Elizabeth Fischer

The work of Esther Brinkmann is characterised by the meaning she bestows on the ring, its relationship to the hand and, perhaps most surprisingly, to its case. The Swiss artist prefers processed and textured materials, which now also include new component forms, techniques, and substances since her time living in China and India. She established a further education training program in jewellery design — a unique undertaking in Switzerland — at the Haute École d’Art et de Design (HEAD) in Geneva. Here, her knowledge and autonomy in her work have already shaped several other artistic careers. This publication presents Esther Brinkman’s oeuvre from the past 30 years and highlights for the first time the remarkable strength and the freedom that distinguish the artist’s rich career. Text in English and French.

The vast medium of jewellery and fashion artefact design continues to be a central pillar of fashion luxury goods industries and artistic practice, but there is a lack of discussions on the researches, value and roles of it. Design is an expression of values and attitudes, and a tangible form of guiding the thoughts and desires of individuals and members of society. In the contemporary society, when science, technology and craftsmanship reach a stage, whether products and services become luxurious or not, its quality, uniqueness, artistry and rarity are all achieved through design. This book represents the articles from 20 outstanding design researchers from 11 countries, including many works from international designers, who are engaging with and pushing the boundaries of the medium. It contributes to these international debates on contemporary fashion and jewellery design while providing an accessible overview and a concise reference book.