Daniel Belasco

Celebrates the first exhibition devoted to the finely crafted and researched costumes, objects, and drawings that Mary Reid Kelley creates for her visually and intellectually stimulating videos made in collaboration with Patrick Kelley. Mary Reid Kelley celebrates the first museum exhibition devoted to the finely crafted and researched costumes, objects, and drawings that Mary Reid Kelley creates for her visually and intellectually stimulating videos. An essay by curator Daniel Belasco analyzes the sources and significance of the working objects in how they promote the "unreality effect" of Mary Reid Kelley's videos, which combine both the analog and digital and the personal and historical. A conversation between Corinna Ripps Schaming and Mary Reid Kelley and her long-time collaborator Patrick Kelley reveals insights into their working process. For the first time, the full range of the artist's costumes, props, drawings, furniture, and accessories are photographed and presented as unique works of art.

Lichtenstein Remembered accompanies a 2023 exhibition, curated by Irving Blum on the centennial of the artist s birth, of twenty-two sculptures and twenty-eight works on paper at Gagosian New York. The sculptures, of some of Lichtenstein s most iconic images including explosions, mobiles, mirrors, lamps, glasses, and profiles were made between 1965 and 1996, spanning all periods of his career. They are shown together with the drawings, studies, sketches, and collages created in preparation for and alongside them, testifying to the remarkable depth and medium-subverting wit of Lichtenstein s practice. The catalogue includes new plate photography, including details, of the forty exhibited works, as well as historical, documentary photos of the artist, his studio space, and his artwork. Roy Lichtenstein was born in 1923 in New York and died in 1997 in New York. A retrospective of his work will open at the Whitney Museum of American Art, New York, in 2026. Since 1998, Gagosian has presented thirteen major solo exhibitions of Lichtenstein s work in the United States, Europe, and Asia. New, illustrated essays by art historian Daniel Belasco and critic Adam Gopnik provide historical and interpretive context for the work. An introduction by Steve Martin offers a poignant reflection on his time with Lichtenstein and Blum, while a conversation between Blum and Dorothy Lichtenstein held on the occasion of this exhibition further illuminates their rich shared history.

In Women Artists in Midcentury America, readers embark on a two-decade-long exploration into evolving social and artistic landscapes through all-women exhibitions. These groundbreaking projects courageously confronted issues of sexual and racial discrimination, igniting profound discussions about women’s roles within modernism and democracy. Looking closely at the inception and reception of these exhibitions by curators, artists, critics and the public, Daniel Belasco sheds light on the remarkable contributions of numerous artists, from Ruth Asawa to Marguerite Zorach. By foregrounding the accomplishments of women artists during a conservative period later overshadowed by the feminist movement, Belasco provides a fresh perspective on the complex history of women’s art in America and its significance in the broader art world.