Dennis Washburn

"Soseki remains the great master of modern literature in Japan." —Norma M. FieldBotchan has a chip on his shoulder. His elder brother is his parents' obvious favorite and Botchan only receives any attention at all if he misbehaves. After his parents die, Botchan is cut off by his brother and drifts into a job teaching math in a small provincial town far from the big city. Thrust into this alien environment, Botchan finds nothing but trouble—from his nosy landlord; his students, who delight in tormenting him; his fellow teachers, each of whom he christens with a sly nickname—Porcupine, Green Squash, Badger, Red Shirt—and others who insist on complicating his life. The result is chaos, told with great wit and irony that make this Soseki's funniest novel. A modern classic in Japan, Botchan is as widely read today as when it was first published, occupying a place in the canon similar to The Adventures of Tom Sawyer or The Catcher in the Rye. Botchan's coming-of-age quest to navigate the hypocrisy of his peers while remaining true to what is honest and good never fails to capture the hearts and imaginations of readers.

Take a firsthand journey into a time, society and world full of intrigue. In the tenth century, Japan stood physically and culturally isolated from the rest of the world. Sei Shonagon—a young courtesan of the Heian period—kept a diary, which provides a highly personal account of the intrigues, dalliances, quirks, and habits of Japan's late tenth-century elite. She was a contemporary and acquaintance of the well-known courtesan Murasaki Shikibu, author of the Japanese masterpiece The Tale of Genji. A perfect companion to that work, The Pillow Book of Sei Shonagon brings an added dimension to Murasaki's timeless and seminal novel and further illuminates Japanese court life in all its ritualistic glory. Through his elegant and readable abridged translation, Arthur Waley perfectly conveys Sei Shonagon's girlish temperament and quirky personality. In a place and time where poetry was as important as knowledge and beauty was highly revered, Sei Shonagon's private writings offer a charming, intimate glimpse into a world of innocence and pale beauty. A new introduction by respected Japanese literary scholar Dennis Washburn provides historical insight into Japanese culture, Sei Shonagon's world, and Waley's translation.

"What Waley did create is literary art of extraordinary beauty that brings to life in English the world Murasaki Shikibu imagined. The beauty of his art has not dimmed, but like the original text itself retains the power to move and enlighten."—Dennis Washburn, from his foreword Centuries before Shakespeare, Murasaki Shikibu's The Tale of Genji was already acknowledged as a classic of Japanese literature. Over the past century, this book has gained worldwide acceptance as not only the world's first novel but as one of the greatest works of literature of all time. The hero of the tale, Prince Genji, is a shining example of the Heian-era ideal man—accomplished in poetry, dance, music, painting, and, not least of all to the novel's many plots, romance. The Tale of Genji and the characters and world it depicts have influenced Japanese culture to its very core. This celebrated translation by Arthur Waley gives Western readers a very genuine feel for the tone of this beloved classic. This edition contains the complete Waley translation of all six books of The Tale of Genji and also contains a new foreword by Dennis Washburn with key insights into both the book and the importance of this translation for modern readers.

Dennis Washburn traces the changing character of Japanese national identity in the works of six major authors: Ueda Akinari, Natsume S?seki, Mori ?gai, Yokomitsu Riichi, ?oka Shohei, and Mishima Yukio. By focusing on certain interconnected themes, Washburn illuminates the contradictory desires of a nation trapped between emulating the West and preserving the traditions of Asia. Washburn begins with Ueda's Ugetsu monogatari (Tales of Moonlight and Rain) and its preoccupation with the distant past, a sense of loss, and the connection between values and identity. He then considers the use of narrative realism and the metaphor of translation in Soseki's Sanshiro; the relationship between ideology and selfhood in Ogai's Seinen; Yokomitsu Riichi's attempt to synthesize the national and the cosmopolitan; Ooka Shohei's post-World War II representations of the ethical and spiritual crises confronting his age; and Mishima's innovative play with the aesthetics of the inauthentic and the artistry of kitsch. Washburn's brilliant analysis teases out common themes concerning the illustration of moral and aesthetic values, the crucial role of autonomy and authenticity in defining notions of culture, the impact of cultural translation on ideas of nation and subjectivity, the ethics of identity, and the hybrid quality of modern Japanese society. He pinpoints the persistent anxiety that influenced these authors' writings, a struggle to translate rhetorical forms of Western literature while preserving elements of the pre-Meiji tradition. A unique combination of intellectual history and critical literary analysis, Translating Mount Fuji recounts the evolution of a conflict that inspired remarkable literary experimentation and achievement.