David Malouf

Born on a poor dairy farm in Queensland, Frank Harland's life is centred on his great artistic gift, his passionate love for his father and four brothers and his need to repossess, through a patch of land, his family's past.

In this shimmering work of imagination, one of Australia's most honored writers conjures a single still moment on the edge of the 20th century in which two unlikely people share a friendship. When Ashley Crowther returns to Australia to manage his father's property, he discovers a timeless landscape of kingfishers and ibises; he also meets Jim Saddler, the young woodsman who becomes Ashley's guide to his inheritance. Together they discard the differences of personality and class to enter a partnership of wonder. But when war breaks out in Europe, Jim and Ashley are drawn into obscene enterprise of the trenches, where death falls from the sky and burrows out of the earth. In telling the story of these men, Fly Away Peter combines overwhelmingly sensual imagery with an unblinking consciousness of the worst that history can inflict to produce a novel of phosphorescent beauty.

A new work of fiction by the author of Remembering Babylon. It is 1827, and, in a remote hut high on the plains of New South Wales, two strangers spend the night in talk. One, an illiterate Irishman, and ex-convict and bushranger, is to be hanged at dawn. The other is the police officer who has been sent to supervise the hanging. As the night wears on, the two men share memories and uncover unlikely connections between their lives. 240 pp. Author tour. 20,000 print.

The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk.

In the first century A. D., Publius Ovidius Naso, the most urbane and irreverent poet of imperial Rome, was banished to a remote village on the edge of the Black Sea. From these sparse facts, Malouf has fashioned an audacious and supremely moving novel. Marooned on the edge of the known world, exiled from his native tongue, Ovid depends on the kindness of barbarians who impale their dead and converse with the spirit world. Then he becomes the guardian of a still more savage creature, a feral child who has grown up among deer. What ensues is a luminous encounter between civilization and nature, as enacted by a poet who once cataloged the treacheries of love and a boy who slowly learns how to give it. "A work of unusual intelligence and imagination, full of surprising images and insights... One of those rare books you end up underlining and copying out into notebooks and reading out loud to friends."--The New York Times Book Review

Winner of the IMPAC Award and Booker Prize nominee In this rich and compelling novel, written in language of astonishing poise and resonance, one of Australia's greatest living writers gives an immensely powerful vision of human differences and eternal divisions. In the mid-1840s a thirteen-year-old British cabin boy, Gemmy Fairley, is cast ashore in the far north of Australia and taken in by aborigines. Sixteen years later he moves back into the world of Europeans, among hopeful yet terrified settlers who are staking out their small patch of home in an alien place. To them, Gemmy stands as a different kind of challenge: he is a force that at once fascinates and repels. His own identity in this new world is as unsettling to him as the knowledge he brings to others of the savage, the aboriginal. "Breathtaking... To read this remarkable book is to remember Babylon well, whether you think you've been there or not."--The New York Times Book Review

A searing and magnificent picture of Australia at the moment of its foundation, with early settlers staking out their small patch of land and terrified by the harsh and alien continent.

The Great World is a remarkable novel of self-knowledge and of fall from innocence, of survival and witness. Absorbed by the twentieth-century history of Australian life, the novel focuses on the unlikely friendship of two men who meet as POWs of the Japanese during WWII: Digger Keen, and Vic Curran. For both men, war was supposed to be a testing ground of masculine and nationalist virtue. Instead, it becomes an ordeal that lays bare the painful reality which lies behind a nation's myth of itself. The rare serious novel that doesn't condescend to its characters, this book has a limpidity and an elliptical sense of time that save it from becoming a blockbuster-style epic despite having some of that form's easy pleasures and render it poetic. The New Yorker"