Donald Morrison

Etsitkö jännitystä, uusia näkökulmia tai rentouttavaa lukuelämystä? Tutustu kirjakategorioihimme ja löydä seuraava suosikkikirjasi.

Tervetuloa Pohjoismaiden suurimpaan verkkokirjakauppaan! Adlibris kannattaa sananvapautta, ja haluamme edistää kirjallisuuden ja tiedon saatavuutta.

"It's Dungeons and Dragons meets The Walking Dead."-Don Bish of the Yardbirds and Candlebox. A plague is spreading across the lands of Winterhold, an army of the undead wiping out all that stands in the way. But there's a whisper on the wind of a boy who may be the key to stopping it. Now it's up to Sarnan Woodlock and his companions to traverse the hellish lands in search of this child. Deadslayers is an epic tale of swords and sorcery, of wizards and warriors and a legion of the undead. It's a must-read, visceral journey through the darkest parts of humanity in a world thrust into chaos at the hands of a vengeful necromancer. It's a tale that goes on to show, sometimes, there is more to fear than just death itself.

In 2052 a squad of Marines from the Earth Military Federation are sent to investigate a newly built terraforming colony on mars. The station has mysteriously gone dark, after unearthing an alien structure buried just beneath the surface. The unit embarks on a mission to find out what has happened, only to uncover a nightmarish blood bath-the entire colony has been violently slaughtered. Now the unit must uncover what has caused the gruesome deaths of the colonists, and manage to escape before whatever it is that is hiding in the station begins to hunt them down, and they wind up another victim of the ENTITY.

Written in a spirit that embodies storytellers like the brothers Grimm and Guillermo Del Toro, The Isle of Children is a dark fairytale incorporating contemporary horror and mid-century fantasy. Step back in time to an early 19th century orphanage and find yourself in the weathered shoes of a 14-year-old boy named Carlos, and follow along as he manages a harrowing escape, only to find himself lost at sea. Eventually, he awakens on a strange island and quickly realizes something is wrong. He makes his way to a large palace to find dozens of other children, and a lone figure watching over them, one they simply refer to as, Father. He quickly befriends a young girl named Isabella and together they begin to uncover the dark secrets of the island. Something big, and violent stalks the woods surrounding the mansion, something ancient and hungry, something that feeds upon fear and young flesh. Now, together they must try to find a way to kill the monster and free the children from an island that threatens to tear them apart.

Local homeless man Terrance Williams begins having what he can only describe as prophetic visions of a coming apocalypse. Fire and brimstone rain down from above, leaving only a scorched earth behind. Now he must race against the clock to warn as many as he can before the world as we know it ceases to exist. But will the society that has shunned him for years listen, or will his warnings be ignored?

"I want you to write a story that references modern immigration and policies in regards to the Latino people, but using zombies to tell the story." This was the challenge that was issued to me in the summer of 2013 by UCLA Literature Professor, Mario Escobar. The following 319 pages were my answer to that.-Donald MorrisonFrom Adam, God created Eve, and from humanity, we have been formed. The year is 2059. 26 years ago an evolution occurred. Some referred to it as an infection, or a virus, but to those of us now locked behind the Dividing Wall, separated from the rest of society, we simply refer to it as the change. Most of the residents in Baja California were relocated, and the wall was constructed around it; to keep the rest of the world from having to remember that we exist. We have been quarantined, segregated, persecuted, locked in isolated "safety zones", and ripped away from our families and loved ones, to be locked away and forgotten inside what is now referred to as the Grey Zone. This is the story of our survival, the story of our kind, the Cineraceans, or as we refer to ourselves, the Greys.

Donald Morrison's breakout novel. From the moment you experience the first infected through the eyes of a rat named Maya and two guinea pigs named Chuck and Charlie, you will be transported into a world where the forest has been becoming increasingly full of the rabid, flesh hungry husks of what was once it's inhabitants. As they journey the woods, fighting off crazed, blood lust driven animals, they will have to conquer their fears of the forest around and the anger that dwells inside them, working together and forming new bonds. Will they make it to the other side of the woods and put a stop to the source of this infection before it's too late, or will the woods they know be torn apart in a rabid frenzy?...

For a long time, France and its culture have been one and the same. The greatness of the former added to the influence of the latter, and vice versa. French writers, artists and philosophers were at the centre of the world’s attention and enjoyed unparalleled prestige. Of this past glory, all that is left today is navel-gazing, nostalgia, and timidity. This was the disabused verdict reached by Donald Morrison, an American in Paris, at the conclusion his inquiry into the place of French culture in the world. The creativity of its artists may be undeniable, but the influence (ghostlike) and the importance (derisory) of France in cultural exchanges both go to show that French culture no longer speaks to the world. This decline ultimately suits the French national mentality, inclined as it is to lamentation and sorrow. When Morrison originally published this piercing verdict on contemporary French culture in Time magazine in November 2007, it caused a sensation. Morrison was pilloried by the French press and attacked in countless newspapers, magazines and blogs. Morrison’s article gave rise to an extended interrogation of French culture by admirers and critics alike. Undeterred by the controversy, Morrison has returned to his original article to see how well his central arguments hold up in the light of the criticisms levelled at him. This new and updated version of his controversial text is accompanied by a thoughtful reply by Antoine Compagnon, who highlights a certain ambivalence within French culture, still capable of achieving the best but seemingly paralysed by its preoccupation with its own grandeur. This important exchange between Morrison and Compagnon will be of great interest to anyone concerned with French culture and its legacy in the world today.

For a long time, France and its culture have been one and the same. The greatness of the former added to the influence of the latter, and vice versa. French writers, artists and philosophers were at the centre of the world’s attention and enjoyed unparalleled prestige. Of this past glory, all that is left today is navel-gazing, nostalgia, and timidity. This was the disabused verdict reached by Donald Morrison, an American in Paris, at the conclusion his inquiry into the place of French culture in the world. The creativity of its artists may be undeniable, but the influence (ghostlike) and the importance (derisory) of France in cultural exchanges both go to show that French culture no longer speaks to the world. This decline ultimately suits the French national mentality, inclined as it is to lamentation and sorrow. When Morrison originally published this piercing verdict on contemporary French culture in Time magazine in November 2007, it caused a sensation. Morrison was pilloried by the French press and attacked in countless newspapers, magazines and blogs. Morrison’s article gave rise to an extended interrogation of French culture by admirers and critics alike. Undeterred by the controversy, Morrison has returned to his original article to see how well his central arguments hold up in the light of the criticisms levelled at him. This new and updated version of his controversial text is accompanied by a thoughtful reply by Antoine Compagnon, who highlights a certain ambivalence within French culture, still capable of achieving the best but seemingly paralysed by its preoccupation with its own grandeur. This important exchange between Morrison and Compagnon will be of great interest to anyone concerned with French culture and its legacy in the world today.