David Bushman

Stranger things do tend to happen in Schenectady—once a booming metropolis nicknamed the “City That Lights and Hauls the World” thanks to the dominating presence of General Electric and the American Locomotive Company, though those days are ancient history. GE has nearly abandoned the city, and ALCO closed up shot over fifty years ago. Hence, the title of this book: Forget It, Jake, It’s Schenectady: A Police Department Under Siege, and the Man Who Led It, a nod to the bleak conclusion of the classic film Chinatown, one of cinema’s most devastating expressions of abject resignation and defeat. A chance meeting between onetime Schenectady Police Chief Gregory Kaczmarek and author David Bushman in a Lyft car that Kaczmarek was driving was the genesis of this book, originally intended to track the rise and fall of a veteran cop with what appear to be two defining traits—an almost inhuman capacity for perseverance and a truly remarkable ability to attract notoriety and criticism. However, as the author’s research—including interviews with over two dozen people who lived through the events depicted in these pages—progressed, the book mutated into something else: a consideration of the recent history of the entire department—both its failures and successes—especially during Kaczmarek’s six-year reign as chief, but also involving such celebrated cases as the arrests and convictions of child killer Marybeth Tinning and serial rapist-murderer Lemuel Smith, who claimed to be controlled by the spirit of his deceased brother. In one of the more notorious cases of police corruption in New York State in recent times, the FBI set its sights on the Schenectady PD in 1999, launching an investigation that would eventually result in the imprisonment of four officers, the suicide of a fifth, and the resignation of Kaczmarek, who himself would wind up behind bars ten years later after copping a plea to criminal possession of cocaine. The events of this period loosely form the basis of the 2012 crime drama The Place Beyond the Pines—a literal translation of the Mohawk word “Schau-naugh-ta-da”—which starred Ryan Gosling, Bradley Cooper, and Eva Mendes and was cowritten by Ben Coccio, who grew up in Schenectady, and Derek Cianfrance, who also directed, and whose wife likewise passed her wonder years there. Much of the blame for these catastrophic events was leveled then—and still is—at Kaczmarek, who spent twenty-seven years on the force, serving as chief from 1998 to 2002 before resigning in the wake of the federal investigation. Kaczmarek—”Kacz” to friends and to enemies, and he had a plethora of both—is the son of a longtime Schenectady police officer who, late in life, married the daughter of a local bookmaker. When Greg Kaczmarek was appointed chief, he was ordered by the mayor, his political benefactor, to hold a press conference publicly denying long-swirling rumors that he was a drug user—which, he insists to this day, he wasn’t at the time, notwithstanding his eventual arrest for possession of cocaine, purchased from the head of a major drug ring who also happened to be a close friend of his stepson. Here you’ll meet quite an assortment of colorful characters—law-enforcement who broke the law, and others who—heroically—didn’t; attorneys who defended the city, sued the city, or built a career on prosecuting those responsible for protecting the city; a public safety commissioner who charmed some, infuriated others (including the mayor, who eventually squeezed him out, reportedly because he was jealous of his popularity), and eventually perished in the September 2001 terrorist attack on the World Trade Center; mobbed-up gamblers who paid off cops while battling to up their piece of the pie; drug dealers with names like Slim and Misty Gallo who ran their product all over New York’s Capital Region before finally being taken down by wiretaps.

A brilliantly researched reinvestigation into the nearly forgotten century-old murder that inspired one of the most seductive mysteries in the history of television and film. In 1908, Hazel Drew was found floating in a pond in Sand Lake, New York, beaten to death. The unsolved murder inspired rumors, speculation, ghost stories, and, almost a century later, the phenomenon of Twin Peaks. Who killed Hazel Drew? Like Laura Palmer, she was a paradox of personalities—a young, beautiful puzzle with secrets. Perhaps the even trickier question is, Who was Hazel Drew? Seeking escape from her poor country roots, Hazel found work as a domestic servant in the notoriously corrupt metropolis of Troy, New York. Fate derailed her plans for reinvention. But the investigation that followed her brutal murder was fraught with red herrings, wild-goose chases, and unreliable witnesses. Did officials really follow the leads? Or did they bury them to protect the guilty? The likely answer is revealed in an absorbing true mystery that’s ingeniously reconstructed and every bit as haunting as the cultural obsession it inspired.

Mark Frost, cocreator of both the original Twin Peaks and The Return, is often lost in the shadow of cocreator David Lynch in the eyes of critics and scholars. In fact, Frost played at least as crucial a role in developing the narrative, mythology, and aesthetic of those groundbreaking, critically revered series. Conversations with Mark Frost deconstructs that legendary partnership, while at the same time exploring Frost’s values, influences, thematic preoccupations, and approach to creating art—for the screen, the stage, and the printed page—as well as his thoughts on a wide variety of political, artistic, and social topics. Included, for example, are Frost's recollections of a bizarre encounter with Warren Beatty and Donald Trump in the mideighties, his days as a production assistant on Mister Roger's Neighborhood, his experiences working alongside the likes of David Milch in the legendarily competitive writers' room at Hill Street Blues, conversations about alien life and time travel with iconic film director Steven Spielberg, and much, much more.

David Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Yet others see in Lynch’s work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. “He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste,” wrote W’s Lynn Hirschberg. “And at the heart of this tense, intriguing friction, you will always find Lynch’s women.” The Women of Lynch is a deep, provocative dive into this paradox, featuring ten essays, thought pieces and impressionistic interpretations of Lynch’s depiction of women on screen, by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way. The book also contains an interview with actress MÄdchen Amick (Shelly Johnson in Twin Peaks) where she gives first hand knowledge on what it is like to be a woman of Lynch. Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch. This is the first essay book about the work of David Lynch by all female writers. Readers will enjoy The Women of Lynch: A Collection of Essays. This book contains essays by:x. An Introduction by Philippa Snow1. The Uncanny Electricity of David Lynch’s Women by Leigh Kellmann Kolb2. Women’s Films: Melodrama and Women’s Trauma in the Films of David Lynch by Lindsay Hallam3. A Colorless Sky: On the Whiteness of Twin Peaks by Melanie McFarland4. Warding off the Darkness with Coffee and Pie by Mallory O'Meara5. “This is where we talk, Shelly.” An Interview with MÄdchen Amick by Lindsey Bowden6. Welcome to the Bipolar Silencio Club! by Hannah Klein7. The Triple Goddess by Lauren Fox8. Isabella Rossellini: The Shocking “Real” in Blue Velvet by Kathleen Fleming9. Tea And Sympathy: Mrs. Kendal and The Elephant Man by Rebecca Paller10. Jade: Ornamental Gem or Protective Talisman? A Character Study by Marisa C. Hayes11. "Mary X Marks The Spot." An Interview with Charlotte Stewart by Lisa Hession12. Impressions of Lynch: Journaling a Requiem by Mya McBriarEdited by David BushmanConcept by Scott RyanFront Cover by Blake MorrowArt by Wayne Barnes & Hannah Fortune

ÊBuffy the Vampire SlayerÊ redefined what was possible for teen-centric TV built an extraordinary strong bond of love and loyalty with its passionately devoted fans and launched the meteoric writing and directing career of creator Joss Whedon. ÊBuffy the Vampire Slayer FAQÊ takes a comprehensive look at the groundbreaking series giving both Buffy experts and newbies fresh insights into the creation and production of the show in-depth analysis of the show's complex mythology and thematic concerns and lots of irreverent cracks at Riley's expense (love ya buddy). Readers will learn secrets even the Watchers Council doesn't know relive their favorite moments from the show and settle once and for all: Angel or Spike?

Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost's Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it's always possible for a close analysis to offer something new – and that's what Franck Boulègue has done with Twin Peaks: Unwrapping the Plastic. Through Boulègue's eyes, we see for the first time the world of Twin Peaks as a coherent whole, one that draws on a wide range of cultural source material, including surrealism, transcendental meditation, Jungian psychoanalysis, mythology, fairy tales, and much, much more. The work of a scholar who is also a fan, the book should appeal to any hardcore Twin Peaks viewer.

Twin Peaks, the infamously strange, seductive, and confounding murder mystery that made network television safe for surrealism, is returning to the small screen after 25 years. Created by David Lynch and Mark Frost, the series enjoys a hallowed standing in popular culture and remains a touchstone in the evolution of TV as an artistic medium. For its many intensely devoted fans, Twin Peaks continues to beguile and disturb and delight; it's a bottomless well of allusions, symbols, conundrums to ponder and images to unpack, an endlessly engrossing puzzle box, an obsessive's dream. Twin Peaks FAQ will guide longtime fans and the newly initiated through the origins of the series, take them behind the scenes during its production, and transport readers deep into the rich mythology that made Twin Peaks a cultural phenomenon. The book features detailed episode guides, character breakdowns, and explorations of the show's distinctive music, fashion, and locations. With a sometimes snarky, always thoughtful (but never dry or academic) analysis of Twin Peaks' myriad oddities, mysteries, references, and delicious insanity, Twin Peaks FAQ is a comprehensive, immersive, and irresistible reference for experts and newbies alike.