Eugene O'Neill

A Touch of the Poet and More Stately Mansions are regarded as two of Eugene O'Neill's finest plays. Companion pieces, linked by characters and themes, they form part of a projected series of eleven interconnected plays in which the playwright intended to give a psychological and economic account of American life. Now these works, the only surviving plays in O'Neill's "Cycle," are brought together for the first time in a paperback volume. The version of More Stately Mansions presented here is O'Neill's unexpurgated text, scrupulously edited by Martha Gilman Bower, which restores the playwright's original opening scene, a crucial epilogue, and other material essential to our understanding of the play.

Winner of the 1957 Pulitzer Prize in Drama "The definitive edition."--Boston Globe Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a Foreword by Harold Bloom, in which he writes: "By common consent, Long Day's Journey into Night is Eugene O'Neill's masterpiece. . . . The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."

A selection of early work--including two Pulitzer Prize-winning plays--from Eugene O'Neill, winner of the Nobel Prize in Literature A Penguin Classic Included in this volume are seven one-act plays (The Moon of the Caribbees, Bound East for Cardiff, In the Zone, The Long Voyage Home, Ile, Where the Cross Is Made, and The Rope), and five full-length plays (Beyond the Horizon, The Straw, Anna Christie, and the classics The Emperor Jones and The Hairy Ape), all written between 1914 and 1921 and produced for the stage between 1916 and 1922. The majority of these plays are heavily influenced by German expressionism--Freud, Nietzsche, Strindberg, and the radical leftist politics in which O'Neill was involved during his youth. Also included in this unique collection is the little-known and highly autobiographical play The Straw, which draws on O'Neill's confinement in the Gaylord Farm Sanatorium.

"Spellbinding--soaring theater--. For reasons that remain mysterious, it seems especially moving today."--The New York Times Eugene O'Neill mined the tragedies of his own life for this depiction of a seedy, skid row saloon in 1912, peopled by society's failures: worn-out anarchists, failed con artists, drifters, whores, pimps, and informers. The pipe-dreaming drunks of Harry Hope's bar numb themselves with rotgut gin and make grandiose plans, while waiting for the annual appearance of the big-spending, fast-talking salesman, Hickey. But this year's visit fails to bring the expected good times, as a changed Hickey tries to rouse the barflies from their soothing stupor with a proselytizing message of salvation through self-knowledge. Considered by many to be the Nobel Prize-winning playwright's finest work, The Iceman Cometh exposes the human need for illusion as an antidote to despair. The recent gripping, critically acclaimed Broadway production, starring Kevin Spacey, has highlighted anew the subversive genius of O'Neill's play.

Winner of the Nobel Prize This edition includes Anna Christie, The Emperor Jones, and The Hairy Ape three classic plays of uncontested power from the Nobel laureate and winner of two Pulitzer Prizes for drama. In Anna Christie, a sailor reunites with his estranged daughter after years apart. As she begins to fall in love with a younger sailor, she realizes she must come clean to her father and her new love interest and reveal her troubled past. In The Emperor Jones, African American fugitive, Brutus Jones, recounts his life through a series of flashbacks as he runs from rebelling subjects through a West Indies Jungle, showing just how he came to rule over a small island, and his eventual downfall. In The Hairy Ape, O'Neil explores class and identity as he follows the existential crisis of Yank, an engine worker for an ocean liner. After being called a beast from the daughter of a rich industrialist, Yank realizes he has no place in modern society, or even a class he can call his own. William Faulkner, Philip Roth, Thomas Mann, Doris Lessing, Albert Camus, V. S. Naipaul, Gabriel Garc a M rquez, Salman Rushdie, Joan Didion, and Cormac McCarthy, among many others: Vintage International is devoted to publishing the best writing of the past century from the world over. Offering both classic and modern fiction and literary nonfiction in elegant editions, Vintage International aims to provide readers with world-class writing that has stood the test of time and essential works by the preeminent authors of today.

An affectionate and witty comedy of recollection from one of the twentieth century's most significant writers. Eugene O'Neill's only well-known comedy, Ah! Wilderness is a family-based saga set in the years just before the First World War. Richard Miller is deeply enamoured with his 'best girl', the pretty and pure Muriel. But when her cantankerous father finds out about their plans to spend Independence Day together, he demands that she write to him breaking off the whole thing. Richard is distraught, heartbroken, and seems about ready to knuckle under to strong liquor and fast women... Can his father Nat reach across the generation gap and bring his son back to the family – and Muriel? Eugene O'Neill's play Ah! Wilderness was premiered on Broadway at the Guild Theatre in October 1933. It was first staged in the UK at Westminster Theatre, London, in 1936. This edition includes a full introduction, biographical sketch and chronology.

Two plays from one of the twentieth century's most significant writers, developed and conceived in tandem, drawing on the raw experience of the author's own family relationships. Desire Under the Elms A story of greed, yearning and murder with incest and infanticide, and edged with echoes of Ancient Greek tragedy within a New England farming family. When Ephraim Cabot brings home his new young bride Abbie following his wife's death, his three boys treat her with disdain – especially the youngest, Eben, who despises her deeply for taking his mother's place. But when his feelings for Abbie turn to lust, father-son relations are pushed to their very limits. And beyond. The Great God Brown A demonstration of O'Neill's expressionistic experimentation with masks to emphasise the distinction between characters, and the lack of understanding in human relationships. Dion Anthony is joyful, sensual, and creative – on the outside, but when he removes his mask to reveal his haunted loneliness, his wife Margaret ceases to love or understand him. Dion's best friend, William Brown, has always admired Dion's capacity for giving and receiving love, especially Margaret's. Now Brown's need to protect has become a need to possess, and so when Dion dies Brown assumes his mask, his family and his wife. But to really become Dion Anthony, Brown has to kill William Brown – the William Brown beneath the mask. This edition includes a full introduction, biographical sketch and chronology.

Two powerful expressionist plays from the early career of one of the twentieth century's most significant writers. The Hairy Ape is a nightmarish condemnation of the dehumanising effects of industrialisation on the American people. Robert 'Yank' Smith, an animalistic stoker, breaks free from his engine-room confines when he is spurned by the glamorous society woman, Mildred Douglas. Looking to find his free self out in the 'real' world, Yank goes on the rampage – but how much will his freedom cost him? And is there really any such thing? First staged at the Playwrights' Theater, New York, in March 1922. All God's Chillun Got Wings is a vigorous social commentary based around a violently dysfunctional mixed-race marriage. Ella is the neurotically jealous white wife of Jim, a driven, charismatic black man. She sabotages his career, effectively destroying him, before her frenzy lapses into remorseless dependency. First performed in 1924 at the Provincetown Playhouse, New York, in a production starring Paul Robeson. This edition includes a full introduction, biographical sketch and chronology.

An ominous play set in a cruel world of dark realism, an acknowledged masterpiece from one of the twentieth century's most significant writers. Harry Hope's Saloon is a waterfront bar full of life's failures. They exist barely, living on the knowledge that love is a chimera and despair is perpetual; that the desires they cultivate of an impossible future are only ever pipe dreams, because the only thing to look forward to is death. And then one day Hickey walks in with his own personal brand of hope, and his urge to make them face the truth. Written in 1939, Eugene O'Neill's play The Iceman Cometh was first staged at the Martin Beck Theater, New York, in October 1946. It had its UK premiere at the Arts Theatre, London, in January 1958. 'A dramatised neurosis, with no holds barred, written in a vein of unsparing implacable honesty' Kenneth Tynan 'O'Neill, the great patriach of Broadway and the playwright who laid out the map on which all contemporary American drama is still written – Iceman is the first truly great epic of the modern American theatre, and its legacy is the intimate stripping of the soul which we now take for granted in drama worldwide' Sheridan Morley This edition of The Iceman Cometh includes a full introduction, biographical sketch and chronology.

A powerful play tracking the Yankee experience from innocence to corruption, from one of the twentieth century's most significant writers. Cornelius 'Con' Melody has fallen on hard times. After a disgrace during the Peninsular wars, he removes his wife, Nora, and daughter, Sara, from Ireland to America to start over. He buys a run-down, out-of-the-way inn – losing his fortune but not his haughtiness in the process. Constantly abusive to the diligent Nora, he invites his daughter's scorn and judgement on his inability to face up to reality. She, meanwhile, has fallen for a wealthy young Bostonian – but his father is not happy with what he sees as a totally unsuitable match, and forbids the union. His restraint, however, is more of an incentive to the lovers, and his intentions backfire spectacularly... Eugene O'Neill's play A Touch of the Poet is the sole completed play in an ambitious cycle planned to span several generations of one American family. It was written between 1935 and 1942, and first staged at the Royal Dramatic Theatre, Stockholm, Sweden, in March 1957. This edition of the play includes a full introduction, biographical sketch and chronology.

A boxed set of 4 books from the American Roots Series, handsomely assembled in a slipcased set: Camping Out by Ernest Hemingway, The Last Will and Testament of an Extremely Distinguished Dog, by Eugene O'Neill, Small-Boat Sailing, by Jack London, and A Wind-Storm in the Forest, by John Muir

The last work from one of the twentieth century's most significant writers, continuing the semi-autobiographical cycle centring on the Tyrone family started by Long Day's Journey into Night. James 'Jamie' Tyrone Jnr is a hard-drinking Broadway playboy, trying to blot out his painful memories of the past by indulging his craven self-destructive streak. One day he finds that he has wandered to the home of his salty tenant-farmer Phil Hogan; and Hogan's lusty, jaded daughter Josie. Under the Connecticut moon, Jamie and Josie find something in each other they never knew existed – though it is only when he passes out dead drunk that Josie can really touch him. But will he still be there when the moon goes? Eugene O'Neill's play A Moon for the Misbegotten had its world premiere at the Hartman Theatre in Columbus, Ohio, in 1947. It premiered on Broadway in 1957. This edition of the play includes a full introduction, biographical sketch and chronology.

Eugene O'Neill's Mourning Becomes Electra is a trilogy of full-length plays, reworking themes from Greek tragedy, particularly The Oresteia of Aeschylus, relocated to New England in 1865, just after the end of the American Civil War. Lavinia Mannon (Electra) dotes on her father Ezra (Agamemnon), who has just returned victorious from the war, and despises her mother Christine (Clytemnestra) – especially since Catherine has been making a cuckold of Ezra with Lavinia's ex-suitor, Adam. Lavinia's brother Orin (Orestes), on the other hand, war-wounded and weak, idolises his mother and resents his overbearing father. When Christine and her lover poison Ezra, Lavinia convinces her brother that they must avenge their father's death. But they have spent years soaking in family conflicts and curses of generations past, and fate will be sated... Mourning Becomes Electra was premiered on Broadway at the Guild Theatre in October 1931. This edition of the play includes a full introduction, biographical sketch and chronology.

Two compelling and thought-provoking plays from one of the twentieth century's most significant writers. Anna Christie Eugene O’Neill’s epic Pulitzer Prize-winning play about love and forgiveness charts one woman’s longing to forget the dark secrets of her past and hope for salvation. Exiled from her home by the Old Devil Sea to the inland plains, Anna Christie’s life changed for ever at just five years of age. Fifteen years later, she is reunited with the father who sent her away, and sets sail in search of a new beginning. Anna Christie was first staged at the Vanderbilt Theater, New York, in November 1921. Its first London production was at the Strand Theatre in April 1923. The Emperor Jones An expressionistic chronicle of a black dictator's flight from his oppressed subjects. Brutus Jones rules his island's citizens from his opulent palace with tyrannical ease – until the day that they all disappear. They have retreated to the hills, following their former native leader Lem, and plan to revolt. It is time for the Emperor to make good his escape. The Emperor Jones was first performed at the Playwrights' Theater, New York, in November 1920. Its UK premiere was at the Ambassadors' Theatre, London, in September 1925. This edition includes a full introduction, biographical sketch and chronology.