David Bayles

The bestselling cult classic and vital guide to creativity - now in paperback

'I always keep a copy of Art & Fear on my bookshelf' JAMES CLEAR, author of the #1 best-seller Atomic Habits 'A book for anyone and everyone who wants to face their fears and get to work' DEBBIE MILLMAN, author and host of the podcast Design Matters 'A timeless cult classic ... I've stolen tons of inspiration from this book over the years and so will you' AUSTIN KLEON, NYTimes bestselling author of Steal Like an Artist 'The ultimate pep talk for artists. ... An invaluable guide for living a creative, collaborative life.' WENDY MACNAUGHTON, illustrator Art & Fear is about the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. Drawing on the authors' own experiences as two working artists, the book delves into the internal and external challenges to making art in the real world, and shows how they can be overcome every day. First published in 1994, Art & Fear quickly became an underground classic, and word-of-mouth has placed it among the best-selling books on artmaking and creativity. Written by artists for artists, it offers generous and wise insight into what it feels like to sit down at your easel or keyboard, in your studio or performance space, trying to do the work you need to do. Every artist, whether a beginner or a prizewinner, a student or a teacher, faces the same fears - and this book illuminates the way through them.

bersetzung der amerikanischen Originalausgabe von Art & FearEin berlebenshandbuch f r den K nstler von David Bayles & Ted OrlandWorum geht es bei Kunst? Wohin bewegt sie sich? Welche Widerst nde gibt es? DAS SIND DIE FRAGEN, AUF DIE ES ANKOMMT, wiederkehrende Fragen, die sich in jedem Stadium der k nstlerischen Entwicklung stellen. Sie sind der Ursprung f r dieses Kompendium scharfsinniger Beobachtungen. Kunst & Angst erforscht, wie Kunst geschaffen wird, die Gr nde, warum Kunstwerke oft nicht entstehen und die Art der Schwierigkeiten, die so viele K nstler dazu bringt, auf der Wegstrecke aufzugeben. Dieses Buch handelt davon, was du f hlst, wenn du in deinem Atelier oder im Lehrsaal sitzt, du an der T pferscheibe oder am Keyboard, vor der Staffelei oder hinter deiner Kamera stehst und du versuchst, das Werk, das dir bestimmt ist, zu schaffen. Es geht darum, dass du deine Zukunft in die Hand nimmst, den Freien Willen ber Vorherbestimmung, die Wahl vor den Zufall stellst. Es geht darum, dein eigenes Werk zu finden.

The stunning and dramatic beauty of California's Central Coast has long been a magnet for artists and photographers, and is emblematic of the school of West Coast photography. Home to photographers Ansel Adams, Edward Weston, and Wynn Bullock, the Central Coast remains a mecca for photographers. In this collection, Martha Casanave has taken a conceptual and imaginative, rather than a literal approach to this iconic location. Martha Casanave: Explorations Along an Imaginary Coastline captures scenes of this striking coastline from a new perspective. Equipped with only a 6 x 4 pinhole camera, Casanave transforms the recognisable into the other-worldly and brings a timeless elegance and drama to her photography never before published.

"This is a book about making art. Ordinary art. Ordinary art means something like: all art not made by Mozart. After all, art is rarely made by Mozart-like people; essentially--statistically speaking--there aren't any people like that. Geniuses get made once-a-century or so, yet good art gets made all the time, so to equate the making of art with the workings of genius removes this intimately human activity to a strangely unreachable and unknowable place. For all practical purposes making art can be examined in great detail without ever getting entangled in the very remote problems of genius."---from the IntroductionArt & Fear explores the way art gets made, the reasons it often doesn't get made, and the nature of the difficulties that cause so many artists to give up along the way. The book's co-authors, David Bayles and Ted Orland, are themselves both working artists, grappling daily with the problems of making art in the real world. Their insights and observations, drawn from personal experience, provide an incisive view into the world of art as it is expeienced by artmakers themselves. This is not your typical self-help book. This is a book written by artists, for artists --- it's about what it feels like when artists sit down at their easel or keyboard, in their studio or performance space, trying to do the work they need to do. First published in 1994, Art & Fear quickly became an underground classic. Word-of-mouth response alone--now enhanced by internet posting--has placed it among the best-selling books on artmaking and creativity nationally. Art & Fear has attracted a remarkably diverse audience, ranging from beginning to accomplished artists in every medium, and including an exceptional concentration among students and teachers. The original Capra Press edition of Art & Fear sold 80,000 copies. An excerpt: Today, more than it was however many years ago, art is hard because you have to keep after it so consistently. On so many different fronts. For so little external reward. Artists become veteran artists only by making peace not just with themselves, but with a huge range of issues. You have to find your work...