David O'Connell

Nationally renowned Georgia artist and historian Wilbur G. Kurtz launched his career by founding the Pen and Brush Club of Atlanta in 1913. The transplanted Yankee quickly became a premier authority on Old South Atlanta--Margaret Mitchell personally selected Kurtz as technical advisor and artistic director for Gone with the Wind. A co-founder of the Civil War Round Table of Atlanta, Kurtz supervised the placement of more than four hundred historical markers in northeast Georgia documenting various stages of the Atlanta Campaign of 1864. Decades after his passing in 1967 at the age of eighty-five, Kurtz's legacy lives on through his murals and historic paintings on display in public buildings and private art collections throughout Atlanta and the South. Join author David O'Connell as he recounts the fascinating life and vibrant works of Georgia's preeminent artist-historian.

The Instructions are Saint Louis's second set of recommendations, which he addressed to his daughter Isabelle, who later became Queen of Navarre. O'Connell's critical text is, for the most part, based on the non-Latinized manuscript ms. G (ca. 1300) and incorporates variants from E (the printed version of the Latinized manuscripts) and KMN (non-Latinized manuscripts).

David O'Connell's study seeks to serve as the final word on which version of the Enseignements de saint Louis can claim ultimate authenticity. Through an analytical comparison of the three families of the Teachings and a historical overview of the critical controversy surrounding the texts, O'Connell argues for the authority and historicity of the Noster manuscript. In this study the author has consulted all the manuscripts pertinent to the problem, reviewed the critical controversy that has surrounded these texts since the end of the Middle Ages, and furnished a critical text of the long-neglected manuscript that reproduces both the spirit and the letter of Louis' holograph.