Ford Madox Ford

Magister Nicholas Udal, the Lady Mary's pedagogue, was very hungry and very cold. He stood undecided in the mud of a lane in the Austin Friars. The quickset hedges on either side were only waist high and did not shelter him. The little houses all round him of white daub with grey corner beams had been part of the old friars' stables and offices. All that neighbourhood was a maze of dwellings and gardens, with the hedges dry, the orchard trees bare with frost, the arbours wintry and deserted. This congregation of small cottages was like a patch of common that squatters had taken; the great house of the Lord Privy Seal, who had pulled down the monastery to make room for it, was a central mass. Its gilded vanes were in the shape of men at arms, and tore the ragged clouds with the banners on their lances. Nicholas Udal looked at the roof and cursed the porter of it. 'He could have given me a cup of hypocras, ' he said, and muttered, as a man to whom Latin is more familiar than the vulgar tongue, a hexameter about 'pocula plena.

"Provence" may perhaps be described as the crystallisation of the main idea running through the Great Trade Route, which we published a year ago. Of that book Mr A. G. McDonnell wrote in the Observer: "It is an Indictment, a Philipic.... I know of no books to compare with this since Winwood Reade's Martyrdom of Man" But if "The Great Trade Route" was the destructive onslaught on dubious aspects of contemporary civilisation, "Provence" is the celebration of what might have been and what, according to Mr. Ford, may still yet be - contrasted with what is. For in that triangle of sun-baked , wind-swept, austere yet generous land, bounded as to its base by the Mediterranean and as to its sides, by the Rhone and the Alps, Mr Ford sees all the pride of past European splendour, the small healthy core of Europe's ailing present, the only promise for her future. How and why he sees all this his book alone can reveal, with its history, its moralisings, its descriptions vitalised and clarified by art.

First published in 1915, this volume contains a selection of works by Ford Madox Ford. It includes a selection of his poetry and assorted autobiographical notes. Ford Madox Ford (1873 - 1939) was an English poet, novelist, critic and editor. His contributions to "The English Review" and "The Transatlantic Review" were pivotal in the development of early 20th-century English literature. Contents include: "The Early Years", "My Grandfather's House", "My Nurse, Mrs Atterbury", "My Cousins, The Rossettis", "Poetesses in Four-Wheelers", "The Abbe Liszt", "A Pre-Raphaelite Poetess", "My Unhappiest Night", "The Music Critic of The Times", "The Pines, Putney", "A Mr Hardy", "Some Writers and Artists", etc. Many vintage books such as this are becoming increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.

The Queen Who Flew is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Shifting of the Fire is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Brown Owl - A Fairy Story. Vol. I is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Inheritors: An Extravagant Story (1901) is a quasi-science fiction novel on which Ford Madox Ford and Joseph Conrad collaborated. It looks at society's mental evolution and what is gained and lost in the process. Written before the first World War, its themes of corruption and the effect of the 20th Century on British aristocracy appeared to predict history. In the novel, the metaphor of the "fourth dimension" is used to explain a societal shift from a generation of people who have traditional values of interdependence, being overtaken by a modern generation who believe in expediency, callously using political power to bring down the old order. Its narrator is an aspiring writer who himself makes a similar transition at a personal level only to feel he has lost everything. The Inheritors contains the themes that preoccupied both its authors in their respective bodies of work. Themes of universality and the corruptibility of human nature, loneliness, isolation, self-deception, and the outworkings of a character's flaws are signatures found throughout most of Joseph Conrad's writings. In Ford Madox Ford's work, both The Good Soldier and Parade's End published much later, depict a long undisturbed English aristocracy confused and bewildered by the arrival of the 20th century. in the midst of an impassive, inscrutable universe. This classic title has been published by RADLEY BOOKS. Each RADLEY CLASSIC is a meticulously restored, luxurious and faithful reproduction of a classic book; produced with elegant text layout, clarity of presentation, and stylistic features that make reading a true pleasure. Special attention is given to legible fonts and adequate letter sizing, correct line length for readability, generous margins and triple lead (lavish line separation); plus we do not allow any mistakes/changes/additions to creep into the author's words. Visit RADLEY BOOKS at www.radleybooks.com (or search RADLEY CLASSIC on Amazon) to see more classic book titles in this series.

The Fifth Queen trilogy is a series of connected historical novels by English novelist Ford Madox Ford. It consists of three novels, The Fifth Queen; And How She Came to Court (1906), Privy Seal (1907) and The Fifth Queen Crowned (1908), which present a highly fictionalised account of Katharine Howard's arrival at the Court of Henry VIII, her eventual marriage to the king, and her death. The Fifth Queen trilogy has an omniscient narrator. Katharine Howard is introduced in the first book as a devout Roman Catholic, impoverished, young noblewoman escorted by her fiery cousin Thomas Culpeper. By accident, she comes to the attention of the king, in a minor way at first, is helped to a position as a lady in waiting for the then bastard Lady Mary, Henry's eldest daughter, by her old Latin tutor Nicholas Udal. Udal is a spy for Thomas Cromwell, the Lord Privy Seal. As Katharine becomes involved with the many calculating, competing, and spying members of Henry VIII's Court, she gradually rises, almost against her will, in Court. She is brought more to the attention of the King, becomes involved with him, is used by Cromwell, Bishop Gardiner and Thomas Cranmer as well as the less powerful though more personally attached Nicholas Throckmorton. Her connection to the latter puts her in some peril, as in January 1554 he is suspected of complicity in Wyatt's Rebellion and arrested, during which time Katherine is also briefly implicated. Katharine's forthrightness, devotion to the Old Faith and learning are what make her attractive to the King, along with her youth and physical beauty. This is in direct contradiction to the way historians view the historical personage herself; that is, as a flighty and flirtatious young woman with few other redeeming qualities.

Fans of traditional British Mysteries are in for a treat with three novels from Wilkie Collins, A. A. Milne and Ford Madox Ford Included in Volume 1 of British Mystery Multipacks: THE GOOD SOLDIER by Ford Madox Ford Ford Madox Ford paved the way for over a century of thriller writers and film-makers who would go on to use the idea of the unreliable narrator to create mystery and suspense. Events chronicle the tragedy of Edward Ashburnham, the soldier to whom the title refers, and his own seemingly perfect marriage and that of two American friends. The novel opens with the famous line, "This is the saddest story I have ever heard." The narrator explains that for nine years he, his wife Florence and their friends Ashburnham and his wife Leonora had an ostensibly normal friendship while Edward and Florence sought treatment for their heart ailments at a spa in Nauheim, Germany. As it turns out, nothing in the relationships or in the characters is as it first seems. Florence's heart ailment is a fiction she perpetrated on John to force them to stay in Europe so that she could continue her affair with an American thug named Jimmy. Edward and Leonora have a loveless, imbalanced marriage broken by his constant infidelities (both of body and heart) and Leonora's attempts to control Edward's affairs (both financial and romantic). Dowell is a fool and is coming to realize how much of a fool he is, as Florence and Edward had an affair under his nose for nine years without John knowing until Florence was dead. The Good Soldier is a masterpiece of early twentieth-century fiction. ''One of the finest novels of our century.'' --Graham Greene. HAUNTED HOTEL by Wilkie Collins The ghost of Lord Montberry haunts the Palace Hotel in Venice --- or does it? Montberry's beautiful-yet-terrifying wife, the Countess Narona, and her erstwhile brother are the center of the terror that fills the Palace Hotel. Are their malefactions at the root of the haunting -- or is there something darker, something much more unknowable at work? Wilkie Collins's little known horror-ghost story of 1878 recalls his two prior triumphs The Woman in White and The Moonstone with its use of detective procedures and mystery-genre plot twists that made those two earlier novels so popular with Victorian readers. THE RED HOUSE MYSTERY by A. A. Milne The Red House Mystery is a "locked room" whodunnit by A. A. Milne, published in 1922. It was Milne's only mystery novel. Mark Ablett has disappeared, so Tony Gillingham, a stranger who has just arrived to call on his friend Bill, decides to investigate. Gillingham plays Sherlock Holmes to his younger counterpart's Doctor Watson; they progress almost playfully through the novel while the clues mount up and the theories abound. In his introduction to the 1926 UK edition, A. A. Milne said he had "a passion" for detective stories, having "all sorts of curious preferences" about them: though in real life the best detectives and criminals are professionals, Milne demanded that the detective be an unscientific amateur, accompanied by a likeable Watson, rubbing shoulders with an amateur villain against whom dossiers and fingerprints are of no avail. This was Milne's first and final venture into the detective and mystery genre, despite its immediate success and an offer of two thousand pounds for his next mystery novel. Milne lets his readers inside the head of his amateur detective, disregarding the clich d romance or violence of other detective novels, as the mystery becomes a puzzling sort of parlor game for the novel's characters and readers alike. Alexander Woollcott called The Red House Mystery "one of the three best mystery stories of all time."