Dietrich Neumann

A landmark survey, offering a nuanced and deeply researched account of the career and life of the iconic modern architect “A balanced look at the architect in the context of his reception and impact, complete with photographs of Mies’s realized works and a selection of his early sketches. . . . In describing the architect’s often radical, sometimes brilliant and deeply flawed vision . . . Mr. Neumann simultaneously tells the story of 20th-century American and European modernism.”—Cammy Brothers, Wall Street Journal, “Holiday Gift Books: Architecture” Ludwig Mies van der Rohe (1886–1969) was a German-born American architect and designer whose work in Europe and North America has had an enduring influence on modern and contemporary architecture worldwide. During his sixty-year career, he fundamentally rethought architectural types that shaped modern life, including the office building, apartment building, and private home. True to his alleged dictum “less is more,” Mies van der Rohe’s style is characterized by utmost simplicity, elegance of materials, and radical formal and functional innovation, as exemplified by such iconic projects as the Farnsworth House in Plano, Illinois, and the Seagram Building in New York. In this book, renowned architectural historian Dietrich Neumann presents a new, critical look at Mies and complicates the established narrative about him. Diverging from the reverential posture of many existing accounts, Neumann insists on the importance of the contemporary context—social, political, and architectural—for understanding the architect’s life and work. The book draws on many overlooked archival and primary sources to demonstrate how and why Mies’s designs were shaped and received, foregrounding contemporary critics’ responses and the work of Mies’s collaborators and peers. It presents several previously unknown buildings, projects, and furniture designs and challenges long-established interpretations of key works. Comprehensively illustrated and covering the entirety of Mies’s career, this ambitious book is the most substantial account to date of the life and work of one of the most important architects of the twentieth century.

The Complex History of a Building With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement—up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986. Presumably the most important and influential architectural icon of the 20th century, uniquely documented and depicted On the occasion of the 50th anniversary of Mies’ death and the Bauhaus centenary Many never before published photographs from archives in the US, Germany and Spain

Während Mies van der Rohes Pavillon auf der Weltausstellung 929 in Barcelona von den meisten Besuchern unbemerkt auf dem Messegelände stand, wurde er von zeitgenössischen Kritikern begeistert als das überzeugendste Statement der Moderne bejubelt. Dieses Buch präsentiert ausgewählte Texte über dieses viel diskutierte Gebäude von damals bis heute: von der Eröffnungsrede des spanischen Königs über Zeitungsartikel und private Briefen, Stimmen von zeitgenössische Architekten, Architekturkritikern und Historikern bis hin zu einem Text des Künstlers Ai Weiwei, der 2 eine Installation im Außenbereich des Pavillons schuf. So zeigt die Wirkungsgeschichte ein schillerndes Bild und eine unglaubliche Breite der Rezeption, u. a mit Statements von Frank Lloyd Wright, Leonardo Benevolo, Rem Koolhaas, Peter Eisenman

While Mies van der Rohe's pavilion at the International Exposition in Barcelona in 929 went unnoticed by most of the visitors to the fairgrounds, contemporary critics enthusiastically hailed it as the most convincing statement of the Modern Age. This book presents selected texts about this much discussed building, written then and now: from the opening speech by the Spanish king, to newspaper articles and private letters, voices of contemporary architects, architecture critics and historians, and even a text by artist Ai Weiwei, who created an installation in the outdoor area of the pavilion in 2 . Thus the history of this building's reception depicts a dazzling picture and inconceivable breadth, including statements by such eminent authors as Frank Lloyd Wright, Leonardo Benevolo, Rem Koolhaas, Peter Eisenman.

Die Geschichte des Barcelona Pavilons Mies van der Rohe entwarf mit dem temporären Ausstellungspavillon des Deutschen Reichs auf der Weltausstellung 1929 in Barcelona eine Ikone der Architektur, aber auch ein umstrittenes Monument der Selbstdarstellung der Weimarer Republik. Das Gebäude gehört zu den ungewöhnlichsten Erfolgsgeschichten in der Architektur: Trotz seiner kurzen Existenz wuchs sein Ansehen in den folgenden Jahrzehnten stetig, auch dank großartiger Fotografien. Bald galt es als gebautes Manifest der Moderne, ihrer räumlichen und „ideellen" Ambitionen, als „ein Meilenstein der modernen Architektur". Ausführlich und weitreichend recherchiert, stellt das vorliegende Buch seine komplexe Geschichte und seine politische Verwicklung dar – bis hin zu seiner Rekonstruktion zwischen 1983 und 1986 nach den Originalplänen am ursprünglichen Ort. Die wohl wichtigste und einflussreichste Architekturikone des 20. Jahrhunderts, einzigartig dokumentiert und dargestellt Zahlreiche unveröffentlichte Fotografien aus Archiven in USA, Deutschland und Spanien

The expert contributors to this lavishly illustrated volume, devoted entirely to Mies van der Rohe's Barcelona Pavilion of 1929, address here for the first time the forgotten contexts of the Pavilion's genesis. Habitually thought of as an abstract, unpolluted, and splendidly isolated building--a precursor of Mies's American period--the Pavilion is revealed here as a thoroughly European work, perhaps less pristine but more authentic. Mies and Lilly Reich were commissioned to design not only the Pavilion but also more than one hundred thousand square feet of German stands spread throughout the Exposition. By examining that work in addition to the Pavilion itself, the contributors present a farreaching reinterpretation of the whole. They also explore connections with the mass media, highlight the work's antecedents and meaning in the history of architecture, and analyze the current pavilion, a reconstruction of the original built in 1986. No other critical study offers a comparable overview of Mies's work in Barcelona.

Die Autoren beschreiben aufgrund ihrer umfangreichen Erfahrungen in der Unternehmensanalyse anschaulich, welche Moglichkeiten sich fur Unternehmen aller Branchen und Entwicklungsstufen im Zuge der Digitalisierung ergeben. Mit vielen Praxisbeispielen.