Diana Pavlac Glyer

The Bible tells us that God is like a potter, and we are like clay. God hovers over His creation, centering us, shaping us, and transforming us--often in ways we could never imagine. At every stage God carefully works, and ends up making glorious art out of even the most ordinary experiences of our lives. In Clay in the Potter's Hands, Diana Pavlac Glyer welcomes artists and non-artists alike into her studio to explore the rich implications of this metaphor and learn more about this timeless work of art. This book also features in-depth sidebars for potters about making pottery written by ceramist Eddy Efaw, and original photography by Quay San created specifically for this new edition.

Using a philosophical lens to more deeply examine, appreciate, and understand C. S. Lewis's writingsDrawing on C. S. Lewis's essays, sermons, and fiction, The Lion's Country offers a comprehensive exploration of Lewis's understanding of reality—important, Charlie W. Starr argues, to more fully understand Lewis's writing but also to challenge and inform our own thought about what constitutes the Real. For Lewis, reality is not simply a matter of what we can ascertain with our senses; the Real includes but also transcends the physical. Indeed, for Lewis, who is perhaps the most influential Christian writer of the 20th century, God is the most Real thing there is. Yet during the modernist era when Lewis lived, taught, and wrote, the prevailing view was that the only legitimate knowledge was that which could be derived from empirically provable facts. Lewis's rejection of such a narrow belief prompted him to ask, "What are facts without interpretation?" and led to his lifelong pursuit of experiencing and understanding the Real. Much of his fiction, including The Chronicles of Narnia, is fundamentally about how we can encounter reality and be certain of what we know. Starr's unique look at Lewis's philosophical and theological underpinnings extends even to a discussion of heaven and what it would be like to see the face of God. Including a never-before-released passage from Lewis's unpublished Prayer Manuscript, The Lion's Country is an essential contribution to Lewis studies.

La mayoría de los cristianos han escuchado que Dios es un alfarero y nosotros somos la arcilla, pero Diana Pavlac Glyer, que ha pasado incontables horas al volante del alfarero, muestra en este notable libro que este dicho es mucho más que una metáfora casual. A medidaque Dios se cierne sobre su creación, centrándonos o formándonos o incluso restaurándonos del colapso, puede transformarnos de formas que nunca imaginamos.

This workbook contains study questions, scriptures, and prayers to encourage readers to get the most out of Diana Pavlac Glyer's books "Clay in the Potter's Hands" and "Barro en las Manos del Alfarero." English and Spanish translations are presented side by side, leaving plenty of space for taking notes and journaling. This bi-lingual interactive guide will aid in personal study. It is also an ideal resource for Sunday School classes, discipleship groups, and one-on-one mentoring.

An inside look at the Inklings and their creative process C. S. Lewis, J. R. R. Tolkien, and the other Inklings met each week to read and discuss each other's works-in-progress, offering both encouragement and blistering critique. How did these conversations shape the books they were writing? How does creative collaboration enhance individual talent? And what can we learn from their example? Complemented with original illustrations by James Owen, Bandersnatch offers an inside look at the Inklings of Oxford—and a seat at their table at the Eagle and Child pub. It shows how encouragement and criticism made all the difference in The Lord of the Rings, The Chronicles of Narnia, and dozens of other books written by the members of this literary group. You'll learn what made these writers tick and more: inspired by their example, you'll discover how collaboration can help your own creative process and lead to genius breakthroughs in whatever work you do." No one knows more than Diana Pavlac Glyer about the internal workings of the Inklings. In Bandersnatch, she shows us how they inspired, encouraged, refined, and opposed one another in the course of producing some of the greatest literature of the last one hundred years. A brilliant and beautifully clear case study of iron sharpening iron." —Michael Ward, coeditor of C. S. Lewis at Poets' Corner"The Inklings are about as important a group as ever existed in the literary world. This tremendous new book about them is much anticipated and hugely welcome!" —Eric Metaxas, New York Times best-selling author of Bonhoeffer and Miracles"What a gift! Bandersnatch is a joy to read and helps dispel that dangerous myth that our greatest writers created in solitude. We all need community in order to do our best work, and this book will show you how some of the greatest minds of the twentieth century did just that. You won't be able to read this book just once." —Jeff Goins, founder of Tribe Writers and author of The Art of Work

C. S. Lewis and J. R. R. Tolkien, the creators of Narnia and Middle-earth, were close friends, colleagues, and members of the Inklings, a writers group that met in Oxford in the 1930s and 1940s, sharing and discussing their works-in-progress. This important study challenges the standard interpretation that Lewis, Tolkien, Charles Williams, Owen Barfield, and the other Inklings had little influence on one another's work, drawing on the latest research in composition studies and the sociology of the creative process. Diana Glyer invites readers into the heart of the group, examining diary entries and personal letters and carefully comparing the rough drafts of their manuscripts with their final, published work. Her analysis not only demonstrates the high level of mutual influence that characterized this writers group but also provides a lively and compelling picture of how writers and other creative artists challenge, correct, and encourage one another as they work together in community.