Emily Brady

Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap. Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works.

Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap. Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works.

In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.

In the vein of Susan Orlean’s The Orchid Thief, journalist Emily Brady journeys into a secretive subculture — built on marijuana. Outside the United States, the words ‘Humboldt County’ mean little. Inside the United States — the home of the war on drugs — those words can prompt a knowing grin. Humboldt is a narrative exploration of this insular community in northern California, which for nearly 40 years has existed primarily on the cultivation and sale of marijuana. Emily Brady spent a year living with the highly secretive residents of Humboldt County, and her cast of eccentric, intimately drawn characters take us into a fascinating alternate universe — a place where business is done with thick wads of cash, and savings are buried in the backyard. But as legalisation looms, the community stands at a crossroads, and its inhabitants are deeply divided. Humboldt tells the story of a small town that has become dependent on a forbidden plant, and of how everything is changing as marijuana goes mainstream.

In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.

In the vein of Susan Orlean's The Orchid Thief and Deborah Feldman's Unorthodox, journalist Emily Brady journeys into a secretive subculture--one that marijuana built. Say the words "Humboldt County" to a stranger and you might receive a knowing grin. The name is infamous, and yet the place, and its inhabitants, have been nearly impenetrable. Until now. Humboldt is a narrative exploration of an insular community in Northern California, which for nearly 40 years has existed primarily on the cultivation and sale of marijuana. It's a place where business is done with thick wads of cash and savings are buried in the backyard. In Humboldt County, marijuana supports everything from fire departments to schools, but it comes with a heavy price. As legalization looms, the community stands at a crossroads and its inhabitants are deeply divided on the issue--some want to claim their rightful heritage as master growers and have their livelihood legitimized, others want to continue reaping the inflated profits of the black market. Emily Brady spent a year living with the highly secretive residents of Humboldt County, and her cast of eccentric, intimately drawn characters take us into a fascinating, alternate universe. It's the story of a small town that became dependent on a forbidden plant, and of how everything is changing as marijuana goes mainstream.

In the first systematic account of aesthetics in relation to the natural environment, Emily Brady provides critical understanding of what aesthetic appreciation of nature involves and develops her own distinctive aesthetic theory. In particular, she develops a theory of aesthetic appreciation which integrates subjective and objective approaches. Among the topics discussed which bring together philosophical aesthetics and environmental philosophy are: *The nature of aesthetic experience *Aesthetic value *Theories of aesthetic appreciation of nature *Art and environment *Imagination, emotion and meaning in aesthetic appreciation of nature *The justification of aesthetic judgements of nature *The intersection between aesthetic and ethical value *The role of aesthetics in nature conservation and environmental policy In providing a thorough account of the literature together with original critical insights this book will be of interest to undergraduates, postgraduates and academics in environmental philosophy and aesthetics as well as those in geography, landscape architecture, art theory and sociology. Features: *Offers a new approach to the subject *Provides a solid grounding in environmental aesthetics *Connects with ecological issues, conservation and environmental planning

In the first systematic account of aesthetics in relation to the natural environment, Emily Brady provides critical understanding of what aesthetic appreciation of nature involves and develops her own distinctive aesthetic theory. In particular, she develops a theory of aesthetic appreciation which integrates subjective and objective approaches. Among the topics discussed which bring together philosophical aesthetics and environmental philosophy are: *The nature of aesthetic experience *Aesthetic value *Theories of aesthetic appreciation of nature *Art and environment *Imagination, emotion and meaning in aesthetic appreciation of nature *The justification of aesthetic judgements of nature *The intersection between aesthetic and ethical value *The role of aesthetics in nature conservation and environmental policy In providing a thorough account of the literature together with original critical insights this book will be of interest to undergraduates, postgraduates and academics in environmental philosophy and aesthetics as well as those in geography, landscape architecture, art theory and sociology. Features: *Offers a new approach to the subject *Provides a solid grounding in environmental aesthetics *Connects with ecological issues, conservation and environmental planning

Environment and Philosophy provides an accessible introduction to the radical challenges that environmentalism poses to concepts that have become almost second nature in the modern world. These include:* the ideas of science and objectivity* the conventional placement of the human being within the environment* the individualism of convential Modern thoughtWritten in an accessible way for those without a background in philosophy, this text examines ways of thinking about ourselves, nature and our relationship with nature. It offers an introduction to the phenomenological perspective on environmental issues, and also to the questions of what natural beauty is.

Environment and Philosophy provides an accessible introduction to the radical challenges that environmentalism poses to concepts that have become almost second nature in the modern world. These include:* the ideas of science and objectivity* the conventional placement of the human being within the environment* the individualism of convential Modern thoughtWritten in an accessible way for those without a background in philosophy, this text examines ways of thinking about ourselves, nature and our relationship with nature. It offers an introduction to the phenomenological perspective on environmental issues, and also to the questions of what natural beauty is.