David Kendall

The Insurance Act 2015 ('the Act') is the first comprehensive statutory reform of the insurance law of the United Kingdom since the Marine Insurance Act 1906. It introduces thorough and, in some cases, fairly drastic reform of some of the core tenets of UK insurance law, including: the insured’s pre-contractual duty to the insurer, and remedies for its breach; the knowledge of the insured and the insurer for the purposes of the pre-contractual duty; the effect of insurance warranties and other terms tending to reduce the risk of loss; fraudulent claims; and damages for failure to pay an insurance claim in a reasonable time. This book is a thorough introduction to the Act. It focuses primarily on the impact of the Act on English law as applied to non-consumer insurance and reinsurance. Of assistance not only to insurance lawyers and members of the judiciary, but also underwriters, claims handlers, brokers and buyers of non-consumer insurance policies, this book covers each of the core changes brought about by the Act. It also analyses the particular ways in which the Act differs from existing law, by reference to the Marine Insurance Act 1906, and cases decided under the old law.

The Insurance Act 2015 ('the Act') is the first comprehensive statutory reform of the insurance law of the United Kingdom since the Marine Insurance Act 1906. It introduces thorough and, in some cases, fairly drastic reform of some of the core tenets of UK insurance law, including: the insured’s pre-contractual duty to the insurer, and remedies for its breach; the knowledge of the insured and the insurer for the purposes of the pre-contractual duty; the effect of insurance warranties and other terms tending to reduce the risk of loss; fraudulent claims; and damages for failure to pay an insurance claim in a reasonable time. This book is a thorough introduction to the Act. It focuses primarily on the impact of the Act on English law as applied to non-consumer insurance and reinsurance. Of assistance not only to insurance lawyers and members of the judiciary, but also underwriters, claims handlers, brokers and buyers of non-consumer insurance policies, this book covers each of the core changes brought about by the Act. It also analyses the particular ways in which the Act differs from existing law, by reference to the Marine Insurance Act 1906, and cases decided under the old law.

As traces left behind by the last two hundred years of profound historical change, architecture and photography contribute both to our contemporary skyline and to our image of the past. Their common history thus provides an indispensable background to every discussion of what has been called the contemporary past - that is, to modernity considered as an open problem rather than a closed historical period. Architecture can be seen as a kind of macromodernity, a social scope where the diverse discourses of modernity have assumed their most large-scale form. In analogy, photographic media constitute a micromodernity, where the underside of modern society has been registered, identified, classified, and archived. In both cases, we trace out the irregular borderline between the discursive and its opposite, the material. At this point of intersection, an interesting confrontation between traditional academic historiography and an artistic application of historical perspectives might be staged. What contribution can architecture and photography make to the exploration of our contemporary past? Victor Buchli, in his afterword, underlines the potential of such confrontations: Translation always betrays the original intention, but what might be described as the infelicities of the translation that are inherently treacherous are precisely what constitute its productive capacities.

You can't keep a good (or bad) corpse down, and they rise up in spectacular form in this new collection. The mindless, shambling zombies of yesteryear are rapidly being replaced by sprinters and runners with an insatiable appetite for human flesh. These days zombies are the rock and roll of horror monsters. Presenting a mix of voodoo victims, creepy somnambulists, and flesh eating, rock n roll deadheads, The Mammoth Book of Zombie Comics brings you the best the graveyard can give. From film sources and literary sources to some very strange sources, here over 20 of the best zombie comics ever produced. They include the first Vince Locke Deadworld comic, Scott Hampton's awesome adaptation of RE Howard's Pigeons From Hell, plus stories from Steve Niles, Darko Macan, and many, many more. If it's dead, moving and hungry, you'll find it here! Praise for Mammoth Book of War Comics'Whether read cover-to-cover or dipped into at random, it is exactly what anthologies should be: rich, varied and endlessly rewarding.' Irish Times'... an admirable and enlightening collection.' The List