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Frank Rich

Kirjat ja teokset yhdessä paikassa: 3 kirjaa, julkaisuja vuosilta 2001–2007, suosituimpiin kuuluu Women in Love and Other Dramatic Writings. Vertaile teosten hintoja ja tarkista saatavuus suomalaisista kirjakaupoista.

3 kirjaa

Kirjojen julkaisuvuodet: 2001–2007.

The Greatest Story Ever Sold: The Decline and Fall of Truth in Bush's America
Demonstrating the candor and conviction that have made him one of our most trusted and incisive public voices, The New York Times columnist Frank Rich brilliantly and meticulously illuminates the Bush administration's disturbing love affair with "truthiness." Rich's step-by-step chronicle shows how, in the wake of 9/11, a propaganda president and his advisors misled a nation into war in Iraq and how the bungled aftermath, a Washington leak, and a devastating hurricane at long last revealed the lies in a story that had been so effectively sold to the nation as God-given patriotic fact.
Women in Love and Other Dramatic Writings

Women in Love and Other Dramatic Writings

Larry Kramer; Frank Rich

Grove Press / Atlantic Monthly Press
2003
nidottu
Larry Kramer has been described by Susan Sontag as "one of America's most valuable troublemakers." As Frank Rich writes in his Foreword to this new collection of writings for the screen and stage, "his plays are almost journalistic in their observation of the fine-grained documentary details of life ... that may well prove timeless." The title work, the Oscar-nominated screenplay for Women in Love, is a movie "as sensuous as anything you've probably ever seen on film" (The New York Times). The screenplay is accompanied by Kramer's reflections on the history of the production, sure to be of interest to any student of film. This volume also includes several early plays, Sissies' Scrapbook, A Minor Dark Age, and the political farce Just Say No, illuminating the development of one of our most important literary figures. "Since his screenplay for Women in Love, Kramer has been a prophet of psychic health and catastrophe among us." -- from The American Academy of Arts and Letters citation
Ghost Light: A Memoir

Ghost Light: A Memoir

Frank Rich

Random House Trade
2001
nidottu
There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world. Rich grew up in the small-townish Washington, D. C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater. Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic. Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager he was a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends. With humor and eloquence, Rich tells the triumphant story of how the aspirations of a stagestruck young boy became a lifeline, propelling him toward the itinerant family of theater, whose romantic denizens welcomed him into the colorful fringes of Broadway during its last glamorous era. Every once in a while, a grand spectacle comes along that introduces its audiences to characters and scenes that will resound in their memories long after the curtain has gone down. Ghost Light, Frank Rich's beautifully crafted childhood memoir, is just such an event.