Franco "Bifo" Berardi

Facing real threats of extinction and futurelessness, a search for new ground on which to build projects toward emancipationChaos and the Automaton is the first volume to collect Franco “Bifo” Berardi’s extensive collaboration with e-flux, which has become one of his primary English-language publishers since 2010. The selection of key essays collected here presents Berardi’s prescient interventions into more than a decade of social turmoil, offering a tour through the cataclysms that have rocked the foundations of the global order since the 2008 financial crisis, from European austerity, Occupy, the Arab Spring, and Anonymous through the ascendance of Pope Francis, Brexit, Covid-19, the Trump–Biden sequence, the U. S. Capitol riots, and the Russian invasion of Ukraine-as well as bizarre new cultural occurrences that were consequences. Berardi draws not only from current events but also movements and figures at the firmament of his thought, such as Guattari, Pasolini, and Italian street art of the 1970s. His essays represent a sustained and singular effort to reveal the psychic and material underpinnings of a society in which history came roaring back at the same moment as any vision of a sustainable future receded from sight. “I know that it is dangerous to write in simultaneity with events that nobody can precisely foresee, that can only be vaguely intuited,” he wrote on the eve of the 2020 American elections, “but the only way to imagine something about the becoming of the psycho-sphere is to run ahead of the dynamics of the disaster.”

Facing real threats of extinction and futurelessness, a search for new ground on which to build projects toward emancipationChaos and the Automaton is the first volume to collect Franco “Bifo” Berardi’s extensive collaboration with e-flux, which has become one of his primary English-language publishers since 2010. The selection of key essays collected here presents Berardi’s prescient interventions into more than a decade of social turmoil, offering a tour through the cataclysms that have rocked the foundations of the global order since the 2008 financial crisis, from European austerity, Occupy, the Arab Spring, and Anonymous through the ascendance of Pope Francis, Brexit, Covid-19, the Trump–Biden sequence, the U. S. Capitol riots, and the Russian invasion of Ukraine-as well as bizarre new cultural occurrences that were consequences. Berardi draws not only from current events but also movements and figures at the firmament of his thought, such as Guattari, Pasolini, and Italian street art of the 1970s. His essays represent a sustained and singular effort to reveal the psychic and material underpinnings of a society in which history came roaring back at the same moment as any vision of a sustainable future receded from sight. “I know that it is dangerous to write in simultaneity with events that nobody can precisely foresee, that can only be vaguely intuited,” he wrote on the eve of the 2020 American elections, “but the only way to imagine something about the becoming of the psycho-sphere is to run ahead of the dynamics of the disaster.”

An analysis of contemporary semio-capitalism's overloading of subjectivity, leading to a deep mutation in the psychosphere. Franco "Bifo" Berardi's newest book is an analysis of changes our aesthetic and emotional sensibility has undergone recently—all the result of semio-capitalism's capturing of the inner resources of the subjective process: our experience of time, our sensibility, our means of relating to each other, and our ability to imagine a future. The precarization and fractalization of labor today has provoked a deep mutation in the psychosphere, and this is visible in the rise of such psychopathologies as post-traumatic stress disorder, autism, panic, and attention deficit disorder. Sketching out an aesthetic genealogy of capitalist globalization, Berardi shows how we have reached a point of such complexity in the semiotic flows of capital that we can no longer process its excessive currents of information. A swarm effect now rules: it has become impossible to say "no." Social behavior is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of all sizes, and all of these sensory and emotional devices destroy our organism's sensibility by submitting it to the stress of competition and acceleration. Arguing for disentanglement rather than resistance, Berardi ends by evoking the myth of La Malinche, the daughter of a noble Aztec family, a translator and traitor who betrayed her own people. Yet what she portends is the rebirth of the world from the collapse of the old.

The changes taking place in our aesthetic and emotional sensibility: a deep mutation in the psychosphere, caused by semio-capitalism. Franco "Bifo" Berardi's newest book analyzes the contemporary changes taking place in our aesthetic and emotional sensibility-changes the author claims are the result of semio-capitalism's capturing of the inner resources of the subjective process: our experience of time, our sensibility, the way we relate to each other, and our ability to imagine a future. Precarization and fractalization of labor have provoked a deep mutation in the psychosphere, and this can be seen in the rise of psychopathologies such as post-traumatic stress disorder, autism, panic, and attention deficit disorder. Sketching out an aesthetic genealogy of capitalist globalization, Berardi shows how we have arrived at a point of such complexity in the semiotic flows of capital that we can no longer process its excessive currents of information. A swarm effect now rules: it has become impossible to say "no." Social behavior is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of every size, and all of these sensory and emotional devices end up destroying our organism's sensibility by submitting it to the stress of competition and acceleration. Arguing for disentanglement rather than resistance, Berardi concludes by evoking the myth of La Malinche, the daughter of a noble Aztec family. It is a tale of a translator and traitor who betrayed her own people, yet what the myth portends is the rebirth of the world from the collapse of the old.

I Den arbetande själen diskuterar den italienske teoretikern och aktivisten Franco ”Bifo” Berardi arbetets förändringar och de nya former av förfrämligande som har tagit form under de senaste decennierna. Inom 1960- och 1970-talens filosofi användes det hegelianska alienationsbegreppet för att beskriva hur subjektiviteten tyglades. Arbetarnas främlingskap inför arbetet, deras känsla av alienering och deras vägran att underkasta sig utgjorde grunden för en mänsklig gemenskap som var autonom i förhållande till kapitalet. Idag har en ny form av alienation fått fäste, där arbetare ofta och gärna jobbar övertid, där människor är fjättrade vid sina mobiltelefoner, där skuldsättning har blivit en modern form av slaveri och där man använder antidepressiva medel för att klara av den ständiga pressen att producera. Därmed har gemenskapens förutsättningar undergrävts, och ett behov av nya filosofiska kategorier har uppstått. Den arbetande själen är ett stridsrop, en efterlysning av en ny kollektiv insats för att återerövra lyckan. Franco ”Bifo” Berardi verkar i den italienska autonoma traditionen och var tidigare en nära medarbetare till Félix Guattari. Han är författare till ett tjugotal böcker, varav Den arbetande själen är den första som ges ut på svenska.

The aesthetic and political implications of working with code as procedure, expression, and action. Speaking Code begins by invoking the "Hello World" convention used by programmers when learning a new language, helping to establish the interplay of text and code that runs through the book. Interweaving the voice of critical writing from the humanities with the tradition of computing and software development, in Speaking Code Geoff Cox formulates an argument that aims to undermine the distinctions between criticism and practice and to emphasize the aesthetic and political implications of software studies. Not reducible to its functional aspects, program code mirrors the instability inherent in the relationship of speech to language; it is only interpretable in the context of its distribution and network of operations. Code is understood as both script and performance, Cox argues, and is in this sense like spoken language-always ready for action. Speaking Code examines the expressive and performative aspects of programming; alternatives to mainstream development, from performances of the live-coding scene to the organizational forms of peer production; the democratic promise of social media and their actual role in suppressing political expression; and the market's emptying out of possibilities for free expression in the public realm. Cox defends language against its invasion by economics, arguing that speech continues to underscore the human condition, however paradoxical this may seem in an era of pervasive computing.

A manifesto against the concepts of growth and debt, and a call for a reinvestment in the social body. The Uprising is an Autonomist manifesto for today's precarious times, and a rallying cry in the face of the catastrophic and irreversible crisis that neoliberalism and the financial sphere have established over the globe. In his newest book, Franco "Bifo" Berardi argues that the notion of economic recovery is complete mythology. The coming years will inevitably see new surges of protest and violence, but the old models of resistance no longer apply. Society can either stick with the prescriptions and "rescues" that the economic and financial sectors have demanded at the expense of social happiness, culture, and the public good; or it can formulate an alternative. For Berardi, this alternative lies in understanding the current crisis as something more fundamental than an economic crisis: it is a crisis of the social imagination, and demands a new language by which to address it. This is a manifesto against the idea of growth, and against the concept of debt, the financial sector's two primary linguistic means of manipulating society. It is a call for exhaustion, and for resistance to the cult of energy on which today's economic free-floating market depends. To this end, Berardi introduces an unexpected linguistic political weapon-poetry: poetry as the insolvency of language, as the sensuous birth of meaning and desire, as that which cannot be reduced to information and exchanged like currency. If the protests now stirring about the world are to take shape and direction, then the revolution will be neither peaceful nor violent-it will be linguistic, or will not be at all.

An examination of new forms of alienation in our never-off, plugged-in culture-and a clarion call for a "conspiracy of estranged people." We can reach every point in the world but, more importantly, we can be reached from any point in the world. Privacy and its possibilities are abolished. Attention is under siege everywhere. Not silence but uninterrupted noise, not the red desert, but a cognitive space overcharged with nervous incentives to act: this is the alienation of our times...-from The Soul at WorkCapital has managed to overcome the dualism of body and soul by establishing a workforce in which everything we mean by the Soul-language, creativity, affects-is mobilized for its own benefit. Industrial production put to work bodies, muscles, and arms. Now, in the sphere of digital technology and cyberculture, exploitation involves the mind, language, and emotions in order to generate value-while our bodies disappear in front of our computer screens. In this, his newest book, Franco "Bifo" Berardi-key member of the Italian Autonomist movement and a close associate of Felix Guattari-addresses these new forms of estrangement. In the philosophical landscape of the 1960s and 1970s, the Hegelian concept of alienation was used to define the harnessing of subjectivity. The estrangement of workers from their labor, the feeling of alienation they experienced, and their refusal to submit to it became the bases for a human community that remained autonomous from capital. But today a new condition of alienation has taken root in which workers commonly and voluntarily work overtime, the population is tethered to cell phones and Blackberries, debt has become a postmodern form of slavery, and antidepressants are commonly used to meet the unending pressure of production. As a result, the conditions for community have run aground and new philosophical categories are needed. The Soul at Work is a clarion call for a new collective effort to reclaim happiness. The Soul at Work is Bifo's long overdue introduction to English-speaking readers. This Semiotext(e) edition is also the book's first appearance in any language.

An infinite series of bifurcations: this is how we can tell the story of our life, of our loves, but also the history of revolts, defeats and restorations of order. At any given moment different paths open up in front of us, and we are continually presented with the alternative of going here or going there. Then we decide, we cut out from a set of infinite possibilities and choose a single path. But do we really choose? Is it really a question of a choice, when we go here rather than there? Is it really a choice, when masses go to shopping centers, when revolutions are transformed into massacres, when nations enter into war? It is not we who decide but the concatenations: machines for the liberation of desires and mechanisms of control over the imaginary. The fundamental bifurcation is always this one: between machines for liberating desire and mechanisms of control over the imaginary. In our time of digital mutation, technical automatisms are taking control of the social psyche.