D. H. Lawrence

The three works collected in this volume, all written in 1924, explore the profound effects on protagonists who embark on psychological voyages of liberation. In St Mawr, Lou Witt buys a beautiful, untamable bay stallion and discovers an intense affinity with the horse that she cannot feel with her husband. This superb novella displays Lawrence's mastery of satirical comedy in a scathing depiction of London's fashionable horse riding set. 'The Princess' portrays the intimacy between an aloof woman and her male guide as she travels through New Mexico in search of new experiences, while in 'The Woman who Rode Away' a woman's religious quest in Mexico brings great danger - and astonishing self-discovery.

"Lady Chatterley's Lover," by D. H. Lawrence, is part of the "Barnes & Noble Classics"" "series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of "Barnes & Noble Classics" All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. "Barnes & Noble Classics "pulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works. The last, and most famous, of D. H. Lawrence's novels, "Lady Chatterley's Lover" was published in 1928 and banned in England and the United States as pornographic. While sexually tame by today's standards, the book is memorable for better reasons--Lawrence's masterful and lyrical prose, and a vibrant story that takes us bodily into the world of its characters. As the novel opens, Constance Chatterley finds herself trapped in an unfulfilling marriage to a rich aristocrat whose war wounds have left him paralyzed and impotent. After a brief but unsatisfying affair with a playwright, Lady Chatterley enjoys an extremely passionate relationship with the gamekeeper on the family estate, Oliver Mellors. As Lady Chatterley falls in love and conceives a child with Mellors, she moves from the heartless, bloodless world of the intelligentsia and aristocracy into a vital and profound connection rooted in sexual fulfillment. Through this novel, Lawrence attempted to revive in the human consciousness an awareness of savage sensuality, a sensuality with the power to free men and women from the enslaving sterility of modern technology and intellectualism. Perhaps even more relevant today than when it first appeared, "Lady Chatterley's Lover" is a triumph of passion and an erotic celebration of life. Susan Ostrov Weisser is a professor in the English Department at Adelphi University, where she specializes in nineteenth-century literature and women's studies, and teaches frequently in the Honors College.

His first published collection, these twelve stories were written between 1907 and 1914, during a crucial period of development for Lawrence from which he emerged a leading figure of the modernist movement. Reaching new levels of feeling and experience, these stories range from the tale of a Prussian officer who drives his orderly towards a bloody reckoning, to the strangely exotic elements of 'A Fragment of Stained Glass', and the divisions within society and conflicts of the heart that form the central themes of 'Daughters of a Vicar'. Interweaving individual lives, their happiness, failures and defeats, with the prfound forces of nature, Lawrence has created stories of remarkable power and sensitivity. This Penguin edition reproduces the newly established Cambridge text, which is based on Lawrence's manuscripts, typescripts and corrected proofs.

This novel, considered by Lawrence to be his best, centres on the characters of Birkin (a self portrait), Gerald, the son of a colliery owner, and the two women, Gudrun and Ursula. The text has been cleared of accumulated errors and omissions due to censorship.

Lawrence asserted that 'the proper function of a critic is to save the tale from the artist who created it'. In these highly individual, penetrating essays he has exposed 'the American whole soul' within some of that continent's major works of literature. In seeking to establish the status of writings by such authors as Poe, Melville, Fenimore Cooper and Whitman, Lawrence himself has created a classic work. Studies in Classic American Literature is valuable not only for the light it sheds on eighteenth- and nineteenth-century American consciousness, telling 'the truth of the day', but also as a prime example of Lawrence's learning, passion and integrity of judgement.