Emile Zola

Adam Thorpe's unflinching translation brings Zola's dark and shocking masterwork to life"Mysterious disappearances, domestic cases, noiseless, bloodless snuffings-out . . . the law can look as deep as it likes, but when the crime itself goes unsuspected . . . oh yes, there's many a murderer basking in the sun . . . "When Therese Raquin is forced to marry the sickly Camille, she sees a bare life stretching out before her, leading every evening to the same cold bed and every morning to the same empty day. Escape comes in the form of her husband's friend, Laurent, and Therese throws herself headlong into an affair. There seems only one obstacle to their happiness: Camille. They plot to be rid of him. But in destroying Camille they kill the very desire that connects them. First published in 1867, "Therese Raquin" has lost none of its power to enthrall.

Paris By Emile Zola, Ernest Alfred Vizetelly

La Bete humaine (1890), the seventeenth novel in the Rougon-Macquart series, is one of Zola's most violent and explicit works. On one level a tale of murder, passion, and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Nana is a novel by the French naturalist author mile Zola. Completed in 1880, Nana is the ninth installment in the 20-volume Les Rougon-Macquart series, the object of which was to tell "The Natural and Social History of a Family under the Second Empire", the subtitle of the series. Reception The novel was an immediate success. Le Voltaire, the French newspaper that was to publish it in instalments from October 1879 on, had launched a gigantic advertising campaign, raising the curiosity of the reading public to a fever pitch. When Charpentier finally published Nana in book form in February 1880, the first edition of 55,000 copies was sold out in one day. Flaubert and Edmond de Goncourt were full of praise for Nana. On the other hand, a part of the public, and some critics, reacted to the book with outrage. While the novel is held up as a fine example of writing, it is not especially true to Zola's touted naturalist philosophy; instead, it is one of the most symbolically complex of his novels, setting it apart from the earthy "realism" of L'Assommoir or the more brutal "realism" of La Terre (1887). However, it was a great deal more authentic than most contemporary novels about the demimonde. Nana is especially noted for the crowd scenes, of which there are many, in which Zola proves himself a master of capturing the incredible variety of people. Whereas in his other novels-notably Germinal (1885) -- he gives the reader an amazingly complete picture of surroundings and the lives of characters, from the first scene we are to understand that this novel treads new ground. Flaubert summed up the novel in one perfect sentence: Nana tourne au mythe, sans cesser d' tre r elle. (Nana turns into myth, without ceasing to be real.)

The sixth novel in the Rougon -Macquart series follows the career of Eug ne Rougon and his followers as they fight for political favor and personal gain, and embrace the public and personal life of Emperor Napoleon III.

'Abbé Faujas has arrived!' The arrival of Abbé Faujas in the provincial town of Plassans has profound consequences for the community, and for the family of François Mouret in particular. Faujas and his mother come to lodge with François, his wife Marthe, and their three children, and Marthe quickly falls under the influence of the priest. Ambitious and unscrupulous, Faujas gradually infiltrates into all quarters of the town, intent on political as well as religious conquest. Intrigue, slander, and insinuation tear the townsfolk apart, creating suspicion and distrust, and driving the Mourets to ever more extreme actions. The fourth novel in Zola's Rougon-Macquart sequence, The Conquest of Plassans returns to the fictional Provençal town from which the family sprang in The Fortune of the Rougons. In one of the most psychological of his novels, Zola links small-town politics to the greater political and national dramas of the Second Empire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.