Eugene Halton

More and more information is pumped into our media-saturated world every day, yet Americans seem to know less and less. In a society where who you are is defined by what you buy, and where we prefer to experience reality by watching it on TV, Eugene Halton argues something has clearly gone wrong. Luckily Halton, with scalpel-sharp wit in one hand and the balm of wisdom in the other, is here to operate on the declining body politic. His initial diagnosis is bleak: fast food and too much time spent sitting, whether in our cars or on our couches, are ruining our bodies, while our minds are weakened by the proliferation of electronic devices - TVs, computers, cell phones, iPods, video games - and their alienating effects. If we are losing the battle between autonomy and automation, he asks, how can our culture regain self-sufficiency? Halton finds the answer in the inspiring visions - deeply rooted in American culture - of an organic and more spontaneous life at the heart of the work of master craftsman Wharton Esherick, legendary blues singer Muddy Waters, urban critic Lewis Mumford, and artist Maya Lin, among others. A scathing and original jeremiad against modern materialism, "The Great Brain Suck" is also a series of epiphanies of a simpler but more profound life.

More and more information is pumped into our media-saturated world every day, yet Americans seem to know less and less. In a society where who you are is defined by what you buy, and where we prefer to experience reality by watching it on TV, Eugene Halton argues something has clearly gone wrong. Luckily Halton, with scalpel-sharp wit in one hand and the balm of wisdom in the other, is here to operate on the declining body politic. His initial diagnosis is bleak: fast food and too much time spent sitting, whether in our cars or on our couches, are ruining our bodies, while our minds are weakened by the proliferation of electronic devices - TVs, computers, cell phones, iPods, video games - and their alienating effects. If we are losing the battle between autonomy and automation, he asks, how can our culture regain self-sufficiency? Halton finds the answer in the inspiring visions - deeply rooted in American culture - of an organic and more spontaneous life at the heart of the work of master craftsman Wharton Esherick, legendary blues singer Muddy Waters, urban critic Lewis Mumford, and artist Maya Lin, among others. A scathing and original jeremiad against modern materialism, "The Great Brain Suck" is also a series of epiphanies of a simpler but more profound life.

In this critique of contemporary social theory, Eugene Halton argues that both modernism and postmodernism are damaged philosophies whose acceptance of the myths of the mind/body dichotomy make them incapable of solving our social dilemmas. Claiming that human beings should be understood as far more than simply a form of knowledge, social construction or contingent difference, Halton argues that contemporary thought has lost touch with the spontaneous passions - or enchantment - of life. Exploring neglected works in 20th-century social thought and philosophy - particularly the writings of Lewis Mumford and Charles Peirce - as well as the work of contemporary writers such as Vaclav Havel, Maya Angelou, Milan Kundera, Doris Lessing and Victor Turner, Halton argues that reason is dependent upon non-rational forces - including sentiment, instinct, conjecture, imagination and experience. We must, he argues, frame our questions in a way which encompasses both enchantment and critical reason, and he offers an outline here for doing so.

In this critique of contemporary social theory, Eugene Halton argues that both modernism and postmodernism are damaged philosophies whose acceptance of the myths of the mind/body dichotomy make them incapable of solving our social dilemmas. Claiming that human beings should be understood as far more than simply a form of knowledge, social construction or contingent difference, Halton argues that contemporary thought has lost touch with the spontaneous passions - or enchantment - of life. Exploring neglected works in 20th-century social thought and philosophy - particularly the writings of Lewis Mumford and Charles Peirce - as well as the work of contemporary writers such as Vaclav Havel, Maya Angelou, Milan Kundera, Doris Lessing and Victor Turner, Halton argues that reason is dependent upon non-rational forces - including sentiment, instinct, conjecture, imagination and experience. We must, he argues, frame our questions in a way which encompasses both enchantment and critical reason, and he offers an outline here for doing so.

This is a study of the significance of material possessions in contemporary urban life, and of the ways people carve meaning out of their domestic environment. Using theories of the relationship between people and things as a base, the authors compare and contrast four case studies.