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Fitz-James O'Brien

Kirjat ja teokset yhdessä paikassa: 35 kirjaa, julkaisuja vuosilta 2004–2026, suosituimpiin kuuluu Christmas Classics. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

Nimi esiintyy myös muodoissa: Fitz James O'Brien, Fitz-James O' Brien

35 kirjaa

Kirjojen julkaisuvuodet: 2004–2026.

Christmas Classics

Christmas Classics

Charles Dickens; Arthur Conan Doyle; O. Henry; Willa Cather; F. Scott Fitzgerald; Fitz-James O'Brien; Clement C. Moore; Mark Twain; Alex Burrows; Rich Rainey

Eureka Productions
2010
nidottu
"Christmas Classics" presents comics adaptations of both holiday favorites and rarities, featuring Charles Dickens' "A Christmas Carol". Also included are an early F. Scott Fitzgerald tale, an O. Henry western, a fairy tale by Willa Cather, and a Christmas horror story by Fitz-James O'Brien. Plus, a seasonal Sherlock Holmes adventure by Arthur Conan Doyle, Clement C. Moore's classic poem "A Visit from St. Nicholas", and a letter from Santa Claus to Mark Twain's daughter.
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Skuggor vid aftonlampan : trettio nattstycken

Skuggor vid aftonlampan : trettio nattstycken

Joseph Sheridan Le Fanu; Charles Dickens; Guy de Maupassant; Robert W Chambers; Edith Nesbit; Fitz-James O'Brien; Arthur Conan Doyle; Barry Pain; Louisa May Alcott; Mary Elizabeth Braddon; Jean Richepin; Maurice Level; Georges Rodenbach; Gustav Nicolai

Aleph Bokförlag
2016
nidottu
Han förde mig in i den gröna vagnen. "Ni kommer att få se besynnerliga saker", sade den gamle. Vid dessa ord upplystes rummet av ett klart men blodigt sken. Stödda mot väggarna stod hela rader av lik, gula, hemska, vanställda. Några gapskrattade, andra vred sig i dödsryckningar; några var nakna, andra i rika dräkter. Halvnakna häxor red på bockskelett, fasliga gnomer hakade sig fast i väggarna; över deras huvudskallar skakade en vampyr sina fantastiska vingar. Hela denna vidunderliga värld av orörliga och döda skuggbilder såg ut att vilja skrika och flyga. Ihåliga munnar och tomma ögongropar brann som om blodflammor rann i deras ådror. "Nog!" skrek jag. "Nog, för guds skull!" 30 klassiska rysare samlas här i en antologi fullmatad med fasor, övernaturliga mysterier och gravlika stämningar. Skräckens klassiker samsas sida vid sida med nyupptäckta häxmästare. Och inga av dessa noveller har översatts till svenska i modern tid -- allt kommer att vara lika fräscht och nytt för läsaren som en exklusiv, vällagrad mögelost!
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Skuggor vid aftonlampan

Skuggor vid aftonlampan

Arthur Conan Doyle; Joseph Sheridan Le Fanu; Fitz-James O'Brien

Aleph Bokforlag
2019
pokkari
30 klassiska rysare samlas har i en antologi fullmatad med fasor, overnaturliga mysterier och gravlika stamningar. Skrackens klassiker samsas sida vid sida med nyupptackta haxmastare.
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Fantastic Tales

Fantastic Tales

Fitz-James O'Brien

ALMA BOOKS LTD
2025
nidottu

Halvin toimitettuna 17,90 €

In the field of supernatural and fantastic literature, certain names come readily to mind – E. T. A. Hoffmann, Edgar Allan Poe, H. P. Lovecraft – but the name of Fitz-James O’Brien has been unjustly overlooked and nearly forgotten since his premature death in 1862 during the American Civil War. ‘The Diamond Lens’, O’Brien’s most famous short story, can be regarded as a forerunner of the science-fiction genre; ‘What Was It?’ is alleged to have served as a model for H. G. Wells’s The Invisible Man; and ‘The Wondersmith’ is a marvellous tale of Hoffmannesque invention. Taken together, O’Brien’s few surviving stories give him an important place in the development of American fiction and remain as fresh today as when they first written more than a hundred and fifty years ago. Contents: The Diamond Lens, The Lost Room, What Was It?, The Wondersmith, Seeing the World, The Pot of Tulips, The Dragon Fang possessed by the Conjurer Piou-Lou
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The Diamond Lens (Esprios Classics)

The Diamond Lens (Esprios Classics)

Fitz-James O' Brien

Blurb
2025
pokkari
Fitz-James O'Brien (1828-1862) was an Irish author and is often considered one of the forerunners of today's Science Fiction. He travelled to the United States in 1852. His earliest writings in the United States were contributed to the Lantern, which was then edited by John Brougham. Subsequently he wrote for the Home Journal, the New York Times, and the American Whig Review. His first important literary connection was with Harper's Magazine, and beginning in 1853, with The Two Skulls, he contributed more than sixty articles in prose and verse to that periodical. He likewise wrote for the New York Saturday Press, Putnam's Magazine, Vanity Fair, and the Atlantic Monthly. To the latter he sent The Diamond Lens (1858) and The Wondersmith (1859).
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The Wondersmith, The Child Who Loved a Grave, and The Golden Ingot (Esprios Classics)

The Wondersmith, The Child Who Loved a Grave, and The Golden Ingot (Esprios Classics)

Fitz-James O' Brien

Blurb
2024
pokkari
Fitz-James O'Brien (1828-1862) was an Irish author and is often considered one of the forerunners of today's Science Fiction. He travelled to the United States in 1852. His earliest writings in the United States were contributed to the Lantern, which was then edited by John Brougham. Subsequently he wrote for the Home Journal, the New York Times, and the American Whig Review. His first important literary connection was with Harper's Magazine, and beginning in 1853, with The Two Skulls, he contributed more than sixty articles in prose and verse to that periodical. He likewise wrote for the New York Saturday Press, Putnam's Magazine, Vanity Fair, and the Atlantic Monthly. To the latter he sent The Diamond Lens (1858) and The Wondersmith (1859).
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What Was It?, and My Wife's Tempter (Esprios Classics)

What Was It?, and My Wife's Tempter (Esprios Classics)

Fitz-James O' Brien

Blurb
2024
pokkari
Fitz-James O'Brien (1828-1862) was an Irish author and is often considered one of the forerunners of today's Science Fiction. He travelled to the United States in 1852. His earliest writings in the United States were contributed to the Lantern, which was then edited by John Brougham. Subsequently he wrote for the Home Journal, the New York Times, and the American Whig Review. His first important literary connection was with Harper's Magazine, and beginning in 1853, with The Two Skulls, he contributed more than sixty articles in prose and verse to that periodical. He likewise wrote for the New York Saturday Press, Putnam's Magazine, Vanity Fair, and the Atlantic Monthly. To the latter he sent The Diamond Lens (1858) and The Wondersmith (1859).
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