Ed Keller

How much do you know about the food you eat? Do you really know where it comes from before it gets to your plate? Young Clare is full of questions, including about the foods she eats. In his book, Clare's Tomato, author Ed Keller shares her adventures as she sets out to learn about how vegetables grow. She's thrilled about growing her first tomato, but she's concerned about what will happen to it when it is nice and ripe. Clare's Tomato is an entertaining children story. It's also a chance for them to learn where their food comes from and how they can play a part in providing food for their families.

How much do you know about the food you eat? Do you really know where it comes from before it gets to your plate? Young Clare is full of questions, including about the foods she eats. In his book, Clare's Tomato, author Ed Keller shares her adventures as she sets out to learn about how vegetables grow. She's thrilled about growing her first tomato, but she's concerned about what will happen to it when it is nice and ripe. Clare's Tomato is an entertaining children story. It's also a chance for them to learn where their food comes from and how they can play a part in providing food for their families.

Essays, articles, artworks, and documents taken from and inspired by the symposium on Reza Negarestani's Cyclonopedia: Complicity with Anonymous Materials, which took place in March 2011 at The New School. Hailed by novelists, philosophers, artists, cinematographers, and designers, Cyclonopedia is a key work in the emerging domains of speculative realism and theory-fiction. The text has attracted a wide-ranging and interdisciplinary audience, provoking vital debate around the relationship between philosophy, geopolitics, geophysics, and art. At once a work of speculative theology, a political samizdat, and a philosophic grimoire, Cyclonopedia is a Deleuzo-Lovecraftian middle-eastern Odyssey populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, and the corpses of ancient gods. Playing out the book's own theory of creativity - "a confusion in which no straight line can be traced or drawn between creator and created - original inauthenticity" - this multidimensional collection both faithfully interprets the text and realizes it as a loving, perforated host of fresh heresies. The volume includes an incisive contribution from the author explicating a key figure of the novel: the cyclone. CONTENTS: Robin Mackay, "A Brief History of Geotrauma" - McKenzie Wark, "An Inhuman Fiction of Forces" - Benjamin H. Bratton, "Root the Earth: On Peak Oil Apophenia" - Alisa Andrasek, "Dustism" - Zach Blas, "Queerness, Openness" - Melanie Doherty, "Non-Oedipal Networks and the Inorganic Unconscious" - Anthony Sciscione, "Symptomatic Horror: Lovecraft's 'The Colour Out of Space'" - Kate Marshall, "Cyclonopedia as Novel (a meditation on complicity as inauthenticity)" - Alexander R. Galloway, "What is a Hermeneutic Light?" - Eugene Thacker, "Black Infinity; or, Oil Discovers Humans" - Nicola Masciandaro, "Gourmandized in the Abattoir of Openness" - Dan Mellamphy & Nandita Biswas Mellamphy, "Phileas Fogg, or the Cyclonic Passepartout: On the Alchemical Elements of War" - Ben Woodard, "The Untimely (and Unshapely) Decomposition of Onto-Epistemological Solidity: Negarestani's Cyclonopedia as Metaphysics" - Ed Keller, ". . . Or, Speaking with the Alien, a Refrain. . ." - Lionel Maunz, "Receipt of Malice" - yk Tekten, "Symposium Photographs" - Reza Negarestani, "Notes on the Figure of the Cyclone"