Dmitri Shostakovich

IVth Series. Compositions for The Stage. CONTENTSTHE LIMPID STREAM, Op. 39. Piano ScoreThe Limpid Stream. Libretto1. OvertureACT ONEScene One2. Adagio. Zina and Pyotr 3. March4. Meeting Between Two Friends5. Examination Dance6. March7. Scene and Waltz-Entr'ActeScene Two8. The Celebration9. Russian Dance10. Chaconne11. Young Girls' Dance12. Milkmaid and Tractor Driver's Dance13. Ballerina's Waltz14. Comic Dance (Galya and Accordion Player)15. Caucasian Tribesmen's and Kuban Fieldworkers' Dance16. Exit17. Zina's Jealousy18. Revelation of Zina's Profession19. The PlotACT TWOScene Three20. Invitations to Rendez-vous 21. Dressing Up Scene22. Entry of Accordion Player and Galya23. Tango24. Playing Jokes on Old Dacha Dwellers 25. Adagio. Arrival at Rendez-vous26. Waltz. Variation of Male Dancer in Woman's Dress27. Variation of Ballerina in Her Partner's Costume28. Coda29. Adagio. Pyotr and Zina in Ballerina's Costume30. Plotters' Dance 31. Zina's Variation32. Coda33. Mise en Scene in Dance "The Murder"34. Theme of the "Murdered Lady"35. Finale-CodaACT THREEScene Four36. Musical Entr'Acte "The Swings"37. March "The Harvest Celebration"38. Waltz 39. The Revelation Scene40. Ballet Dancer's Variation41. Ballerina's Variation42. Zina's Variation43. Coda44. Final DanceManashir IAKUBOV. The Limpid Stream. Its Stage Life: Success, Failure,and Rebirth Manashir IAKUBOV. CommentsAppendix I. Pieces Not Included in the First Stage Edition of the Ballet1. After the March, before the Ballet Dancers' Waltz2. After Reviewing Those in Disguise3. Weavers' Dance 4. Zina and Pyotr's Dance5. Folk Dance6. [Mise en Scene in Dance "The Murder". Variant]7. The Swings8. Adagio9. Variation10. Zina's Variation (second version)11. Zina's Variation (third version)Appendix II. Fragments of Certain Pieces Not Includedin the First Stage Edition of the Ballet1. Variation2. [Act One, Finale] 3. [Act One, End of Finale]4. Fragment [Allegro]

CONTENTS 1. Moderato non troppo No. 102. Allegretto No. 153. Andantino No. 164. Allegretto No. 24

CONTENTSO. Digonskaya. Dmitri Shostakovich. Symphony Fragment of 1945Dmitri Shostakovich. SYMPHONY FRAGMENT OF 1945. ScoreM. Iakubov. Comments

Mysl o sozdanii Vtoroj fortepiannoj sonaty voznikla u Shostakovicha pod vlijaniem izvestija o bezvremennoj konchine ego konservatorskogo uchitelja Leonida Vladimirovicha Nikolaeva v oktjabre 1942 goda. V osnovu nastojaschego izdanija polozhen chistovoj avtograf Sonaty No. 2 i korrekturnye listy pervogo izdanija s pravkoj avtora. Naibolee suschestvennye raskhozhdenija mezhdu chistovym avtografom ekzempljarom korrektury zakljucheny v kvadratnye skobki. Bez ogovorok ispravleny mnogochislennye javnye pogreshnosti predyduschikh izdanij.

IVth Series. Compositions for The Stage

CONTENTS 1. Moderato No. 12. Andante No. 33. Allegretto No. 84. Allegretto No. 115. Allegro No. 5

SISÄLLYS1. Adagio2. Kevät valssi

CONTENTS1. Allegretto2. Andantino3. Allegretto

4 sheet music book set; each book contains 6 preludes and fugues.

The collection includes some works by Russian classics of 19-20th centuries: A. Borodin, A. Dyubyuk, N. Rimsky-Korsakov and other composers. These pieces are largely used in educational practice. For students of music collegesContents. A. Borodin. Dance of Polovtsian Maidens. From the opera 'Prince Igor'. Arranged by A. BagrintsevA. Dyubyuk. Tarantella. Arranged by V. BorisovskyN. Rimsky-Korsakov. Flight of the Bumblebee. From the opera 'The Tale of Tzar Saltan'. Arranged by Ye. StrakhovD. Shostakovich. People's Holiday. From the music to the film 'Gadfly'. Arranged by V. Borisovsky

Two Fables by Ivan Krylov. For Mezzo-soprano, Female Chorus and Orchestra, Op. 4. Six Romances on Japanese Poems. For Tenor and Orchestra, Op. 21. Three Romances on Poems by Aleksandr Pushkin. For Bass and Chamber Orchestra, Op. 46a. Score. NCW, 87th vol.

Pervaja polnaja publikatsija pisem D. D. Shostakovicha k ego samomu blizkomu drugu - zamechatelnomu muzykovedu, literaturovedu, teatrovedu i kritiku I. I. Sollertinskomu (1902+1944). Jarko risuet lichnost velikogo kompozitora, sobytija ego zhizni i tvorcheskoj sudby.

New Collected Works of Dmitri Shostakovich. Vol. 32. Tahiti Trot, op. 16. Two Pieces by Domenico Scarlatti, op. 17. Suite No. 1 & 2 for Jazz Orchestra, sans op. Ceremonial March, sans op. German March, sans op. March of the Soviet Militia, op 139. ScoreTahiti Trot, op. 16. Two Pieces by Domenico Scarlatti, op. 17. Suite No. 1 & 2 for Jazz Orchestra, sans op. Ceremonial March, sans op. German March, sans op. March of the Soviet Militia, op 139. Score.

Muzykalnaja komedija (Operetta) v trekh dejstvijakh, pjati kartinakh (uvertjura-prolog i 39 nomerov), dlja simfonicheskogo orkestra, 19 solistov, khora. Libretto prinadlezhit Vladimiru Massu i Mikhailu Chervinskomu. V osnovu nastojaschego izdanija polozhena partitura, opublikovannaja v tome 24 Sobranija sochinenij D. D. Shostakovicha (M., Muzyka, 1986). Pomimo etogo izdanija byli ispolzovany: pervoe izdanie klavira; izdanie klavira v tome 25 Sobranija sochinenij D. D. Shostakovicha (M., Muzyka, 1986); avtorizovannaja rukopisnaja kopija klavira (chastnoe sobranie); chistovye i belovye avtografy, a takzhe avtorizovannye rukopisnye kopii otdelnykh nomerov klavira, khranjaschiesja v Arkhive D. D. Shostakovicha, i, nakonets, orkestrovye golosa, solnye i khorovye partii muzykalnoj komedii "Moskva, Cheremushki" iz biblioteki Moskovskogo teatra operetty. Dlja utochnenija nazvanij rjada nomerov i literaturnogo teksta ispolzovan ekzempljar libretto V. Massa i M. Chervinskogo, v chastnosti imejuschijsja tam "Perechen muzykalnykh nomerov" (GTSMMK, f. 32, ed. khr. 326. S. III). Takzhe v izdanii vy najdete pojasnitelnuju statju i kommentarii (v t. ch. i potaktnyj) M. Jakubova i prilozhenija s Pesnej Sergeja "My stroim dom", dopolnitelnymi orkestrovymi nomerami dlja kinofilma "Cheremushki" i chernovymi eskizami dopolnitelnykh nomerov dlja kinofilma "Cheremushki" (faksimile).

The facsimile edition of the author's manuscript of the score of Dmitri Shostakovich's (1906-1975) Thirteenth Symphony is the first publication of the original author's text of the symphony. After its premiere, the performance of this symphony was long banned, and it was never published in the author's homeland in its original and unadulterated form. This high-quality printed reproduction of the author's manuscript makes it possible to become acquainted firsthand with this masterpiece and follow Shostakovich through the creative process on the basis of an authentic document. The introductory article gives the first detailed account of the composition and premiere of this symphony. The text is presented in Russian and in English. This publication is timed to coincide with the 100th anniversary of Dmitri Shostakovich's birth. Introductory article by Manashir Iakubov:The original text of the score of Dmitri Shostakovich's Thirteenth Symphony is being reproduced in this publication for the first time. The need for this publication transpired long ago. The Thirteenth Symphony occupies a special place among those of Shostakovich's compositions which experienced difficult and tragic fates. In particular, it was distinguished by unexpected twists and turns during the emergence and development of its idea and by dramatic upheavals in the fate of the finished work. The symphony was written in 1962. A poem by Yevgeny Yevtushenko, a young, but already very well-known poet at that time, called "Babi Yar" served as the stimulus for beginning work on the symphony. Babi Yar is a ravine on the northwest outskirts of Kiev, where, carrying out Hitler's plans to execute the "final solution to the Jewish question", the German troops who occupied Ukraine shot approximately one hundred thousand Jews in 1941-1943. According to the official German report, in the first two days of the campaign alone, 29 and 30 September 1941, the Hitlerites shot 33,771 Jews at Babi Yar; and the punitive operations continued until August 1943SONTENTS5 M. Iakubov Shostakovich's Thirteenth Symphony on Publication of the Facsimile of the Score23 Dmitri Shostakovich The Thirteenth Symphony. Score. Facsimile25 I. Babi Yar69 II. Humour125 III. In the Shop142 IV. Fears166 V. Career

CONTENTSFrom the PublishersTWO PIECES for String Quartet. Op. 36 [a]. Score1. Elegy2. Polka

Xth series: Chamber Instrumental Ensembles

CONTENTS:PrefaceDm. Pokrass. Parting. Verses by M. IsakovskyDan. and Dm. Pokrass. Those Aren't the Stormy Clouds. From the film "Sons of Labour People". Verses by A. SurkovM. Blanter. Song About Shchors. Verses by M. GolodnyYu. Milyutin. Get Away of Us. From the film "Mitka-Lelyuk". Verses by V. Lebedev-KumachD. Pritsker. Song of a Gril. Verses by A. ChurkinI. Dunayevsky. Oh, What a Fortune! Pioneers song from the film "Beethoven's Concerto". Verses by V. ShmidtgofI. Dunayevsky. Sing to Us, the Wind... From the film "Captain Grant's Children". Verses by V. Lebedev-KumachI. Dunayevsky. Naval Song. Verses by P. BelovI. Dunayevsky. Song of Anyuta. From the film "Jolly Lads". Verses by V. Lebedev-KumachG.-B. Weckerlin. Mummy, What Is Love? Pastorale. Russian verses by Yu. L. Rimskaya-KorsakovaL. van Beethoven. Scottish Table Song. Russian verses by A. GlobaG. Rossini. Alpian Shepherdess. Tyrolese song. Russian verses by M. UlitskyG. Bizet. Habanera. From the opera "Carmen". Russian verses by A. GorchakovaR. Leoncavallo. Harlequin's Serenade. From the opera "Pagliacci". Russian verses by I. PryanishnikovA. Verstovsky. Gypsy Song. Verses by A. S. PushkinA. Gurilyov. Little Dress Sarafanchik. Verses by A. PolezhayevA. Gurilyov. I'll Really Tell My Mummy. Verses by N. BergA. Dargomyzhsky. Fever. Traditional versesA. Dargomyzhsky. Granada Is Dressed Wrapped in Fog. Verses by A. DargomyzhskyA. Dargomyzhsky. As in Our Street. Song of Olga. From the opera "Mermaid"A. Dargomyzhsky. Comical Song. From the unfinished opera "Rogdana"M. Musorgsky. Gopak. From the poem "Haydamaks" by T. Shevchenko translated to Russian by L. MeyM. Musorgsky. Song of Hivrya. From the opera "Sorochinskaya Fair"M. Musorgsky. Parasya's Dumka. From the opera "Sorochinskaya Fair"N. Rimsky-Korsakov. Song of Varangian Guest. From the opera "Sadko"M. Ippolitov-Ivanov. I am Sitting on the Stone. Traditional versesS. Gulak-Artemovsky. Where did You Come From? Duet of Karas' and Odarka from the opera "Zaporozhian Cossack Behind the Danube"CommentariessSummary