Craig Robertson

A taut and gripping thriller from the CWA New Blood Dagger shortlisted author of Random. A series of high-profile shootings by a lone sniper leaves Glasgow terrorised and police photographer Tony Winter - a man with a tragic hidden past - mystified. Who is behind the executions of some of the most notorious drug lords in the city? As more shootings occur - including those of police officers - the authorities realise they have a vigilante on their hands. Meanwhile, Tony investigates a link between the victims and a schoolboy who has been badly beaten. Seemingly unconnected, they share a strange link. As Tony delves deeper, his quest for the truth and his search for the killer lead him down dark and dangerous paths. Delivering brilliant crime fiction for fans of Stuart MacBride and Ian Rankin, Craig Robertson is the author of the acclaimed Random, Snapshot, Cold Grave, Witness the Dead, The Last Refuge, In Place of Death and Murderabilia. Praise for Craig Robertson: 'Robertson is doing for Glasgow what Rankin did for Edinburgh' Mirror 'I can't recommend this book highly enough' MARTINA COLE 'Brace yourself to be horrified and hooked' EVA DOLAN 'Fantastic characterisation, great plotting, page-turning and gripping. The best kind of intelligent and moving crime fiction writing' LUCA VESTE 'Really enjoyed Murderabilia - disturbing, inventive, and powerfully and stylishly written. Recommended' STEVE MOSBY 'A great murder mystery witha brilliantly realised setting and deftly painted characters' JAMES OSWALD 'Takes a spine-tingling setting and an original storyline and adds something more'Scottish Daily Record 'A perfectly constrcuted police procedural with real psychological depth' Crimefictionlover

Piers Langland is a mild mannered paint salesman with one burning passion. He aspires to be a famous author. Each November he looks forward to entering The National Novel Writer Month competition, or NaNoWriMo. To be a winner in NaNoWriMo he must write a 50,000 word novel in thirty days, a tall order for any writer. Turns out, it is an especially tall order for our hero. Join Piers as he struggles to choose a topic for his novel before he can begin his epic task. Vampires or space opera, romance or pulp fiction, zombies or elves, what should he choose? Unfortunately, the greatest object holding him back is Piers himself. Follow this hilarious tale as Piers blunders his way though one genre after another, leaving a trail of wackiness and comical wreckage in his wake. Can Piers choose a topic? Can Piers finish his book? Can Piers get even one thing right without bungling it terribly? Read The Prisoner of NaNoWriMo and find out. This whimsical story is written by Craig Robertson, author of the novels Anon Time and The Innerglow Effect. Craig knows first hand the pain and glory that is NaNoWriMo, as this book is his 2009 winner. Who doesn't deserve a good laugh these days? Let Piers know you feel his pain and show him you have his back. Buy your copy of The Prisoner Of NaNoWriMo today

In today's world of constant identification checks, it's difficult to recall that there was ever a time when "proof of identity" was not a part of everyday life. And as anyone knows who has ever lost a passport, or let one expire on the eve of international travel, the passport has become an indispensable document. But how and why did this form of identification take on such a crucial role? In the first history of the passport in the United States, Craig Robertson offers an illuminating account of how this document, above all others, came to be considered a reliable answer to the question: who are you? Historically, the passport originated as an official letter of introduction addressed to foreign governments on behalf of American travelers, but as Robertson shows, it became entangled in contemporary negotiations over citizenship and other forms of identity documentation. Prior to World War I, passports were not required to cross American borders, and while some people struggled to understand how a passport could accurately identify a person, others took advantage of this new document to advance claims for citizenship. From the strategic use of passport applications by freed slaves and a campaign to allow married women to get passports in their maiden names, to the "passport nuisance" of the 1920s and the contested addition of photographs and other identification technologies on the passport, Robertson sheds new light on issues of individual and national identity in modern U. S. history. In this age of heightened security, especially at international borders, Robertson's The Passport in America provides anyone interested in questions of identification and surveillance with a richly detailed, and often surprising, history of this uniquely important document.