Ewald (TRN) Osers

In this exuberantly satirical novel, the tutor Atzbacher has been summoned by his friend Reger to meet him in a Viennese museum. While Reger gazes at a Tintoretto portrait, Atzbacher--who fears Reger's plans to kill himself--gives us a portrait of the musicologist: his wisdom, his devotion to his wife, and his love-hate relationship with art. With characteristically acerbic wit, Bernhard exposes the pretensions and aspirations of humanity in a novel at once pessimistic and strangely exhilarating. "Bernhard's . . . most enjoyable novel."--Robert Craft, "New York Review of Books." "Bernhard is one of the masters of contemporary European fiction." --George Steiner

The narrator, a scientist working on antibodies and suffering from emotional and mental illness, meets a Persian woman, the companion of a Swiss engineer, at an office in rural Austria. For the scientist, his endless talks with the strange Asian woman mean release from his condition, but for the Persian woman, as her own circumstances deteriorate, there is only one answer. . . Thomas Bernhard was one of the few major writers of the second half of this century.--Gabriel Josipovici, "Independent." With his death, European letters lost one of its most perceptive, uncompromising voices since the war.-- "Spectator" Widely acclaimed as a novelist, playwright, and poet, Thomas Bernhard (1931-89) won many of the most prestigious literary prizes of Europe, including the Austrian State Prize, the Bremen and Bru chner prizes, and Le Prix Se guier.