Elizabeth Miller

As researchers are increasingly taking their research from the campus to the public arena, what are the ethics of, and expectations for, social impact? Going Public responds to the urgent need to expand current thinking on what it means to co-create, to actively involve the public in research, and to reconceptualize research for public consumption. Drawing on conversations with over thirty practitioners across multiple cultures and disciplines, this book examines the ways in which oral historians, media producers, and theatre artists use art, stories, and participatory practices to engage creatively with their publics. The authors provide an overview of community-engaged practices and present case studies that grapple with issues of class struggle, gentrification, violence against women, and Indigenous rights. Going Public offers insights into long-standing concerns around voice, aesthetics, appropriation, privilege, power dynamics, and the ethics of participation. It reveals that the shift towards participatory research and creative practices requires a commitment to asking tough questions about oneself and the ways that people's stories are used.

As researchers are increasingly taking their research from the campus to the public arena, what are the ethics of, and expectations for, social impact? Going Public responds to the urgent need to expand current thinking on what it means to co-create, to actively involve the public in research, and to reconceptualize research for public consumption. Drawing on conversations with over thirty practitioners across multiple cultures and disciplines, this book examines the ways in which oral historians, media producers, and theatre artists use art, stories, and participatory practices to engage creatively with their publics. The authors provide an overview of community-engaged practices and present case studies that grapple with issues of class struggle, gentrification, violence against women, and Indigenous rights. Going Public offers insights into long-standing concerns around voice, aesthetics, appropriation, privilege, power dynamics, and the ethics of participation. It reveals that the shift towards participatory research and creative practices requires a commitment to asking tough questions about oneself and the ways that people's stories are used.

War isn't a testament to a man's strength-finding peace with it is. Navy SEAL Caden Lawless is coming home. Holding his best friend as he bled out in the Afghanistan desert, Caden became bound by Justin's desperate plea to care for his fianc e and to love the son he'd never know. Battling a barrage of memories and with a head full of noise, Caden travels cross country in his beat up Chevy to make good on his promise. One knock on Piper Stevens' door and he knows she isn't broken. Pregnant and mourning the only man she's ever loved, Piper wields her anger as a sword, slashing into Caden's grief and his heart. As Caden works to silence his demons, he finds a new mission, one far away from the heat and depravity that clawed its way into his soul. He demands his way into Piper's life, intent on helping her pick up the pieces. But even as the tentative fingers of a burgeoning friendship spread into something far deeper than either believed possible, duty calls for Caden to return to the battlefield. Fate brought them together-will war tear them apart? Or will Caden reclaim the sound of silence and remain with the woman who taught him love didn't die in the desert?

Select Writings of Dora Russell