Courttia Newland

In 2004 Trevor Phillips, Chair of the Commission for Racial Equality, asked if the countryside is guilty of a 'passive apartheid'. White Open Spaces is a Pentabus Theatre development project undertaken in partnership with BBC Radio Drama. Nine Writers were invited to take part in a residential week in Shropshire. The plays published in this volume are by Francesca Beard, Sonali Bhattacharyya, Ian Marchant, Kara Miller, Courttia Newland, Richard Rai O'Neil, and Rommi Smith. White Open Spaces was taken on a regional tour, including a run at the Pleasance’s King Dome at the Edinburgh Fringe Festival in 2006.

Both as a novelist and as a screenwriter, Courttia Newland has found himself, through circumstance or choice, in a place of opposition to the commercial mainstream. Now, he reflects on what it means to be an artist operating in the margins and shares his experiences and observations for those facing similar hurdles and choices. Newland covers key aspects of creating beyond the mainstream, including centring your own voice; which voices are allowed full freedom of artistic expression and which are not; the importance of reading outside of the white Western canon; and how success shapes the work of historically excluded creatives. Alongside his own observations and experiences, he explores the work of - and in some instances interviews - other oppositional artists, including Percival Everett, Lou Mensah, Iain Banks, Jean Binta Breeze and others. The result is a startling provocation, and a galvanising vindication of refusing to conform.

SHORTLISTED FOR THE ARTHUR C. CLARKE AWARD 2022LONGLISTED FOR THE GORDON BURN PRIZEA monumental speculative fiction story of love, loyalty, politics and conscience set in parallel LondonsThe Ark was built to save the lives of the many, but rapidly became a refuge for the elite, the entrance closed without warning. Years later, Markriss Denny is one of the select few granted entry. He carries with him a closely guarded secret: the ability of his spirit to leave his body and transcend the known world. But once in, he learns of another who carries the same power, and their existence could spell catastrophe for humanity. Denny is forced into a desperate race to understand his abilities, and in doing so uncovers the truth about the Ark, himself and the people he thought he once knew.

"Newland easily engages readers with complex world-building, well-shaded characters, and stories as entertaining as they are meaningful. It's no small feat to so immediately and repeatedly appeal to readers' hearts and minds, and Newland's mastery of short-format storytelling is sure to impress. Speculative fiction fans won't be able to put this down." --Publishers Weekly, starred review "Newland's writing is in league with a host of SF subgenres, from pulpy space opera to N. K. Jemisin-style Afrofuturism to Jeff VanderMeer-esque eco-fiction. But his chief skill is weaving those tropes into stories that are both wildly speculative and on the news . . . Wide-ranging and deeply imaginative; Newland is equally at home in council flats and deep space." --Kirkus Reviews In his exquisite first collection of speculative fiction, Courttia Newland envisages an alternate future as lived by the African diaspora. Kill parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on interbreeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity. Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition, and self-destruction, but ultimately of our strength and resilience.

In his sharply crafted, unnerving first collection of speculative fiction shorts, Courttia Newland envisages an alternate future as lived by the African diaspora. Robots used as human proxies in a war become driven by all-too-human desires; Kill Parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on inter-breeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity. Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition and self-destruction, but ultimately of our strength and resilience.

LONGLISTED FOR THE GORDON BURN PRIZEA monumental speculative fiction story of love, loyalty, politics and conscience set in parallel LondonsThe Ark was built to save the lives of the many, but rapidly became a refuge for the elite, the entrance closed without warning. Years after the Ark was cut off from the world, a chance of survival within its confines is granted to a select few who can prove their worth. Among their number is Markriss Denny, whose path to future excellence is marred only by a closely guarded secret: without warning, his spirit leaves his body, allowing him to see and experience a world far beyond his physical limitations. Once inside the Ark, Denny learns of another with the same power, whose existence could spell catastrophe for humanity. He is forced into a desperate race to understand his abilities, and in doing so uncovers the truth about the Ark, himself and the people he thought he once knew. Set in an alternate world where slavery and colonialism never happened, Newland's staggering novel is both a timely exploration of social inequality and a story about love, loyalty and the search for the truth.

Writing Short Stories: A Writers' and Artists' Companion is an essential guide to writing short fiction successfully. PART 1 explores the nature and history of the form, personal reflections by the editors, and help getting started with ideas, planning and research. PART 2 includes tips by leading short story writers, including: Alison Moore, Jane Rogers, Edith Pearlman, David Vann, Anthony Doerr, Vanessa Gebbie, Alexander MacLeod, Adam Thorpe and Elspeth Sandys. PART 3 contains practical advice - from shaping plots and exploring your characters to beating writers' block, rewriting and publishing your stories.

SOCIETY WITHIN takes us back to the Greenside Estate, West London, scene of Courttia Newland's ground-breaking and hugely successful first novel, THE SCHOLAR. Newly arrived on the estate is Elisha: sweet, bright, sassy and just eighteen. As Elisha negotiates some new territory with more than fair share of dark corners, we take in the vividly interlocking lives of the other Greensiders: cool, ambitious Valerie, with some bad secrets to deal with; Little Stacey, looking for his first girl; Orin, dealing, stealing and trying to stay away from anything too lethal. Courttia Newland tells gripping stories from real lives - stories of dreamers and fighters, love and revenge, friendship and betrayal - in a language burning with energy, originality and conviction.

When his dad dies under police arrest after a pub brawl, Cory goes to live with his cousin, Sean. By their late teens the cousins, though close, have chosen different paths. Sean is trying to improve his life through education, whereas Cory has already become involved in petty crime - burglary and dealing E. However, everything changes when Cory stabs a man called Roger after a rave, putting him in hospital. This has grave repercussions for Cory - Roger was supposed to be taking part in an armed robbery with Levi, a notorious crack dealer. Levi now expects Cory to take his place. But Cory breaks his leg during a football match and Sean, unable to find a replacement for his cousin, and desperate to help him, agrees to join in on the robbery himself. However, having entered a world of (apparently) easy money and hard drugs, Sean finds it increasingly hard to return to his previous life as The Scholar......