David Hockney

Winner of the prestigious BolognaRagazzi New Horizons Award 2019A History of Pictures for Children takes readers on a journey through art history, from early art drawn on cave walls to the images we make today on our computers and phone cameras. Based on the bestselling book for adults, this children’s edition of A History of Pictures is told through conversations between the artist David Hockney and the author Martin Gayford, who talk about art with inspiring simplicity and clarity. Rose Blake’s illustrations illuminate the narratives of both authors to bring the history of art alive for a young audience.

In recent years David Hockney has returned to England to paint the landscape of his childhood in East Yorkshire. Although his passionate interest in new technologies has led him to develop a virtuoso drawing technique on an iPad, he has also been accompanied outdoors by the traditional sketchbook, an invaluable tool as he works quickly to capture the changing light and fleeting effects of the weather. Executed in watercolour and ink, these panoramic scenes have the spatial complexity of finished paintings - the broad sweep of sky or road, the patchwork tapestry of land - yet convey the immediacy of Hockney's impressions. And as in the views down village streets and across kitchen tables that appear alongside them, his rooted and fond knowledge of the area around the East Yorkshire Wolds is always clear. If you know the region, the location of the sketches is unmistakable; if you don't, its features will come to life in these pages.

Ved at sætte et righoldigt billedmateriale i spil – et stillfoto fra en Disney tegnefilm konfronteret med et japansk træsnit af Hiroshige, en scene fra en film af Eisenstein med et maleri af Velázquez – overskrider forfatterne de grænser, der normalt er stukket ud imellem finkultur og populær underholdning, og skaber uventede forbindelser henover forskelle i tid og medierne imellem. David Hockney hævder, at hvad enten billeder er skabt med en pensel, et kamera eller et digitalt program, og uafhængigt af, om de befinder sig på væggene i huler eller på computerskærmene, så er de først og fremmest billeder. Og for at vi kan se verden omkring os – og derved os selv – har vi brug for billedernes historie.

From the Cave to the Computer Screen

The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. In this book, each chapter addresses an important question: What happens when we try to express reality in two dimensions? Why is the 'Mona Lisa' beautiful and why are shadows so rarely found in Chinese, Japanese and Persian painting?

Remember fifty years ago when everyone smoked? Since tobacco found its way into Europe in the sixteenth century, smoking has been a controversial issue. Fifty years ago, almost everyone smoked, and fifty years before that, smokers were in the doghouse; up until the early twentieth century, cigarettes were illegal in a number of U. S. states. Needless to say, smoking has always been a ready source of revenue. It has also been a source of health concerns, both real and imagined. This mixture of pleasure, money and risk that comes with the act of smoking means that it's rarely treated fairly by politicians, health professionals or the public. Nowadays, tough anti-smoking laws are to be obeyed in most corners of the globe. The misinformation about, and unreasoning hostility directed at, smoking and smokers is one of the major concerns of this book. After all, smoking has no public cost. Isn't it just the individual smokers who are at risk? Prompted by this burgeoning fascination, Staddon looks further into the facts. And the more he looks, the weaker the case against smoking as a public health issue becomes. Is ETS really dangerous to children? And if so, how can science prove it? And if smoking has no public cost and the medical case for third-party harm is weak, why are smokers still being victimised? In this provocative, thought-provoking book, Staddon is determined to uncover the truth about smoking. But the truth's not always pretty.

'A charming collection … an essential book for the dachshund or Hockney lover' Mail on Sunday 'Hockney's usual brilliant eye for colour is ever present' The Times 'Lovely … sure to delight both dog lovers and David Hockney fans. 10/10' Your Dog David Hockney introduces his two dachshunds, Stanley and Boodgie, in this delightful collection. The result of sharp observation and affection, these paintings and drawings are lyrical studies in form and design while the text by the artist gives a glimpse of how to work with models who don't necessarily want to sit still. From September 1993, I painted and drew my dogs. This took a certain amount of planning, since dogs are generally not interested in Art (I say generally only because I have now come across a singing dog. Food and love dominate their lives. I make no apologies for the apparent subject matter. These two dear little creatures are my friends. They are intelligent, loving, comical and often bored. They watch me work; I notice the warm shapes they make together, their sadness and their delights. And, being Hollywood dogs, they somehow seem to know that a picture is being made. - David Hockney

'A compelling narrative of the workings of a curious, intelligent, visually inventive mind at work' - Art Quarterly 'From between the covers springs all the brightness and energy of the prolific output of this most exuberant and yet sensitive artist' - The Times 'For anyone with even the smallest regard for the artist, this is the book to have … a treat' - Artists & Illustrators The story of David Hockney, one of the most widely acclaimed of all living artists, is one of passion: passion for seeing, passion for telling, passion for images. But to these should be added passion for life. Hockney's art is a celebration of what it is to be alive. All his pictures - sometimes tender, as when he draws close friends and family; sometimes playful, as in his paintings of lazy, carefree days at the pool; sometimes awe-inspirin, as with his monumental images of the Grand Canyon - convey what it means to be in the world, to see it, to move in it, to love it. This constant exploration of how to communicate such feelings through art emerges with particular clarity in this stunning, lively volume, which charts almost fifty years of extraordinary creativity. Hockney's Pictures is the first definitive 'retrospective' to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolours, prints and photography. The works, including many that are new and never published, have been selected and organized by David Hockney himself, and track his lifelong experiments in ways of looking and depicting.

A revised edition of the influential artist's controversial analysis of alleged technologies used by such masters as Caravaggio, Velzquez, and da Vinci presents a case that they used mirrors and lenses to create highly detailed and realistic works of art. Reprint.

Taking the thesis - that some of the masterpieces of Western art were created using optical devices - further in light of fresh discoveries, the author demonstrates how Renaissance artists used mirrors and lenses to help them develop chiaroscuro, perspective, and the arts of depicting three-dimensional space and forms.