Dan Shaw

This book pairs close readings of some of the classic writings of existentialist philosophers with interpretations of films that reveal striking parallels to each of those texts, demonstrating their respective philosophies in action. Individual chapters include significant excerpts from the original texts being discussed and illustrated. Pairings cover Schopenhauer and Waking Life, Stirner and Hud, Kierkegaard and Winter Light, Nietzsche and The Fountainhead, Heidegger, Blade Runner and The Thin Red Line, Camus, Leaving Las Vegas and Missing, Sartre, Husbands and Wives, and Michael Collins, de Beauvoir and Revolutionary Road, and Foucault and One Flew Over the Cuckoo’s Nest. Movies with Meaning offers a clear and insightful examination of the relationships between existential philosophers and film, providing both digests of their most significant texts and cinematic illustrations of what each had in mind. For the first time in one place, this book analyses the implications for film of the perspectives of a wide array of the most significant existentialist thinkers. Organized chronologically, like most existentialism anthologies, this is an ideal textbook for an intermediate level existentialism course, or as a companion to a selection of primary texts.

This book pairs close readings of some of the classic writings of existentialist philosophers with interpretations of films that reveal striking parallels to each of those texts, demonstrating their respective philosophies in action. Individual chapters include significant excerpts from the original texts being discussed and illustrated. Pairings cover Schopenhauer and Waking Life, Stirner and Hud, Kierkegaard and Winter Light, Nietzsche and The Fountainhead, Heidegger, Blade Runner and The Thin Red Line, Camus, Leaving Las Vegas and Missing, Sartre, Husbands and Wives, and Michael Collins, de Beauvoir and Revolutionary Road, and Foucault and One Flew Over the Cuckoo’s Nest. Movies with Meaning offers a clear and insightful examination of the relationships between existential philosophers and film, providing both digests of their most significant texts and cinematic illustrations of what each had in mind. For the first time in one place, this book analyses the implications for film of the perspectives of a wide array of the most significant existentialist thinkers. Organized chronologically, like most existentialism anthologies, this is an ideal textbook for an intermediate level existentialism course, or as a companion to a selection of primary texts.

One of today’s eminent tastemakers, Alex Papachristidis is known for arresting, elegant interiors that meld classical motifs with a modern perspective and sophisticated details. This volume pays homage to Papachristidis’s refined sensibility and celebrates Alex Papachristidis Interiors’ twenty-fifth anniversary. Papachristidis has decorated homes for an international clientele—featured projects range from grand New York apartments to idyllic beach houses in the Hamptons and Cape Cod. Inspired by legendary designers such as Renzo Mongiardino and Sister Parish, he is known for wall-to-wall luxury. The hallmark of his style is an unwavering attention to detail, from gilded finishes and stenciled floors to his use of passementerie and creative layering of fabrics for upholstery. Papachristidis’s multifaceted approach and fresh color palette make his rooms the perfect backdrop for glamorous living and an easy elegance. He discusses style strategies such as draping hall tables and hanging matchstick blackout shades beneath bedroom curtains, and he opens his international address book to share favorite resources for fabrics, furniture, and antiques.

This is an introduction to ethical theories and contemporary moral issues through film. "A Filmgoer's Guide to Ethics" presents the ideal introduction to philosophical ethics for film lovers. Dan Shaw uses a series of fifteen popular films, including "Hotel Rwanda", "Casablanca", "Citizen Kane", "A Clockwork Orange", "Dead Man Walking" and "Full Metal Jacket", to illustrate all the major ethical theories and key contemporary moral issues. The book provides a brief summary and philosophical interpretation of each film, with reference throughout to primary philosophical sources. A unique pedagogical feature is that each chapter begins with a five-step summary of the theoretical position in question and a critical evaluation of its strengths and weaknesses through a specific film. Topics covered include: divine authority; the social contract; moral relativism; virtue ethics- freedom and determinism; euthanasia; capital punishment; war and terrorism; abortion; and, business ethics. Ideal for undergraduate students coming to philosophical ethics for the first time, this book utilizes popular film to introduce a central topic in the study of philosophy.