Dante Gabriel Rossetti

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"The New Life" is the masterpiece of Dante Alighieri s youth, an account of his love for Beatrice, the girl who was to become his lifelong muse, and of her tragic early death. An allegory of the soul s crisis and growth, combining prose and poetry, narrative and meditation, dreams and songs and prayers, this work of crystalline beauty and fascinating complexity has long taken its place as one of the supreme revelations in the literature of love. Published here in the beautiful translation by the nineteenth-century English poet Dante Gabriel Rossetti, "The New Life" is an inspired poetic re-creation comparable to Edward FitzGerald s "Rubaiyat of Omar Khayyam" and a classic in its own right."

Frank Laurence Lucas (1894–1967) was a renowned English author, poet and classicist, often remembered for his polemical attacks on key modernist figures such as T. S. Eliot, as well as his meticulous scholarship in the production of texts such as the four-volume Complete Works of John Webster. First published in 1933, this book presents an accessible selection of Dante Gabriel Rossetti's poetry edited by Lucas. The text is divided into two parts, with the first part containing translated works by other poets and the second original works by Rossetti. This book will be of value to anyone with an interest in Rossetti's poetry and the writings of Lucas.

Few collections of verse have been associated with such drama as these poems by Dante Gabriel Rossetti (1828–82). Much of this work had disappeared in 1862 when it was buried with Rossetti's wife, Elizabeth Siddal, only to be brought back to the light of day in 1869. Rossetti added further poems and the work first appeared in 1870. The full impact of the sexually explicit material was soon felt. In his article 'The Fleshly School of Poetry', the writer Robert Williams Buchanan denounced Rossetti as corrupt and decadent. Others joined the chorus of disapproving voices. Steeped in remorse about his treatment of his wife, and riddled with guilt about his affair with Jane Morris, Rossetti broke down and attempted suicide. Behind all the sensation, however, lies Rossetti's subtle and complex literary intelligence attempting, many years before Freud, to find honest modes of expression for the central importance of the libido.

Few collections of verse have been associated with such drama as these poems by Dante Gabriel Rossetti (1828–82). Much of this work had disappeared in 1862 when it was buried with Rossetti's wife, Elizabeth Siddal, only to be brought back to the light of day in 1869. Rossetti added further poems and the work first appeared in 1870. The full impact of the sexually explicit material was soon felt. In his article 'The Fleshly School of Poetry', the writer Robert Williams Buchanan denounced Rossetti as corrupt and decadent. Others joined the chorus of disapproving voices. Steeped in remorse about his treatment of his wife, and riddled with guilt about his affair with Jane Morris, Rossetti broke down and attempted suicide. Behind all the sensation, however, lies Rossetti's subtle and complex literary intelligence attempting, many years before Freud, to find honest modes of expression for the central importance of the libido.

The Rossettis were one of the most remarkable and talented families in Victorian Britain. Of the two parents and three siblings, Dante Gabriel (1828–82) and Christina (1830–94) stood out, but throughout their lives they remained a tightly-knit unit. William Michael (1829–1919), who published this two-volume work in 1895, was the family record keeper and in the memoir of his brother we have an unmatched account of the family dynamic. He was not always candid about his brother's affairs but his biography is unparalleled for its fresh directness. Unlike all subsequent biographers, William wrote from the inside, and even if he was unable to tell the whole story, the intimate details of the day-to-day life of the great painter and poet have about them the ring of truth and authenticity. Volume 1 contains William's sympathetic memoir, while Volume 2 contains hundreds of Dante's letters to his family.

The Rossettis were one of the most remarkable and talented families in Victorian Britain. Of the two parents and three siblings, Dante Gabriel (1828–82) and Christina (1830–94) stood out, but throughout their lives they remained a tightly-knit unit. William Michael (1829–1919), who published this two-volume work in 1895, was the family record keeper and in the memoir of his brother we have an unmatched account of the family dynamic. He was not always candid about his brother's affairs but his biography is unparalleled for its fresh directness. Unlike all subsequent biographers, William wrote from the inside, and even if he was unable to tell the whole story, the intimate details of the day-to-day life of the great painter and poet have about them the ring of truth and authenticity. Volume 2 contains hundreds of Dante's letters to his family, with helpful explanatory notes by William.

The Rossettis were one of the most remarkable and talented families in Victorian Britain. Of the two parents and three siblings, Dante Gabriel (1828–82) and Christina (1830–94) stood out, but throughout their lives they remained a tightly-knit unit. William Michael (1829–1919), who published this two-volume work in 1895, was the family record keeper and in the memoir of his brother we have an unmatched account of the family dynamic. He was not always candid about his brother's affairs but his biography is unparalleled for its fresh directness. Unlike all subsequent biographers, William wrote from the inside, and even if he was unable to tell the whole story, the intimate details of the day-to-day life of the great painter and poet have about them the ring of truth and authenticity. Volume 1 is given over to William's extensive and sympathetic memoir of his brother's life.