Elizabeth Cleghorn Gaskell

Wives and Daughters is a novel by Elizabeth Gaskell, first published in the Cornhill Magazine as a serial from August 1864 to January 1866. When Mrs Gaskell died suddenly in 1865, it was not quite complete, and the last section was written by Frederick Greenwood. The story revolves around Molly Gibson, only daughter of a widowed doctor living in a provincial English town in the 1830s.

Popular nineteenth-century writer Elizabeth Gaskell packed her fiction with the kind of riveting social details that keep contemporary readers and fans of historical drama glued to the page. This collection of short stories offers a comprehensive introduction to her body of work, which rivaled Dickens' in terms of popularity at the height of her career.

As a writer, Elizabeth Gaskell often sought to cast light on the stark differences between social classes in the Victorian era. But in the remarkable novella "The Poor Clare," she takes issues of class, socioeconomic status, and religious differences out of the drawing room and embeds them in a spine-tingling tale of gothic suspense.

A collection of five spooky Victorian stories.

North and South is a social novel by English writer Elizabeth Gaskell. With Wives and Daughters (1865) and Cranford (1853), it is one of her best-known novels and was adapted for television twice (1975 and 2004). The later version renewed interest in the novel and attracted a wider readership. Gaskell's first novel, Mary Barton (1848), focused on relations between employers and workers in Manchester from the perspective of the working poor; North and South uses a protagonist from southern England to present and comment on the perspectives of mill owners and workers in an industrialising city. 1] The novel is set in the fictional industrial town of Milton in the north of England. Forced to leave her home in the tranquil, rural south, Margaret Hale settles with her parents in Milton. She witnesses the brutal world wrought by the Industrial Revolution, seeing employers and workers clashing in the first strikes. Sympathetic to the poor (whose courage and tenacity she admires and among whom she makes friends), she clashes with John Thornton: a nouveau riche cotton-mill owner who is contemptuous of his workers. The novel traces her growing understanding of the complexity of labour relations and their impact on well-meaning mill owners and her conflicted relationship with John Thornton. Gaskell based her depiction of Milton on Manchester, where she lived as the wife of a Unitarian minister.

A concealed crime and a false accusation of murder.

My Lady Ludlow is a long novella (over 77,000 words). It appeared in the magazine Household Words in 1858, and was republished in Round the Sofa in 1859, with framing passages added at the start and end. It recounts the daily lives of the widowed Lady Ludlow of Hanbury and the spinster Miss Galindo, and their caring for other single women and girls.

This is Elizabeth Gaskell's first novel, a widely acclaimed work based on the actual murder, in 1831, of a progressive mill owner. It follows Mary Barton, daughter of a man implicated in the murder, through her adolescence, when she suffers the advances of the mill owner, and later through love and marriage. Set in Manchester, between 1837-42, it paints a powerful and moving picture of working-class life in Victorian England.

Mary Barton is the first novel by English author Elizabeth Gaskell, published in 1848. The story is set in the English city of Manchester between 1839 and 1842, and deals with the difficulties faced by the Victorian lower class. It is subtitled 'A Tale of Manchester Life'.

A collection of five spooky Victorian stories.

Cranford is a witty portrait of small town life in early-Victorian England. The story unfolds through the eyes of Mary Smith, a young woman who observes the comedic struggles of two middle aged sisters in their efforts to maintain a level of refined dignity amid poverty.

The novel opens with young Molly Gibson, who has been raised by her widowed father, Dr. Gibson. During a visit to the local aristocratic 'great house' of Lord and Lady Cumnor, Molly loses her way in the estate and falls asleep under a tree. Lady Cuxhaven and Mrs. Kirkpatrick find Molly in her slumbering state and Molly is put to bed in Mrs. Kirkpatrick's room. There are allusions to the latter as Miss Clare, her maiden name. Clare appears to be a kind woman and assures Molly that she will wake her up when it is time for the entourage to leave. However, she forgets to do so and Molly is stranded in the mansion. She is distressed at the thought of spending the night at the mansion. To her relief, her father arrives to collect her. Seven years later, Molly is described as an attractive and rather unworldly young woman, which arouses the interest of one of her father's apprentices, Mr. Coxe. Mr Gibson discovers the young man's secret affection and sends Molly to stay with the Hamleys of Hamley Hall, a gentry family that purportedly dates from the Heptarchy but whose circumstances are now reduced. Molly forms a close attachment with Mrs. Hamley, who embraces her almost as a daughter. Molly also befriends the younger son, Roger. Molly is aware that, as the daughter of a professional man, she would not be considered a suitable match for the sons of Squire Hamley.

The novel begins in the 1790s in the coastal town of Monkshaven (modeled on Whitby, England) against the background of the practice of impressment during the early phases of the Napoleonic Wars.

The Cranford ladies have only an occasional little quarrel, spirited out in a few peppery words and angry jerks of the head; just enough to prevent the even tenor of their lives from becoming too flat. Their dress is very independent of fashion; as they observe, "What does it signify how we dress here at Cranford, where everybody knows us?" And if they go from home, their reason is equally cogent, "What does it signify how we dress here, where nobody knows us?" The materials of their clothes are, in general, good and plain, and most of them are nearly as scrupulous as Miss Tyler, of cleanly memory; but I will answer for it, the last gigot, the last tight and scanty petticoat in wear in England, was seen in Cranford-and seen without a smile. A magnificent family red silk umbrella I can testify to a magnificent family red silk umbrella, under which a gentle little spinster, left alone of many brothers and sisters, used to patter to church on rainy days. Have you any red silk umbrellas in London? We had a tradition of the first that had ever been seen in Cranford; and the little boys mobbed it, and called it "a stick in petticoats." It might have been the very red silk one I have described, held by a strong father over a troop of little ones; the poor little lady-the survivor of all-could scarcely carry it.