Edgar Allan Poe

"The Masque of the Red Death", originally published in 1842, is a short story by Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ball within seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. The story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease.

The narrator, 22-year-old Napoleon Bonaparte Froissart, changes his last name to "Simpson" as a requirement to inherit a large sum from a distant cousin, Adolphus Simpson. At the opera he sees a beautiful woman in the audience and falls in love instantly. He describes her beauty at length, despite not being able to see her well; he requires spectacles but, in his vanity, "resolutely refused to employ them". His companion Talbot identifies the woman as Madame Eugenie Lalande, a wealthy widow, and promises to introduce the two. He courts her and proposes marriage; she makes him promise that, on their wedding night, he will wear his spectacles.

"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in 1841. It has been recognized as the first modern detective story. Poe referred to it as one of his "tales of ratiocination". C. Auguste Dupin is a man in Paris who solves the mystery of the brutal murder of two women. Numerous witnesses heard a suspect, though no one agrees on what language was spoken. At the murder scene, Dupin finds a hair that does not appear to be human. As the first fictional detective, Poe's Dupin displays many traits which became literary conventions in subsequent fictional detectives, including Sherlock Holmes and Hercule Poirot. Many later characters, for example, follow Poe's model of the brilliant detective, his personal friend who serves as narrator, and the final revelation being presented before the reasoning that leads up to it. Dupin himself reappears in "The Mystery of Marie Rog t" and "The Purloined Letter".

The epithets "Grotesque" and "Arabesque" will be found to indicate with sufficient precision the prevalent tenor of the tales here published. But from the fact that, during a period of some two or three years, I have written five-and-twenty short stories whose general character may be so briefly defined, it cannot be fairly inferred - at all events it is not truly inferred - that I have, for this species of writing, any inordinate, or indeed any peculiar taste or prepossession. I may have written with an eye to this republication in volume form, and may, therefore, have desired to preserve, as far as a certain point, a certain unity of design. This is, indeed, the fact; and it may even happen that, in this manner, I shall never compose anything again. I speak of these things here, because I am led to think it is this prevalence of the "Arabesque" in my serious tales, which has induced one or two critics to tax me, in all friendliness, with what they have been pleased to term "Germanism" and gloom. The charge is in bad taste, and the grounds of the accusation have not been sufficiently considered. Let us admit, for the moment, that the "phantasy-pieces" now given are Germanic, or what not. Then Germanism is "the vein" for the time being. To morrow I may be anything but German, as yesterday I was everything else. These many pieces are yet one book. My friends would be quite as wise in taxing an astronomer with too much astronomy, or an ethical author with treating too largely of morals. But the truth is that, with a single exception, there is no one of these stories in which the scholar should recognise the distinctive features of that species of pseudo-horror which we are taught to call Germanic, for no better reason than that some of the secondary names of German literature have become identified with its folly. If in many of my productions terror has been the thesis, I maintain that terror is not of Germany, but of the soul, - that I have deduced this terror only from its legitimate sources, and urged it only to its legitimate results.

The story opens with the delivery to a crowd gathered in Rotterdam of a manuscript detailing the journey of a man named Hans Pfaall. The manuscript, which comprises the majority of the story, sets out in detail how Pfaall contrived to reach the moon by benefit of a revolutionary new balloon and a device which compresses the vacuum of space into breathable air. The journey takes him nineteen days, and the narrative includes descriptions of the Earth from space as well as the descent to its fiery, volcanic satellite. Pfaall withholds most of the information regarding the surface of the moon and its inhabitants in order to negotiate a pardon from the Burgomaster for several murders he committed as he left earth. After reading the manuscript, the city authorities agree that Pfaall should be pardoned, but the messenger who brought them the text (apparently a resident of the moon) has vanished and they are unable to restore communication with him.

Poe's detective character C. Auguste Dupin and his sidekick the unnamed narrator undertake the unsolved murder of Marie Rog t in Paris. The body of Rog t, a perfume shop employee, is found in the Seine River and the press takes a keen interest in the mystery. Dupin remarks that the newspapers "create a sensation ... than to further the cause of truth". Even so, he uses the newspaper reports to get into the mind of the murderer. Dupin uses his skills of ratiocination to determine that a single murderer was involved who dragged her by the cloth belt around her waist at first, then switching to a cloth around her neck, before dumping her body off a boat into the river. Finding the boat, Dupin suggests, will lead the police to the murderer.

"The Angel of the Odd" is a satirical short story by Edgar Allan Poe, first published in 1844. The story follows an unnamed narrator who reads a story about a man who died after accidentally sucking a needle down his throat. He rages at the gullibility of humanity for believing such a hoax. He vows to never fall for such odd stories. Just then, a strange-looking creature made of a keg and wine bottles appears. The creature announces in a heavy accent that he is the Angel of the Odd - and that he is responsible for causing such strange events.

"The Fall of the House of Usher" is a short story by Edgar Allan Poe first published in 1839. The story begins with the unnamed narrator arriving at the house of his friend, Roderick Usher, having received a letter from him in a distant part of the country complaining of an illness and asking for his help. As he arrives, the narrator notes a thin crack extending from the roof, down the front of the building and into the adjacent lake. Although Poe wrote this short story before the invention of modern psychological science, Roderick's condition can be described according to its terminology. It includes a form of sensory overload known as hyperesthesia (hypersensitivity to textures, light, sounds, smells and tastes), hypochondria (an excessive preoccupation or worry about having a serious illness) and acute anxiety. It is revealed that Roderick's twin sister, Madeline, is also ill and falls into cataleptic, deathlike trances. The narrator is impressed with Roderick's paintings, and attempts to cheer him by reading with him and listening to his improvised musical compositions on the guitar. Roderick sings "The Haunted Palace", then tells the narrator that he believes the house he lives in to be alive, and that this sentience arises from the arrangement of the masonry and vegetation surrounding it.

"The Black Cat" is a short story by Edgar Allan Poe. It was first published in 1843. It is a study of the psychology of guilt, often paired in analysis with Poe's "The Tell-Tale Heart". In both, a murderer carefully conceals his crime and believes himself unassailable, but eventually breaks down and reveals himself, impelled by a nagging reminder of his guilt.

Set on Sullivan's Island, South Carolina, the plot follows William Legrand, who was recently bitten by a gold-colored bug. His servant Jupiter fears Legrand is going insane and goes to Legrand's friend, an unnamed narrator who agrees to visit his old friend. Legrand pulls the other two into an adventure after deciphering a secret message that will lead to a buried treasure.

The story opens with a lengthy explanation of ratiocination. Dupin demonstrates his prowess by deducing his companion's thoughts as if through apparent supernatural power. The story then turns to the baffling double murder of Madame L'Espanaye and her daughter at their home in the Rue Morgue, a fictional street in Paris. According to newspaper accounts, the mother was found in a yard behind the house, with multiple broken bones and her throat so deeply cut that her head fell off when the body was moved. The daughter was found strangled to death and stuffed upside down into a chimney. The murders occurred in a fourth-floor room that was locked from the inside; on the floor were found a bloody straight razor, several bloody tufts of gray hair, and two bags of gold coins. Several witnesses reported hearing two voices at the time of the murder, one male and French, but disagreed on the language spoken by the other. The speech was unclear, and every witness admits that he does not know the language he claims to have heard.

"The Cask of Amontillado" is a short story by Edgar Allan Poe, first published in 1846. The story is set in an unnamed Italian city at carnival time in an unspecified year, and is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive-in this case, by immurement.

"The Murders in the Rue Morgue" is a short story by Edgar Allan Poe published in Graham's Magazine in 1841. It has been recognized as the first modern detective story; Poe referred to it as one of his "tales of ratiocination". Two works that share some similarities predate Poe's stories, including Das Fr ulein von Scuderi (1819) by E. T. A. Hoffman and Zadig (1747) by Voltaire

Ce livre rassemble, sous le th me de la peur, les nouvelles de Guy de Maupassant et Edgar Allan Poe, deux auteurs qui ont toujours fascin les lecteurs par des histoires fantastiques. Permettez-moi de m'expliquer La peur (et les hommes les plus hardis peuvent avoir peur), c'est quelque chose d'effroyable, une sensation atroce, comme une d composition de l' me, un spasme affreux de la pens e et du coeur, dont le souvenir seul donne des frissons d'angoisse. (- Guy de Maupassant.)

Edgar Allan Poe born Edgar Poe; January 19, 1809 - October 7, 1849) was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States and American literature as a whole, and he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the CONTENTS. The Gold-Bug 1 The Black Cat 37 Mesmeric Revelation 47 Lionizing 58 The Fall of the House of Usher 64 A Descent into the Maelstr m 83 The Colloquy of Monos and Una 100 The Conversation of Eiros and Charmion 110 The Murders in the Rue Morgue 119 The Mystery of Marie Roget 151 The Purloined Letter 200 The Man in the Crowd 219