Dashiell Hammett

One of the greatest crime novels of the 20th century - featuring iconic detective Sam Spade. 'Influenced everyone from Chandler to Le Carré ... The Maltese Falcon is the Hammett novel that jumps from the pages of its genre and into literature' Guardian

Yksityisetsivä Sam Spade sai kovan pähkinän purtavakseen, kun neiti Wonderley pyysi hänen suojelustaan. Tehtävän otti hoitaakseen Spaden yhtiökumppani – jonka kävi jo ensimmäisenä iltana huonosti. Neiti Wonderley ei suostunut antamaan tehtävästään mitään johtolankoja, mutta Spade jatkoi tutkimuksiaan. Sitten hänen puheilleen tuli omituinen miekkonen hieromaan kauppoja jostakin mustasta lintupatsaasta. Tapahtumat lähtivät yhtäkkiä vyörymään niin että Spade joutui pitämään päänsä kylmänä. (takakansiteksti v. 1981 painoksesta)

"Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business."--Samuel Spade, private investigator "Spade...is what most of the private detectives I worked with would like to have been and in their cockier moments thought they approached."--Dashiell Hammett The Maltese Falcon first appeared in the pages of Black Mask magazine in 1929. Almost immediately it was acknowledged as not only a great crime novel but an enduring masterpiece of American fiction. Sam Spade, its protagonist, is the archetypal tough, cynical PI, "able," as his creator explained, "to take care of himself in any situation, able to get the best of anybody he comes in contact with, whether criminal, innocent bystander or client." And what a client --the irresistible and treacherous femme fatale Brigid O'Shaughnessy. Believing the book's vividly drawn characters and memorable dialogue cry out for theatrical treatment, Blackstone Audio commissioned this faithful dramatization by the award-winning Hollywood Theater of the Ear, in which a brilliant cast brings to life all the excitement and suspense of Hammett's original in the playhouse of the mind.

This omnibus edition includes four linked stories - 'The House in Turk Street', 'The Girl with the Silver Eyes', 'The Big Knockover' and '$106,000 Blood Money - featuring the Continental Op, Hammett's anonymous tough-guy detective.

Die attraktive Brigid bittet Sam Spade und seinen Partner Archer um Hilfe, weil sie Angst vor einem gewissen Thursby hat. Am selben Abend wird Archer umgebracht. Auch Thursby taucht als Leiche auf. Spade beginnt ein Verhältnis mit Brigid, obwohl er weiß, daß sie nicht ehrlich zu ihm ist. Er erfährt, daß sie - und nicht nur sie - hinter einer wertvollen Skulptur aus dem 16. Jahrhundert her ist: dem Malteser Falken.

Der Erfinder Clyde Wynant ist verschwunden, und seine Sekretärin Julia Wolf wird ermordet in ihrer Wohnung aufgefunden. Wer ist der Mörder? Wynants Tochter Dorothy? Oder Wynants geschiedene Frau Mimi Jorgensen, die die Sekretärin (und Geliebte) ihres Ex-Mannes gehaßt hatte? Und wo ist Wynant? Da erhält Wynants Anwalt Macaulay einen Brief von seinem verschwundenen Mandanten. Nick Charles übernimmt den Fall.

Short, thick-bodied, mulishly stubborn, and indifferent to physical pain, Dashiell Hammett's Continental Op was the prototype for generations of tough-guy detectives. He is also the hero of most of the nine stories in this volume. The Op's one enthusiasm is doing his job, and in The Big Knockover the jobs entail taking on a gang of modern-day freebooters, a vice-ridden hell's acre in the Arizona desert, and the bank job to end all bank jobs, along with such assorted grifters as Babe McCloor, Bluepoint Vance, Alphabet Shorty McCoy, and the Dis-and-Dat Kid.

A literary event: The first-ever selection from the letters of Dashiell Hammett, the genius of American crime fiction . "This book is a thing of beauty, from concept to execution, taking us all the way down to the life-marrow of hardboiled's one true icon. Under Richard 'Shadow Man' Layman's masterful guidance, we find what Hammett sought (and fought for) his entire life... Truth." Andrew VachssMore than any book before it, this one gives us the complete Hammett, in his own words. Here is Hammett the family man, distant but devoted, sometimes late with the check but never too late; Hammett the student of politics, scanning the headlines from a Marxist perspective; Hammett the lover of Lillian Hellman, delighting in her style, humor, accomplishments but maintaining his independence. Celebrity, soldier, activist, survivor--Hammett was each in turn, but he was always, above all else, a writer. The artist is present in every line, and this book adds to his stature as a classic American writer." That these letters read exceptionally well is no surprise...[Hammett] comes across here as authentically, contradictorily human." Book magazine"An illuminating collection of the famed writer's letters... A fine rendering of Hammett's life in his own words--and a remarkable slice of Americana." Kirkus Reviews"A dry fatalism in the letters sent me back to the novels and their absence of mercy. No book on Hammett has made that tone clear in terms of his life. But these letters show the old-fashioned literary gent (vaguely tickled by praise from Gide and Malraux) who still kept a thug in tow, a kind of inner Ned Beaumont, to make sure that pride or pleasure never got out of hand." David Thomson, New York Times Book Review "The key revelations are personal: self-portraits of the author as doting father, unremitting drunk, self-educated intellectual, committed Marxist, patriot, soft touch, seducer, and romantic... Compelling and informative." Dick Lochte, Los Angeles Times Book Review"They do not disappoint. They sound gloriously like Hammett, full of wry observation, whether he is describing his evening at the Brown Derby or finally reading Wuthering Heights." Lisa Levy, Entertainment Weekly (A-)

The three classic novels published here in one volume are rich with the crisp prose, subtle characters, and intricate plots that made Dashiell Hammett one of the most admired writers of the twentieth century. A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In THE MALTESE FALCON, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. THE THIN MAN introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in RED HARVEST, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption.

As an operative for Pinkerton’s Detective Agency Dashiell Hammett knew about sleuthing from the inside, but his career was cut short by the ruin of his health in World War I. These three celebrated novels are therefore the products of a hard real life, not a literary education. Despite – or because of – that, Hammett had an enormous effect on mainstream writers between the wars. Like his readers, they were attracted by the combination of laconic style, sharp convincing dialogue, vivid settings and, above all, the low-life, hard-boiled characters who populate the streets of his stories. Taking detective fiction out of the drawing-room, Hammett ‘gave murder back to the kind of people that commit it’, as Raymond Chandler said. In so doing, he left his mark on modern fiction.

"Hammett's pioneering hard-boiled style has been much imitated, but the original--packs a wallop."--The New Yorker Here are twenty long-unavailable stories by the master who brought us The Maltese Falcon. Laconic coppers, lowlifes, and mysterious women double- and triple-cross their colleagues with practiced nonchalance. A man on a bender awakens in a small town with a dark mystery at its heart. A woman confronts a brutal truth about her husband. Here is classic noir: hard-boiled descriptions to rival Hemingway, verbal exchanges punctuated with pistol shots and fisticuffs. Devilishly plotted, whip-smart, impassioned, Nightmare Town is a treasury of tales from America's poet laureate of the dispossessed.

In a few years of extraordinary creative energy, Dashiell Hammett invented the modern American crime novel. In the words of Raymond Chandler, "Hammett gave murder back to the kind of people that commit it for reasons, not just to provide a corpse. . . . He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes." Beginning as a prolific contributor to the pulp magazines of the 1920s, he succeeded during his brief career in making his kind of crime fiction a crucial part of the fabric of American writing: a genre that did not evade reality but rather embodied the grittiness and harshness of modern urban life. The five novels that Hammett published between 1929 and 1934, collected here in one Library of America volume, have become part of modern American culture, creating archetypal characters and establishing the ground rules and characteristic tone for a whole tradition of hardboiled writing. Drawing on his own experiences as a Pinkerton detective, Hammett gave a harshly realistic edge to novels that were at the same time infused with a spirit of romantic adventure. His lean and deliberately simplified prose won admiration from such contemporaries as Gertrude Stein, Ernest Hemingway, and William Faulkner. Each novel is distinct in mood and structure. Red Harvest (1929) epitomizes the violence and momentum of his Black Mask stories about the anonymous detective the Continental Op. In this raucous and nightmarish evocation of political corruption and gang warfare in a western mining town (modeled on Butte, Montana) nicknamed "Poisonville," the Op takes Machiavellian pleasure in pitting one faction against another to bring about their mutual destruction. The Op returns in The Dain Curse (1929) to preside over a more ornately melodramatic tale involving jewel theft, drugs, and a mysterious religious cult. With The Maltese Falcon (1930) and its protagonist Sam Spade, Hammett achieved his most enduring popular success. A tightly constructed quest story with an unforgettable cast of eccentric adventurers, it is at the same time shot through with a sense of disillusionment and the arbitrariness of personal destiny. The Glass Key (1931), an exploration of city politics at their most scurrilous, traces intricate patterns of loyalty and betrayal in scenes charged with drama. His last novel, The Thin Man (1934), is a ruefully comic tale distinct from the rest of his work. Paying homage to the traditional mystery form, it is best remembered for its protagonists Nick and Nora Charles, the sophisticated inebriates who would enjoy a long afterlife in the movies. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

When the last honest citizen of Poisonville was murdered, the Continental Op stayed on to punish the guilty--even if that meant taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain. "An acknowledged literary landmark." --NY Times Book Review." Dashiell Hammett is an original. He is a master of the detective novel, yes, but also one hell of a writer." -- Boston Globe"Hammett's prose [is] clean and entirely unique. His characters [are] as sharply and economically defined as any in American fiction." --The New York Times

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Dashiell Hammett virtually invented the hard-boiled crime novel. This classic Hammet work of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

Dashiell Hammett's classic The Thin Man introduced the world to Nick and Nora Charles, further made famous by the popular Thin Man films. With a new introduction by Denise Mina. Nick Charles seems to find trouble wherever he goes. He thinks his sleuthing days are behind him when Julia Wolf, a former acquaintance, turns up dead. Nick--thanks to some persuasion from his enchanting wife, Nora--finds himself falling back into old habits and making a few polite inquiries. The prime suspect, Julia's lover and boss Clyde Miller Wynant, has vanished without a trace. Everyone is after him, but Nick is not so sure Wynant is the culprit. And when another dubious figure bursts into their bedroom, waving a loaded handgun, it seems Nick and Nora's adventure is only just beginning. Nick and Nora Charles are among Dashiell Hammett's most alluring creations: a rich, glamourous couple who solve homicides in between wisecracks and martinis. At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

Short, thick-bodied, mulishly stubborn, and indifferent to pain, Dashiell Hammett's Continetal Op was the prototype for generations of tough-guy detectives. In these stories the Op unravels a murder with too many clues, looks for a girl with eyes the color of shadows on polished silver, and tangles with a crooked-eared gunman called the Whosis Kid.

Vanha herra Elihu Wilsson, kaivosyhtiön omistaja, oli Personvillen mahtavin mies ja oli myös aikonut pysyä vallassa. Mutta kun hänen poikansa murhattiin, langat alkoivat riistäytyä Elihu Wilssonin käsistä, ja sanfransiscolaisen etsivätoimiston yksityisetsivä huomasi joutuneensa keskelle laittomuuksien ja väkivallan näyttämöä. Wilsson oli maksanut poikansa murhan selvittämisestä ja luvannut etumaksua myös gangsterien terrorisoiman kaupungin suursiivouksesta. Mutta lopulta oli jäljellä vain yksi mahdollisuus: hirvittävä murhakaruselli hirvittävää murhakarusellia vastaan.