Eliza Lynn Linton

Reproduction of the original: The Girl of the Period and Other Social Essays, Vol. I (of 2) by Eliza Lynn Linton

Reproduction of the original: The Girl of the Period and Other Social Essays, Vol. II (of 2) by Eliza Lynn Linton

Reproduction of the original: The Girl of the Period and Other Social Essays, Vol. II (of 2) by Eliza Lynn Linton

Reproduction of the original: The Girl of the Period and Other Social Essays, Vol. I (of 2) by Eliza Lynn Linton

Fifteen more chilling tales of Yuletide terror, collected from rare Victorian periodicalsFollowing the popularity of Charles Dickens's A Christmas Carol (1843), Victorian newspapers and magazines frequently featured ghost stories at Christmas time, and reading them by candlelight or the fireside became an annual tradition. This second volume of Victorian Christmas ghost stories contains fifteen tales, most of which have never been reprinted. They represent a mix of the diverse styles and themes common to Victorian ghost fiction and include works by once-popular authors like Grant Allen and Eliza Lynn Linton as well as contributions from anonymous or wholly forgotten writers. This volume also features a new introduction by Prof. Allen Grove." At first I was aware only of a bluish, misty, phosphorescent light, and then a ghastly terror, that froze the very blood in my veins, seized me, for suddenly I saw rise up out of the inky darkness the form of a man--the eyes of a hideous red, fixed on mine with a look of hate ..." - Coulson Kernahan, "Haunted ""As I stood in breathless horror, unable to stir a limb, the figure raised its arm, a skeleton hand emerged from the heavy folds of the cloak, and touched my elbow. A scorching pain shot through me, I uttered a shriek----" - Emily Arnold, "The Ghost of the Treasure-Chamber""Again that shudder passed through his body, and again he unwillingly met the glance of those diabolical eyes upon the scroll. Horror of horrors was the face alive, or was he going mad?" - Anonymous, "The Weird Violin"

Fifteen more chilling tales of Yuletide terror, collected from rare Victorian periodicalsFollowing the popularity of Charles Dickens's A Christmas Carol (1843), Victorian newspapers and magazines frequently featured ghost stories at Christmas time, and reading them by candlelight or the fireside became an annual tradition. This second volume of Victorian Christmas ghost stories contains fifteen tales, most of which have never been reprinted. They represent a mix of the diverse styles and themes common to Victorian ghost fiction and include works by once-popular authors like Grant Allen and Eliza Lynn Linton as well as contributions from anonymous or wholly forgotten writers. This volume also features a new introduction by Prof. Allen Grove." At first I was aware only of a bluish, misty, phosphorescent light, and then a ghastly terror, that froze the very blood in my veins, seized me, for suddenly I saw rise up out of the inky darkness the form of a man--the eyes of a hideous red, fixed on mine with a look of hate ..." - Coulson Kernahan, "Haunted ""As I stood in breathless horror, unable to stir a limb, the figure raised its arm, a skeleton hand emerged from the heavy folds of the cloak, and touched my elbow. A scorching pain shot through me, I uttered a shriek----" - Emily Arnold, "The Ghost of the Treasure-Chamber""Again that shudder passed through his body, and again he unwillingly met the glance of those diabolical eyes upon the scroll. Horror of horrors was the face alive, or was he going mad?" - Anonymous, "The Weird Violin"

The True History of Joshua Davidson - Christian and communist. Tenth Edition is an unchanged, high-quality reprint of the original edition of 1890. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Eliza Lynn Linton (10 February 1822 - 14 July 1898) was the first female salaried journalist in Britain, and the author of over 20 novels. Despite her path breaking role as an independent woman, many of her essays took a strong anti-feminist slant. Eliza Lynn Linton was born in Keswick, Cumbria, England, the daughter of the Rev. J. Lynn, vicar of Crosthwaite, and granddaughter of a bishop of Carlisle. The death of her mother when Eliza was five months old led to a chaotic upbringing, in which she was largely self-educated; but in 1845 she left home to earn her living as a writer in London. After moving to Paris, she married W. J. Linton in 1858, an eminent wood-engraver, who was also a poet of some note, a writer upon his craft, and a Chartist agitator. She moved into his ramshackle house, Brantwood, in the Lakes, with his seven children from his earlier marriage, and wrote her Cumbrian novel Lizzie Lorton of Greyrigg there. In 1867 the couple separated in a friendly way, the husband going to America, Eliza going back to her life as a London writer. She returned briefly to Cumbria and to her childhood home in 1889, to feel "half in a dream here. It is Keswick and yet not Keswick, as I am Eliza Lynn and yet not Eliza Lynn". She usually lived in London, but about three years before her death retired to Brougham House, Malvern. She died at Queen Anne's Mansions, London, on 14 July 1898, and her ashes were scattered in the Crosthwaite churchyard

The True History of Joshua Davidson - Christian and communist is an unchanged, high-quality reprint of the original edition of 1874. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Eliza Lynn Linton (10 February 1822 - 14 July 1898) was the first female salaried journalist in Britain, and the author of over 20 novels. Despite her path breaking role as an independent woman, many of her essays took a strong anti-feminist slant Eliza Lynn Linton was born in Keswick, Cumbria, England, the daughter of the Rev. J. Lynn, vicar of Crosthwaite, and granddaughter of a bishop of Carlisle. The death of her mother when Eliza was five months old led to a chaotic upbringing, in which she was largely self-educated; but in 1845 she left home to earn her living as a writer in London. After moving to Paris, Linton married W. J. Linton in 1858, an eminent wood-engraver, who was also a poet of some note, a writer upon his craft, and a Chartist agitator. She moved into his ramshackle house, Brantwood, in the Lakes, with his seven children from his earlier marriage, and wrote her Cumbrian novel Lizzie Lorton of Greyrigg there. In 1867 the couple separated in a friendly way, the husband going to America, Eliza going back to her life as a London writer. She would return briefly to Cumbria and to her childhood home in 1889, to feel "half in a dream here. It is Keswick and yet not Keswick, as I am Eliza Lynn and yet not Eliza Lynn". She usually lived in London, but about three years before her death retired to Brougham House, Malvern. She died at Queen Anne's Mansions, London, on 14 July 1898, and her ashes were scattered in the Crosthwaite churchyard.

Eliza Lynn Linton was an important female writer of the 19th century. 'The Witches of Scotland' was a succesful and chilling tale, which remains popular amongst horror fans. Many of the earliest stories of witchcraft and black magic, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.