Edna St Vincent Millay

Edna St. Vincent Millay, (born February 22, 1892, Rockland, Maine, U. S.--died October 19, 1950, Austerlitz, New York), American poet and dramatist who came to personify romantic rebellion and bravado in the 1920s. Millay was reared in Camden, Maine, by her divorced mother, who recognized and encouraged her talent in writing poetry. Her first published poem appeared in the St. Nicholas Magazine for children in October 1906. She remained at home after her graduation from high school in 1909, and in four years she published five more poems in St. Nicholas. Her first acclaim came when "Renascence" was included in The Lyric Year in 1912; the poem brought Millay to the attention of a benefactor who made it possible for her to attend Vassar College. She graduated in 1917. In that year Millay published her first book, Renascence and Other Poems, and moved to Greenwich Village in New York City. There she became a lively and admired figure among the avant garde and radical literary set. To support herself Millay, under the pseudonym "Nancy Boyd," submitted hackwork verse and short stories to magazines, and while her ambition to go on the stage was short-lived, she worked with the Provincetown Players for a time and later wrote the one-act Aria da Capo (1920) for them. The same year she published the verse collection A Few Figs from Thistles, from which the line "My candle burns at both ends" derives. The poem was taken up as the watchword of the "flaming youth" of that era and brought her a renown that she came to despise. In 1921 she published Second April and two more plays, Two Slatterns and a King and The Lamp and the Bell. She also began a two-year European sojourn, during which she was a correspondent for Vanity Fair. Millay won a Pulitzer Prize in 1923 for Ballad of the Harp-Weaver (1922) and married Eugen Jan Boissevain, a Dutch businessman with whom from 1925 she lived in a large, isolated house in the Berkshire foothills near Austerlitz, New York. In 1925 the Metropolitan Opera Company commissioned her to write an opera with Deems Taylor. The resulting work, The King's Henchman, first produced in 1927, became the most popular American opera up to its time and, published in book form, sold out four printings in 20 days. Millay's youthful appearance, the independent, almost petulant tone of her poetry, and her political and social ideals made her a symbol of the youth of her time. In 1927 she donated the proceeds from her poem "Justice Denied in Massachusetts" to the defense of Sacco and Vanzetti and personally appealed to the governor of the state for their lives. Her major later works include The Buck in the Snow (1928), which introduced a more somber tone to her poetry; Fatal Interview (1931), a highly acclaimed sonnet sequence; and Wine from These Grapes (1934). Her letters were edited by A. R. Macdougall in 1952. The bravado and stylish cynicism of much of Millay's early work gave way in later years to more personal and mature writing, and she produced, particularly in her sonnets and other short poems, a considerable body of intensely lyrical verse. A final collection of her verse appeared posthumously as Mine the Harvest in 1954. (britannica.com)

"Renascence" is a 1912 poem by Edna St. Vincent Millay, credited with introducing her to the wider world, and often considered one of her finest poems. The poem is a 200+ line lyric poem, written in the first person, broadly encompassing the relationship of an individual to humanity and nature. The narrator is contemplating a vista from a mountaintop. Overwhelmed by nature, and thoughts of human suffering, the narrator empathetically feels the deaths of others, and feels pressed into a grave. Friendly rain brings the narrator back to joy in life-the rebirth, or "renascence", of the title.

Second April by Edna St. Vincent Millay is one of the greatest works in the field of poetry. It is one of the vintage collections by the Edna St. Vincent Millay.

The Lamp and the Bell A Drama In Five Acts by Edna St. Vincent Millay is one of the greatest works. It is one of the vintage collections by the Edna St. Vincent Millay.

Edna St. Vincent Millay's childhood was a life of transient poverty. Her mother Cora, who was separated for many years from, and finally divorced in 1904, her father Henry Tolman Millay, moved Edna and her two sisters constantly from town to town during their upbringing. The family would finally settle in a small house on the property of Cora's aunt in Camden, Maine. It was here that Edna would write some of her first lines of poetry. Edna would first gain recognition when her 1912 poem "Renascence" garnered a fourth place prize in a poetry contest for "The Lyric Year". Edna would go on to win the highest prize for poetry, the 1923 Pulitzer Prize, for her work "The Ballad of the Harp-Weaver". Noted for its lyrical beauty and at times controversial depiction of female sexuality, the poetry of Edna St. Vincent Millay marks some of the best of the early 20th century. Contained in this volume, printed on a premium acid-free paper, are some of her most important works: "Renascence and Other Poems," "A Few Figs From Thistles," "Second April," and "The Ballad of the Harp-Weaver."

Renascence, and Other Poems By Edna St. Vincent Millay

Excerpt from Aria Da Capo: A Play in One Act Columbine Pierrot, you work too hard. You need a rest. Come on out into the garden, And sing me something sad. Pierrot Don't stand so near me I am become a socialist. I love Humanity; but I hate people. Columbine, Put on your mittens, child; your hands are cold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world. The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work. We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world. The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work. We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates.

Pierrot: My Only Love, You Are So Fundamental . . . How Would You Like To Be An Actress, Columbine?--I Am Become Your Manager.

Renascence All I could see from where I stood Interim The room is full of you -As I came in The Suicide "Curse thee, Life, I will live with thee no more God's World O world, I cannot hold thee close enough .

Scene: A stage] The curtain rises on a stage set for a Harlequinade, a merry black and white interior. Directly behind the footlights, and running parallel with them, is a long table, covered with a gay black and white cloth, on which is spread a banquet. At the opposite ends of this table, seated on delicate thin-legged chairs with high backs, are Pierrot and Columbine, dressed according to the tradition, excepting that Pierrot is in lilac, and Columbine in pink. They are dining.] COLUMBINE: Pierrot, a macaroon I cannot live without a macaroon PIERROT: My only love, You are so intense . . . Is it Tuesday, Columbine?- I'll kiss you if it's Tuesday. COLUMBINE: It is Wednesday, If you must know . . . . Is this my artichoke, Or yours? PIERROT: Ah, Columbine, -as if it mattered Wednesday . . . . Will it be Tuesday, then, to-morrow, By any chance? COLUMBINE: To-morrow will be-Pierrot, That isn't funny PIERROT: I thought it rather nice. Well, let us drink some wine and lose our heads And love each other. COLUMBINE: Pierrot, don't you love Me now? PIERROT: La, what a woman -how should I know? Pour me some wine: I'll tell you presently. COLUMBINE: Pierrot, do you know, I think you drink too much. PIERROT: Yes, I dare say I do. . . . Or else too little. It's hard to tell. You see, I am always wanting A little more than what I have, -or else A little less. There's something wrong. My dear, How many fingers have you? COLUMBINE: La, indeed, How should I know?-It always takes me one hand To count the other with. It's too confusing. Why? PIERROT: Why?-I am a student, Columbine; And search into all matters. COLUMBINE: La, indeed?- Count them yourself, then

Second April - Edna St. Vincent Millay.... Edna St. Vincent Millay (February 22, 1892

Renascence and Other Poems by Edna St. Vincent Millay..... "Renascence" (also "Renasance") is a 1912 poem by Edna St. Vincent Millay, credited with introducing her to the wider world, and often considered one of her finest poems. The poem is a 200+ line lyric poem, written in the first person, broadly encompassing the relationship of an individual to humanity and nature. The narrator is contemplating a vista from a mountaintop. Overwhelmed by nature, and thoughts of human suffering, the narrator empathetically feels the deaths of others, and feels pressed into a grave. Friendly rain brings the narrator back to joy in life