David Orr

This is the first study to analyse the joint development of the prison and the workhouse in 19th-century England, focusing on the roles played by key local reformers in shaping their design, form and function. Although the introduction of the Gaol Act in 1823 marked a shift towards more disciplined institutional regimes, the genuinely local nature of prison and workhouse development meant no two institutions operated in the same way. As a result, the nature of local prison and workhouse regimes, while emerging out of national developments, was chiefly the result of complex, contradictory and evolving ideas held by local figures. Drawing on a wealth of primary sources including prison and chaplain reports, newspapers and correspondence between local reformers and national figures, Lewis Darwen and David Orr investigate the role of religion and morality, statistics, education, architecture, models of institutional regime and gender in the prison and workhouse reform taking place during the period. With case studies from Lancashire, the most industrialized region by 1850, they also highlight the impact of wider political and economic issues such as trade, industrialism, religion and populations pressure on institutional regimes. Prison and Workhouse Reform in 19th-Century England provides much-needed new perspectives on the history of penal institutions in 19th-century England and will be a valuable resource for crime historians and criminologists alike.

In more than four decades as president of The Land Institute, Wes Jackson became widely known as one of the founders of the sustainable agriculture movement for his work on perennial grains and Natural Systems Agriculture. But Jackson's contribution to contemporary intellectual and political life goes well beyond plant breeding. Ever since he created one of the first university environmental studies programs in the early 1970s, Jackson has been exploring the human predicaments around sustainability and justice, asking questions that pull not only on agriculture and ecology but also on politics, economics, and culture. That work has appeared in four sole-authored books by Jackson, but nowhere is there an accessible summary of his key ideas. Robert Jensen provides a short, elegant introduction to Jackson's ideas on ways to provide humanity with a truly sustainable foundation in grain agriculture, presented in a way that connects to the growing concern about climate change and other ecological crises. Jackson's strength has been in generating new ideas and pushing the envelope not only on sustainable agriculture but also on the other dramatic changes necessary if we are to create a sustainable and just society. This volume helps the reader to organize those exciting ideas in a way that can expand the horizons of students and lay readers as well as challenge specialists in these fields. In a time when critical thinking and clear understanding are desperately needed if we are to face the multiple, cascading ecological and social crises, The Restless and Relentless Mind of Wes Jackson presents Jackson's crucial insights about the natural world and human societies that can help provide a framework for understanding the tough decisions we will have to make. But just as important is the book's glimpse into the curiosity that drives Jackson and the creativity that distinguishes his intellectual and activist work.

"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr's a critic, and a good one. . . . Beautiful & Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." --Tom Perrotta Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose's Reading Like a Writer, Orr's Beautiful & Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.

"David Orr is an authentic iconoclast. His criticism is exuberant and original. Dr. Johnson, my critical hero, urged us to clear our mind of cant. Orr has cleared his. He will enhance the perception of his readers." --Harold Bloom"A poetry critic and poet himself, David Orr's work often explores a gray area of literary professionalism and process. A columnist for the New York Times Book Review. . . . Orr shows himself to be a reader interested in cutting through noise, particularly with the realities of writing and publishing in a popular culture." --PloughsharesIn his wry debut collection of poetry, celebrated critic David Orr ponders the dark underworld of the ordinary, as he traverses the suburban gothic landscape of modern America. Orr finds and names what's at the core of being human: sorrow, kindness, familial love, and memory. The poems are playful, fashioned of fables, familiar objects, and the supernatural, inviting every reader to enter in. From "The Abduction" . . . Later, he would wake each night screamingIn helpless confusion, but at the timeThere was just the sun, the beach, the sun, the saltwaterAnd dark forms being kind. Only a monthAfter the incident, having lost the skillOf knowing what was real, he walkedInto headlights he had thought were his wife. David Orr teaches at Cornell University in addition to serving as the poetry columnist for the New York Times Book Review. A native of South Carolina, he lives in Ithaca, New York.

Willie Lorimer is a young poetry student who forgot to resign his commission in the Canadian militia. When he is called up to join the fight against the Metis rebel leader, Louis Riel, Willie is scared,but bolstered by his own naivete. The journey to the heart of the rebellion is long and full of anguish. When the militia reach the West, things go tragically wrong, and their once-heroic cause is marred by the cynical realities of politics, and the harsh realities of war.

A cultural "biography" of Robert Frost's beloved poem, arguably the most popular piece of American literature "Two roads diverged in a yellow wood . . ." One hundred years after its first publication in August 1915, Robert Frost's poem "The Road Not Taken" is so ubiquitous that it's easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost's immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr's The Road Not Taken dives directly into the controversy, illuminating the poem's enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for the New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem's cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. "The Road Not Taken" seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking "the one less traveled by, / And that has made all the difference." But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, "The Road Not Taken" is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem's centennial--along with a new Penguin Classics Deluxe Edition of Frost's poems, edited and introduced by Orr himself--The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice. Praise for The Road Not Taken "The most satisfying part of Orr's fresh appraisal of 'The Road Not Taken' is the reappraisal it can inspire in longtime Frost readers whose readings have frozen solid. The crossroads between the poet and the man is where Frost leaves his poems for us to discover, turning what seems like a fork in the road into a site of limitless potential." --The Boston Globe