Frederick Aldama

World Comics: The Basics approaches the history of comic books as a global one, one that includes the physical transmigration of artists and their styles and worldviews from one place to another, and increasingly includes the active participation of creators and editors in the publishing and translating of comic books across time, languages, cultures and communities. In this accessible guide, Aldama demonstrates that while each country has it’s own particular comics tradition such as Franco-Belgian bande dessinées, Japanese manga, Italian fumetti, Spanish tebeos, Latin American historietas, German comicbuch, Filipino komiks, Korean manhwa, and Chinese lianhuanhua, among others, taken as a whole they make up a vibrant and transformative world republic of comics.

World Comics: The Basics approaches the history of comic books as a global one, one that includes the physical transmigration of artists and their styles and worldviews from one place to another, and increasingly includes the active participation of creators and editors in the publishing and translating of comic books across time, languages, cultures and communities. In this accessible guide, Aldama demonstrates that while each country has it’s own particular comics tradition such as Franco-Belgian bande dessinées, Japanese manga, Italian fumetti, Spanish tebeos, Latin American historietas, German comicbuch, Filipino komiks, Korean manhwa, and Chinese lianhuanhua, among others, taken as a whole they make up a vibrant and transformative world republic of comics.

Latinx Studies: The Key Concepts is an accessible guide to the central concepts and issues that inform Latinx Studies globally. It summarizes, explains, contextualizes, and assesses key critical concepts, perspectives, developments, and debates in Latinx Studies. At once comprehensive in coverage and detailed and specific in examples analyzed, it provides over 25 key concepts to the field of Latinx Studies as shaped within historical, social, cultural, regional, and global contexts, including:• Body• Border Theory• Digital Era• Familia• Immigration• Intersectionality• Language• Latinidad/es• Latinofuturism• Narco Cultura• Popular Culture• SportsFully cross-referenced and complete with suggestions for further reading, Latinx Studies: The Key Concepts is an essential guide for anyone studying race, ethnicity, gender, class, education, culture, and globalism.

Latinx Studies: The Key Concepts is an accessible guide to the central concepts and issues that inform Latinx Studies globally. It summarizes, explains, contextualizes, and assesses key critical concepts, perspectives, developments, and debates in Latinx Studies. At once comprehensive in coverage and detailed and specific in examples analyzed, it provides over 25 key concepts to the field of Latinx Studies as shaped within historical, social, cultural, regional, and global contexts, including:• Body• Border Theory• Digital Era• Familia• Immigration• Intersectionality• Language• Latinidad/es• Latinofuturism• Narco Cultura• Popular Culture• SportsFully cross-referenced and complete with suggestions for further reading, Latinx Studies: The Key Concepts is an essential guide for anyone studying race, ethnicity, gender, class, education, culture, and globalism.

This first critical biography of Arturo Islas (19381991) brings to life the complex and overlapping worlds inhabited by the gay Chicano poet, novelist, scholar, and professor. Gracefully written and deeply researched, Dancing with Ghosts considers both the larger questions of Islas's life--his sexuality, racial identification, and political personality--and the events of his everyday existence, from his childhood in the borderlands of El Paso to his adulthood in San Francisco and at Stanford University. Frederick Aldama portrays the many facets of Islas's engaging and often contradictory personality. He also explores Islas's coming into the craft of poetry and fiction--his extraordinary struggle to publish his novels, The Rain God, La Mollie and the King of Tears, and Migrant Souls--as well as his pivotal role in paving the way for a new generation of Chicano/a scholars and writers. Through a skillful interweaving of life history, criticism, and literary theory, Aldama paints an unusually rich and wide-ranging portrait of both the man and the eventful times in which he lived. He describes Islas's struggle with polio as a child, his near-death experience and ileostomy as a thirty-year-old beginning to explore his queer sexuality in San Francisco in the 1970s, and his fatal struggle with AIDS in the late 1980s. Drawing from hundreds of unpublished letters, lecture notes, drafts of essays, novels, and poetry archived at Stanford University, Aldama also deals frankly with the controversies that swirled around Islas's impassioned love life, his drug addictions, and his scholarly and professional career as one of the first Chicano/a professors in the United States. He discusses the importance of Islas's pioneering role in bridging Anglo, Latin American, Chicano/a, and European storytelling styles and voices. Dancing with Ghosts succeeds brilliantly both as an account of a fascinating life that embraced many different worlds and as a chronicle of the grand historical shifts that transformed the late-twentieth-century American cultural landscape.