David Hepworth

From the author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever changing music game.‘A genuinely great writer, with a winning turn of phrase and dry wit’ Guardian‘Superlative…Crammed with eyebrow-raising statistics…A delight’ Wall Street Journal___________When Paul McCartney closed Live Aid in July 1985 at the grand old age of forty-three, we thought he was on the road to retirement. But as it turns out, he - and many others of his generation - were just getting started. In the last four decades, the big names of the 60s and 70s have been exploiting the age of spectacle that Live Aid created to enjoy the longest lap of honour in the history of humanity, carrying on long after everyone else had given up. In this brave new world, Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though, thanks to technology, they will all be playing Las Vegas forever.___________Praise for David Hepworth'Such a clever writer' Spectator'Hepworth's writing is sublime' Daily Mail'A refreshingly independent thinker' Daily Telegraph'Reads like a series of rich, fast-paced and immensely funny short stories' The Oldie'Hepworth's knowledge and understanding of rock history is prodigious' Sunday Times'The book is destined to become the go-to text on a subject we never thought we'd have to survey' Literary Review

From the bestselling author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever-changing music game.‘May be his best yet…recommended to anyone for whom pop music means anything at all’ Daily Mail‘Hepworth is a genuinely great writer, with a winning turn of phrase’ Guardian__________When Paul McCartney closed Live Aid in July 1985, we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown he - and many others of his generation - were just getting started. This was the time when live performance took over from records. The big names of the 60s and 70s exploited the age of spectacle that Live Aid had ushered in to enjoy the longest lap of honour in the history of humanity, continuing to go strong long after everyone else had retired. This is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles, and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas for ever.__________'Offers solid insights into the compulsions and drives that keep bands reforming' Sunday Times'The book is destined to become the go-to text on a subject we never thought we'd have to survey' Literary ReviewReads like a series of rich, fast-paced and immensely funny short stories' The OldiePraise for David Hepworth'Such a clever writer' Spectator'Hepworth's writing is sublime' Daily Mail'A refreshingly independent thinker' Daily Telegraph'Hepworth's knowledge and understanding of rock history is prodigious' Sunday Times

The incredible history of how Abbey Road became the most famous recording studio in the world. "There are certain things that are mythical. Abbey Road is mythical."--Nile Rodgers Many people will recognize the famous crosswalk. Some visitors may have graffitied their name on its hallowed outer walls. Others might even have managed to penetrate the iron gates. But what draws in these thousands of fans here, year after year? What is it that really happens behind the doors of the most celebrated recording studio in the world? It may have begun life as an affluent suburban house, but it soon became a creative hub renowned around the world as a place where great music, ground-breaking sounds, and unforgettable tunes were forged. It is nothing less than a witness to, and a key participant in, the history of popular music itself. What has been going on there for over ninety years has called for skills that are musical, creative, technical, mechanical, interpersonal, logistical, managerial, chemical and, romantics might be tempted add, close to magic. The history of Abbey Road may just make you believe.

With a foreword by Paul McCartney'It's semi-devotional -- a really special place' Florence Welch'There are certain things that are mythical. Abbey Road is mythical' Nile RodgersMany people will recognise the famous zebra crossing. Some visitors may have graffitied their name on its hallowed outer walls. Others might even have managed to penetrate the iron gates. But what draws in these thousands of fans here, year after year? What is it that really happens behind the doors of the most celebrated recording studio in the world? It may have begun life as an affluent suburban house, but it soon became a creative hub renowned around the world as a place where great music, ground-breaking sounds and unforgettable tunes were forged - nothing less than a witness to, and a key participant in, the history of popular music itself. What has been going on there for over ninety years has called for skills that are musical, creative, technical, mechanical, interpersonal, logistical, managerial, chemical and, romantics might be tempted add, close to magic. This is for the people who believe in the magic.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times. The resulting fusion of American can-do and British fuck-you didn’t just lead to rock and roll’s most resonant music. It ushered in a golden era when a generation of kids born in ration card Britain, who had grown up with their nose pressed against the window of America’s plenty, were invited to wallow in their big neighbour’s largesse. It deals with a time when everything that was being done - from the Beatles playing Shea Stadium to the Rolling Stones at Altamont, from the Who performing their rock opera at the Metropolitan Opera House to David Bowie touching down in the USA for the first time with a couple of gowns in his luggage - was being done for the very first time. Rock and roll would never be quite so exciting again.

The perfect gift for any music lover . . . 'Hepworth has more insider knowledge and knows more rock anecdotes than any man alive' The Herald'Unmissable for music enthusiasts' Woman & HomeThe Rock and Roll A Level is here to rescue the pop quiz from the grip of bores who know the chart position of everything and the value of nothing. It's for the people who like pop music because it tells them so much about real life, the people who learned about America from the songs of Chuck Berry, about Europe from the albums of David Bowie and about all manner of things from the songs of Steely Dan. It's the first quiz book where the answers are as interesting as the questions. It's the first quiz book where general knowledge matters as much as an adolescence spent reading the NME or Smash Hits. It's a proper education.

The Beatles landing in New York in February 1964 was the opening shot in a cultural revolution nobody predicted. Suddenly the youth of the richest, most powerful nation on earth was trying to emulate the music, manners and the modes of a rainy island that had recently fallen on hard times. The resulting fusion of American can-do and British fuck-you didn't just lead to rock and roll's most resonant music. It ushered in a golden era when a generation of kids born in ration card Britain, who had grown up with their nose pressed against the window of America's plenty, were invited to wallow in their big neighbour's largesse. It deals with a time when everything that was being done - from the Beatles playing Shea Stadium to the Rolling Stones at Altamont, from the Who performing their rock opera at the Metropolitan Opera House to David Bowie touching down in the USA for the first time with a couple of gowns in his luggage - was being done for the very first time. Rock and roll would never be quite so exciting again.

_________‘Hepworth’s knowledge and understanding of rock history is prodigious … [a] hugely entertaining study of the LP’s golden age’ The Times_________The era of the LP began in 1967, with ‘Sgt Pepper’; The Beatles didn’t just collect together a bunch of songs, they Made An Album. Henceforth, everybody else wanted to Make An Album. The end came only fifteen years later, coinciding with the release of Michael Jackson’s ‘Thriller’. By then the Walkman had taken music out of the home and into the streets and the record business had begun trying to reverse-engineer the creative process in order to make big money. Nobody would play music or listen to it in quite the same way ever again. It was a short but transformative time. Musicians became ‘artists’ and we, the people, patrons of the arts. The LP itself had been a mark of sophistication, a measure of wealth, an instrument of education, a poster saying things you dare not say yourself, a means of attracting the opposite sex, and, for many, the single most desirable object in their lives. This is the story of that time; it takes us from recording studios where musicians were doing things that had never been done before to the sparsely furnished apartments where their efforts would be received like visitations from a higher power. This is the story of how LPs saved our lives.

In this collection of essays written throughout his career, Hepworth shows how it is possible to take music seriously and, at the same time, not drain the life out of it. David Hepworth believes the same to be true of music and this selection of his best writing, covering the music of last fifty years, shows you precisely why.

As heard on BBC 6 Music with Shaun Keveny, BBC Radio 5 Live and Talk Radio with Eamonn HolmesThe age of the rock star, like the age of the cowboy, has passed.

The basis for the new hit documentary 1971: The Year That Music Changed Everything, now streaming on Apple TV+. A rollicking look at 1971, rock's golden year, the year that saw the release of the indelible recordings of Led Zeppelin, David Bowie, the Who, Rod Stewart, Carole King, the Rolling Stones, and others and produced more classics than any other year in rock history The Sixties ended a year late. On New Year's Eve 1970 Paul McCartney instructed his lawyers to issue the writ at the High Court in London that effectively ended the Beatles. You might say this was the last day of the pop era. 1971 started the following day and with it the rock era. The new releases of that hectic year--Don McLean's "American Pie," Sly Stone's "Family Affair," Marvin Gaye's "What's Going On," Joni Mitchell's "Blue," Led Zeppelin's "Stairway To Heaven," the Who's "Baba O'Riley," and many others--are the standards of today. David Hepworth was twenty-one in 1971, and has been writing and broadcasting about music ever since. In this entertaining and provocative book, he argues that 1971 saw an unrepeatable surge of musical creativity, technological innovation, naked ambition and outrageous good fortune that combined to produce music that still crackles with relevance today. There's a story behind every note of that music. From the electric blue fur coat David Bowie wore when he first arrived in America in February to Bianca's neckline when she married Mick Jagger in Saint-Tropez in May, from the death of Jim Morrison in Paris in July to the reemergence of Bob Dylan at Madison Square Garden in August, from the soft launch of Carole King's Tapestry in California in February to the sensational arrival of Led Zeppelin's "Stairway To Heaven" in London in November, Hepworth's forensic sweep takes in all the people, places and events that helped make 1971 rock's unrepeatable year.

*THE SUNDAY TIMES TOP TEN BESTSELLER*As seen on Apple TV - 1971: The Year That Music Changed EverythingThe Sixties ended a year late - on New Year's Eve 1970, when Paul McCartney initiated proceedings to wind up The Beatles.

From the author of Abbey Road comes the story of how enduring rock icons like Pink Floyd, Bruce Springsteen and many more have remained in the ever changing music game. When Paul McCartney closed Live Aid in July 1985 we thought he was rock's Grand Old Man. He was forty-three years old. As the forty years since have shown he - and many others of his generation - were just getting started. This was the time when live performance took over from records. The big names of the 60s and 70s exploited the age of spectacle that Live Aid had ushered in to enjoy the longest lap of honour in the history of humanity, continuing to go strong long after everyone else had retired. Hence this is a story without precedent, a story in which Elton John plays a royal funeral, Mick Jagger gets a knighthood, Bob Dylan picks up the Nobel Prize, the Beatles become, if anything, bigger than the Beatles and it's beginning to look as though all of the above will, thanks to the march of technology, be playing Las Vegas for ever.