

Tales of science fiction and adventure from the Hugo Award–winning author of Way Station and City. The long and prolific career of Clifford D. Simak cemented him as one of the formative voices of the science fiction and fantasy genre. The third writer to be named a Grand Master by the Science Fiction Writers of America, his literary legacy stands alongside those of Robert A. Heinlein and Ray Bradbury. This striking collection of nine tales showcases Simak’s ability to take the everyday and turn it into something truly compelling, taking readers on a long journey in a very short time. In “Dusty Zebra,” Joe discovers a portal that allows him to exchange everyday objects with an entity he can neither see nor hear, and soon learns that one man’s treasure may be another dimension’s trash. In “Retrograde Evolution,” an interplanetary trading vessel tries to figure out how to deal with a remote society that has suddenly decided to become far less civilized. And in “Project Mastodon,” an unusual ambassador from an unheard-of country offers amazing opportunities in a place the modern world can never compete with: the past. Simak’s mastery of the short form is on display in these and six other stories. Each story includes an introduction by David W. Wixon, literary executor of the Clifford D. Simak estate and editor of this book.

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A replica of the October 1950 issue of GALAXY SCIENCE FICTION digest magazine featuring TIME QUARRY by Clifford D. Simak, THE STARS ARE THE STYX by Theodore Sturgeon, CONTAGION by Katherine MacLean, THIRD FROM THE SUN by Richard Matheson, LATER THAN YOU THINK by Fritz Leiber, THE LAST MARTIAN by Fredric Brown, and DARWINIAN POOL ROOM by Isaac Asimov.