Diana Norman

Between 1289 and 1327 Siena witnessed a series of lavish ceremonial events marking the visits to the city of successive Angevin kings and princes, members of the French dynasty that ruled the whole of southern Italy. The reason for these magnificent civic rituals was Siena's status as a Guelph city state closely allied both to the papacy and to the kingdom of Naples. Based on extensive new research, including unpublished archival material, Diana Norman explores in detail the nature and extent of this distinctive political and diplomatic relationship and the ways in which it impacted upon the production and dissemination of Sienese art during the first half of the fourteenth century. In so doing, she demonstrates that this relationship not only informed the conception and resolution of a number of major pictorial schemes for key civic sites in Siena itself, but that it also familiarised the Angevin royal family with the quality of contemporary Sienese art. This, in turn, led to the employment of Sienese artists by the Angevins and to the production of significant images that commemorated various members of the dynasty. In this beautifully illustrated book, works of art executed by well-known fourteenth-century artists - including Simone Martini, Ambrogio Lorenzetti, and Tino di Camaino - are examined in a new light, together with other finely crafted objects produced by lesser known artists, all whom contributed to this hitherto over-looked example of late medieval cultural exchange.

From the author also known as Ariana Franklin-the thrilling sequel to A Catch of Consequence that "moves at a cracking pace."( London Times) Makepeace Hedley is frantic when she learns that her young daughter, sailing home to England from the rebelling American colonies, has been taken prisoner by the British. With her usual determination, Makepeace sets out for Plymouth to rescue her child. And when Countess Diana Stacpoole is asked by an American friend to help his son, also a British prisoner, Diana responds quickly and leaves her genteel past behind. In the chaos of wartime Plymouth the two women face social outrage, public scandal, and even arrest. Amidst docks and prisons, government bureaucracy and brothels, they forge an unlikely and unshakable friendship. And in freeing others, they discover their own splendid liberty.

Few of those Philippa loves in London return her affection. Not the love of her life, who has a new bride. Not even her widowed mother, Makepeace Burke. So Philippa decides on a marriage of convenience to a prudish, if kind, man. Across the Channel in France, the Reign of Terror is causing the beheading of thousands from the French nobility. Among those in danger is Philippa's friend, the Marquis de Condorcet. Not only has Philippa the means of rescuing him from the guillotine, she's got the courage. And as fate would have it, Philippa will find love where she least expects it-while staring death in the face.

A captivating historical novel from the national bestselling author, as Ariana Franklin, of Mistress of the Art of Death. Makepeace Burke serves Patriots at her late father's tavern on the Boston waterfront in 1765 and hates the redcoats with a vengeance. But even she can't watch an angry mob drown an Englishman. She rescues him and nurses him back to health-and falls in love. In Patriot Boston, hers is an unforgivable sin-made worse by the fact that her Englishman turns out be the aristocratic Sir Philip Dapifer. Philip must smuggle Makepeace aboard a ship bound for London and save her life at the expense of the world she knows. Rich in period detail, bringing the years of colonial rebellion to vivid life, A Catch of Consequence is a stylish novel of Boston and England, and of a woman who defies convention in both worlds.

Makepeace Burke's innocent rescue of an English aristocrat from a watery grave meant the end of her life in Boston. Rescued from the angry Patriots by the despised Englishman, she becomes his second wife and accompanies him to London. Here, she encounters a similar hostility.

This open university reader is a wide-ranging interdisciplinary collection of material from primary sources, illustrating the relationship between cultural change and religious belief in sixteenth-century Europe. It contains more than eighty extracts drawn from a variety of genres including political, religious, philosophical and legal writing, diaries, letters, plays, poems and fiction. Some have never previously been published, others have not been reprinted since their original appearance in the sixteenth century, and a number are translated into modern English for the first time. `Culture and Belief in Europe 1450 - 1600' includes writing from such renowned thinkers as Erasmus, Luther, Machiavelli, and Sir Thomas More, besides that of lesser-known authors. Works of literature also feature extensively, and writings from Cervantes, Rabelais, Edmund Spenser, and Sir Philip Sidney amongst many others are all to be found here. A general introduction describes the anthology's central aim - to explore aspects of the interrelationship between the politics, religion and writing of the period. The book is divided into eight thematic sections. Spelling in the extracts has been sensitively modernized throughout, and the editors provide a headnote and appropriate explanatory annotation for each item.