Doris V Sutherland

Explore the lives of three heroes-Jack Seward, Quincey Morris, and Arthur Holmwood-bound by friendship, honor, and their love for Lucy Westenra. Join us as we journey through their pasts and futures, with stories of daring adventure, heartache, and supernatural encounters Contributors: Chris McAuleyMark OxbrowDoris V. SutherlandHenry HerzJasmine De La PazElizabeth TwistKay HanifenS. L. EdwardsCover Image by Amanda BergloffDracula Beyond Stoker is a fiction journal dedicated to celebrating and continuing the legacy of Bram Stoker's Dracula

Four stories set in the Eleventh Doctor Era, starring Jacob Dudman.

Bernice Summerfield is back in four new adventures with a Time Lord you could bring home to meet your universe.

Released in 1932, The Mummy moved Universal horror away from the Gothic Europe of Dracula and Frankenstein and into a land of deserts, pyramids, and long-lost tombs. In doing so the film continued a tradition of horror fiction that is almost as old as the Western pursuit of Egyptology, as numerous European and American authors from the nineteenth and early twentieth centuries had portrayed Egypt as a place of mystery and magic. This book examines the roots of The Mummy. It shows how the film shares many of its motifs with the work of writers such as Bram Stoker, Arthur Conan Doyle, and H. Rider Haggard, whose tales of living mummies, immortal sorcerers, and Egyptian mysticism bear strong resemblances to Universal’s movie. In addition, the book discusses how The Mummy drew upon a contemporary vogue for all things ancient Egyptian: the tomb of Tutankhamun was discovered the decade before the film was released, prompting sensationalistic rumors of a curse. This is the story of what happened when Hollywood horror went to Egypt.