Douglas Coupland

A real-time five-hour story set in an airport cocktail lounge during a global disaster. Slowly, each reveals the truth about themselves while the world as they know it comes to an end. In the tradition of Kurt Vonnegut and J. G.

In the near future bees are extinct - until five unconnected individuals, in different parts of the world, are stung.

Generation A is set in the near future in a world where bees are extinct, until five unconnected people all around the world-- in the United States, Canada, France, New Zealand, and Sri Lanka--are all stung. Their shared experience unites them in ways they never could have imagined. Generation A mirrors Coupland's debut novel, 1991's Generation X. It explores new ways of storytelling in a digital world. Like much of Coupland's writing, it occupies the perplexing hinterland between optimism about the future and everyday apocalyptic paranoia. Imaginative, inventive, and fantastically entertaining, Generation A is his most ambitious work to date.

On a snowy Friday night in 1979, just hours after making love for the first time, Richard's girlfriend, high school senior Karen Ann McNeil, falls into a coma. Nine months later she gives birth to their daughter, Megan. As Karen sleeps through the next seventeen years, Richard and their circle of friends reside in an emotional purgatory, passing through a variety of careers--modeling, film special effects, medicine, demolition--before finally reuniting on a conspiracy-driven super-natural television series. But real life grows as surreal as their TV show as Richard and his friends await Karen's reawakening . . . and the subsequent apocalypse.

They are Microserfs--six code-crunching computer whizzes who spend upward of sixteen hours a day "coding" and eating "flat" foods (food which, like Kraft singles, can be passed underneath closed doors) as they fearfully scan company e-mail to learn whether the great Bill is going to "flame" one of them. But now there's a chance to become innovators instead of cogs in the gargantuan Microsoft machine. The intrepid Microserfs are striking out on their own--living together in a shared digital flophouse as they desperately try to cultivate well-rounded lives and find love amid the dislocated, subhuman whir and buzz of their computer-driven world.

Roger is a middle-aged and divorced 'aisles associate' at a Staples outlet. His co-worker Bethany is facing fifty more years of shelving Post-it notes. Then Bethany discovers Roger's notebook and finds that he's writing diary entries pretending to be her - and weirdly, he's getting it right. Bethany and Roger strike up a secret correspondence, and as it unfolds so too do the characters of Roger's work-in-progress, Glove Pond, a Cheever-era novella gone horribly, horribly wrong.

Ethan and his five co-workers are marooned in JPod, a no-escape architectural limbo on the fringes of a massive game-design company. There they wage battle against the demands of boneheaded marketing staff who torture them with idiotic changes to already idiotic games. Meanwhile, Ethan's personal life is being invaded by marijuana grow-ops, people-smuggling, ballroom dancing, global piracy and the rise of China. Everybody in both worlds seems to inhabit a moral grey zone, and nobody is exempt, not even his seemingly strait-laced parents or Coupland himself.

Very evil Very funny. A lethal joyride into today's new breed of technogeeks, Coupland's novel updates Microserfs for the age of Google.

"Microtreller" forteller om en gruppe unge, smarte dataprogrammerere som bor i bofellesskap og arbeider for Bill Gates i Microsoft, der de skriver kode 18 timer om dagen. De føler seg som mistilpassede fotsoldater i den digitale revolusjonen og innser at de ikke har egne liv og bestemmer seg for å få seg egne liv, og for å starte sitt eget multimedia-selskap. "Microtreller" er et portrett av en subkultur, den handler om forandring og teknologi og om den fysiske og sosiale fremmedgjøringen ved et liv på informasjonsmotorveien. Det er en fanatisk detaljert og tvers igjennom morsom og merkelig rørende collage av en roman. Douglas Couplands debutroman "Generasjon X" utkom på Forlaget Oktober i 1994.

Following the hugely acclaimed bestseller Hey Nostradamus! comes a major new novel from Douglas Coupland: the wonderfully warm, funny, life-affirming story of Liz Dunn, a woman who has spent her whole life alone and lonely - until now... This is a brilliant work of commercial literary fiction from an author who just gets better and better.

Hei Nostradamus! on Couplandia parhaimmillaan. Pieni yhteisö kokee tragedian, julistaa pyhimyksensä, polttomerkitsee demoninsa ja jatkaa elämäänsä. Tarina kulkee neljän kertojan äänillä teiniavioliitosta kuolemaan ja suruun, uskoon ja rakkauteen teemalla: Onko Jumalaa? Yllättävä ja Couplandille tunnusomaisen mustan huumorin rikastuttama Hei Nostradamus! on unohtumaton kuvaus henkisyyden sekä surun ja sen hyväksymisen kanssa painiskelevista ihmisistä.

The brilliant new novel from the bestselling cult author of them all.

From the acclaimed author of Hey Nostradamus! comes a wonderful comic novel with ‘more one-liners than a decade of Woody Allen films’ (Guardian), about the scramble for love and success in a brave new world… Bill is wise. Bill is kind. Bill is benevolent. Bill, Be My Friend… Please! At computer giant Microsoft, Dan, Susan, Abe, Todd and Bug are struggling to get a life. The job may be super cool, the pay may be astronomical, but they're heading nowhere, and however hard they work, however many shares they earn, they're never going to be as rich as Bill. And besides, with all the hours they're putting in, their best relationships are on e-mail. Something's got to give…

In this title, Jason's pregnant girlfriend Cheryl died in their Vancouver school cafeteria ten years previously in a hail of bullets. Without support from his family, Jason moves between black-outs and clear memories of that day with frightening ease.

Janet Drummond does a tally of her three children: Wade spent the night in jail again; suicidal Bryan; and Sarah - the star of the next shuttle mission. But even an astronaut has personal problems, and with Janet's ex-husband coming to town, Janet contemplates where it all went wrong. Or did it?

From the bestselling author of Generation X and Microserfs, comes the absurd and tender story of a hard-living movie producer and a former child beauty pageant contender who only find each other by losing themselves. Waking up in an L. A. hospital, John Johnson is amazed that it was the flu and not an overdose of five different drugs mixed with cognac that nearly killed him. As a producer of high-adrenaline action flicks, he's led a decadent and dangerous life, purchasing his way through every conceivable variant of sex. But each variation seems to take him one notch away from a capacity for love, and while movie-making was once a way for him to create worlds of sensation, it now bores him. After his near-death experience, John decides to walk away from his life. Susan Colgate is an unbankable former tv star and child beauty pageant contender. Forced to marry a heavy metal singer in need of a Green Card after her parents squander her sitcom earnings, she becomes the alpha road rat. But when the band's popularity dwindles, the marriage dissolves. Flying back to Los Angeles in Economy, Susan's plane crashes and only she survives. As she walks away from the disaster virtually unscathed, Susan, too, decides to disappear. John and Susan are two souls searching for love across the bizarre, celebrity-obsessed landscape of LA, and are driven, almost fatefully, toward each other. Hilarious, fast-paced and ultimately heart-wrenching, Miss Wyoming is about people who, after throwing off their self-made identities, begin the fearful search for a love that exposes all vulnerabilities.

Girls, memory, parenting, millennial fear – all served Coupland-style. Karen, an attractive, popular student, goes into a coma one night in 1979. Whilst in it, she gives birth to a healthy baby daughter; once out of it, a mere eighteen years later, she finds herself, Rip van Winkle-like, a middle-aged mother whose friends have all gone through all the normal marital, social and political traumas and back again… This tragicomedy shows Coupland in his most mature form yet, writing with all his customary powers of acute observation, but turning his attention away from the surface of modern life to the dynamics of modern relationships, but doing so with all the sly wit and weird accuracy we expect of the soothsaying author of Generation X, Shampoo Planet, Life After God, Microserfs and Polaroids from the Dead.

Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class. For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike. At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives. Polaroids from the Dead is a skillful combination of stories, fact and fiction -- keen outtakes on life in the late 20th century, exploring the recent past and a society obsessed with celebrity, crime and death. Princess Diana, Nicole Brown Simpson and Madonna are but some of the people scrutinized.

Andy, Dag and Claire represent the new generation - Generation X.