Fritz Leiber

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[Fafhrd and the Gray Mouser is] one of the great works of fantasy in this century.” —Publishers WeeklyThe Swords of Lankhmar finds the city characteristically plagued by rats. Fafhrd and the Gray Mouser are in the employ of Glipkerio, the overlord, to guard a grain ship on its journey. Along the way, the rats onboard stage a rebellion and threaten to take the ship until a two-headed sea monster saves the day. If only there were two-headed sea monsters everywhere, Lankhmar would be safe too. Alas, upon returning to the city, the two discover that Lankhmar is controlled by rats. It is a city known for its thieves and swine, but even the city’s muddiest bottom feeders have never seen pillaging and plundering like this. And only the sorcerers Sheelba of the Eyeless Face and Ningauble of the Seven Eyes can scare this scourge. Mouser must shrink into the rat’s world and Fafhrd must unleash the feared feline War Cats. Then the fun really begins. Before The Lord of the Rings took the world by storm, Leiber’s fantastic but thoroughly flawed antiheroes, Fafhrd and Gray Mouser, adventured deep within the caves of Inner Earth, albeit a different one. They wondered and wandered to the edges of the Outer Sea, across the Land of Nehwon and throughout every nook and cranny of gothic Lankhmar, Nehwon’s grandest and most mystically corrupt city. Lankhmar is Leiber’s fully realized, vivid incarnation of urban decay and civilization’s corroding effect on the human psyche. Drawing on themes from Shakespeare, Edgar Allan Poe, and H. P. Lovecraft, master manipulator Fritz Leiber is a worldwide legend within the fantasy genre and actually coined the term Sword and Sorcery that describes the subgenre he helped create.

Stories of sword and sorcery by a Grand Master of Science Fiction and Fantasy! In Swords and Ice Magic, Fafhrd and Gray Mouser discover how the sadness of the Executioner creates a macabre dance from the point of view of the choreographer. Beauties and beasts explain the dual nature of all life’s creatures. Trapped in the Shadowland, our dogmatic duo finds the dualities of swords and needles, maps and territories, girls and demons, mortals and gods, learning of the mischievous vanity of the gods. Lost at sea, Gray Mouser becomes a natural philosopher, drifting, captive of the Great Equatorial Current. He wonders about fire and ice, about women and men, until they arrive at Rime Isle, a tragic comedy of a place, wandering gods and restless mortals, a comedy with puppets and puppet masters. Before The Lord of the Rings took the world by storm, Leiber’s fantastic but thoroughly flawed antiheroes, Fafhrd and Gray Mouser, adventured deep within the caves of Inner Earth, albeit a different one. They wondered and wandered to the edges of the Outer Sea, across the Land of Nehwon and throughout every nook and cranny of gothic Lankhmar, Nehwon’s grandest and most mystically corrupt city. Lankhmar is Leiber’s fully realized, vivid incarnation of urban decay and civilization’s corroding effect on the human psyche.

The final book in the seminal sword and sorcery series featuring Fafhrd and the Gray Mouser from the Grand Master of Science Fiction and Fantasy. After their adventures in Swords and Ice Magic, Fafhrd the barbarian and Gray Mouser the thief remain on Rime Isle with their loves, seeking lives of respectability and peace. Fafhrd works to regain his archery skills after losing his left hand to Odin in battle. Meanwhile, the Gray Mouser embarks on a trading expedition aboard the ship Seahawk. But their respite will soon come to an end—for on the world of Nehwon, a brother and sister plot to regain the treasures stolen from them by the pirates of Rime Isle. Soon Fafhrd and the Gray Mouser, alone and together, are plagued by dreams and curses that will force them to confront the vengeful siblings, destructive temptations, sea demons, and ancient obsessions as “one of the great works of fantasy in this century” comes to its climactic end (Publishers Weekly). The highly regarded British horror author Ramsey Campbell called Fritz Leiber “the greatest living writer of supernatural horror fiction.” Drawing many of his own themes from the works of Shakespeare, Edgar Allan Poe, and H. P. Lovecraft, master manipulator Fritz Leiber is a worldwide legend within the fantasy genre, actually having coined the term sword and sorcery that would describe the subgenre he would more than help create. While The Lord of the Rings took the world by storm, Leiber’s fantastic but thoroughly flawed antiheroes, Fafhrd and Grey Mouser, adventured and stumbled deep within the caves of Inner Earth as well, albeit a different one than Tolkien’s. They wondered and wandered to the edges of the Outer Sea, across the Land of Nehwon and throughout every nook and cranny of gothic Lankhmar, Nehwon’s grandest and most mystically corrupt city. Lankhmar is Leiber’s fully realized, vivid incarnation of urban decay and civilization’s corroding effect on the human psyche. Fafhrd and Mouse are not innocents; their world is no land of honor and righteousness. It is a world of human complexities and violent action, of discovery and mystery, of swords and sorcery.

Fafhrd and the Gray Mouser search for treasure in book four of the genre-defining sword and sorcery series. Fafhrd and Mouse are not innocents; their world is no land of honor and righteousness. It is a world of human complexities and violent action, of discovery and mystery, of swords and sorcery. With Swords Against Wizardry, the story unfolds behind the curtain in the Witch’s Tent. Fafhrd and Gray Mouser are there to consult a sorceress who holds the secret to their escape, but when would they ever need to escape? Would they need this knowledge when they journey to Stardock? Where is there to escape up there? No doubt the icy seduction of “the cruel one,” with her greed for both gore and graciousness, could offer them several ways out. Their luck has been good so far; one way out should work. Their luck continues as thieves. They are the best thieves in Lankhmar until better positions arise: the Lords of Quarmall. Gray Mouser and Fafhrd steal a kingdom within a hill and declare themselves lords. Before The Lord of the Rings took the world by storm, Leiber’s fantastic but thoroughly flawed antiheroes, Fafhrd and Gray Mouser, adventured deep within the caves of Inner Earth, albeit a different one. They wondered and wandered to the edges of the Outer Sea, across the Land of Nehwon and throughout every nook and cranny of gothic Lankhmar, Nehwon’s grandest and most mystically corrupt city. Lankhmar is Leiber’s fully realized, vivid incarnation of urban decay and civilization’s corroding effect on the human psyche. Drawing on themes from Shakespeare, Edgar Allan Poe, and H. P. Lovecraft, master manipulator Fritz Leiber is a worldwide legend within the fantasy genre and actually coined the term Sword and Sorcery that describes the subgenre he helped create.

In "No Great Magic" and "The Big Time," Fritz Leiber masterfully intertwines science fiction and fantasy, exploring the intricate dance between reality and illusion. "No Great Magic" delves into the struggles of a magician grappling with the ephemeral nature of his art, set against a backdrop rich with existential pondering and the complexities of human relationships. Meanwhile, "The Big Time" presents a unique narrative structure, capturing a moment in time where characters navigate the metaphysical conflict between two rival factions across alternate realities. Leiber's prose is both poetic and incisive, reflecting his keen understanding of the human condition and illuminating the philosophical underpinnings of his fantastical worlds. Fritz Leiber, a prominent figure in the speculative fiction realm, was immensely influenced by the cultural upheavals of the mid-20th century, including the rise of existentialism and the burgeoning science fiction movement. His experiences as both a writer and a theater performer provided him with distinct insights into the nuances of storytelling and character development. Such a rich background informs his works, allowing for an exploration of the intangible desires, fears, and moral dilemmas that resonate deeply with readers. This collection not only showcases Leiber's innovative narrative techniques but also invites readers to reflect on deeper philosophical themes. Fans of speculative fiction and those intrigued by the interplay of magic and reality will find both stories a compelling read, sparking thought and discussion long after the final page.

In "The Night of the Long Knives," Fritz Leiber crafts a compelling narrative that blurs the lines between horror and science fiction, set against the backdrop of a chilling alternate history. The story unfolds in a dystopian America devastated by societal collapse and supernatural forces, where a group of survivors wrestles with moral ambiguities as they confront both external threats and their darkest fears. Leiber's prose is both lyrical and disquieting, employing an evocative style that enhances the visceral horror of his meticulously constructed world. The novel, steeped in the anxieties of the Cold War, reflects the cultural tensions of its time and serves as a cautionary tale about the fragility of civilization and the monstrous potential within humanity itself. Fritz Leiber, the influential author known for his pioneering contributions to fantasy and horror, deftly merges psychological insight with speculative fiction. His extensive background in literature, bolstered by a deep interest in folklore and the occult, positioned him uniquely to delve into themes of political upheaval and existential dread. Leiber's own experiences, including witnessing the tumult of World War II, profoundly shaped his understanding of human nature and its capacity for violence, aspects that resonate throughout this haunting narrative. This engrossing read is highly recommended for enthusiasts of speculative fiction and horror alike, as it offers not only thrilling suspense but also profound themes that resonate with contemporary societal dilemmas. "The Night of the Long Knives" invites readers to reflect on the moral complexities of survival and the perpetual struggle between light and darkness, making it an essential addition to any literary collection.

Normsi was chosen to die. Chosen by his own government in the interest of peace. The highest honor a citizen could render his world. Mankind had avoided war for thirty-five years, but it dared not frustrate the mounting death wish of the species. Without these cullings man might revert back to the creature that piled mountains of human sculls before its conquered cities. Normsi knew all of this, but he was young and healthy and he didn't want to die. Really once the order came, he had nothing to lose so he gather up a few belongings and left his comfortable life in New City behind to seek his fate in the decaying remnants of the old city. And to his astonishment that was when his life truly began.

Normsi was chosen to die. Chosen by his own government in the interest of peace. The highest honor a citizen could render his world. Mankind had avoided war for thirty-five years, but it dared not frustrate the mounting death wish of the species. Without these cullings man might revert back to the creature that piled mountains of human sculls before its conquered cities. Normsi knew all of this, but he was young and healthy and he didn't want to die. Really once the order came, he had nothing to lose so he gather up a few belongings and left his comfortable life in New City behind to seek his fate in the decaying remnants of the old city. And to his astonishment that was when his life truly began.

Once upon a time in Lankhmar, City of the Black Toga, in the world of Nehwon, two years after the Year of the Feathered Death, Fafhrd and the Gray Mouser parted their ways. Firtz Leiber forever changed the landscape of the sword & sorcery genre with the introduction of Fafhrd and the Gray Mouser. Here in a beautiful hard cover edition is one of their greatest tales.

Once upon a time in Lankhmar, City of the Black Toga, in the world of Nehwon, two years after the Year of the Feathered Death, Fafhrd and the Gray Mouser parted their ways. Firtz Leiber forever changed the landscape of the sword & sorcery genre with the introduction of Fafhrd and the Gray Mouser.

Buduschij grandmaster fantastiki Frits Rojter Lejber-mladshij rodilsja v seme akterov - emigrantov iz Germanii, vyros v teatralnoj srede, poluchil obrazovaniepo spetsialnostjam "psikholog" i "fiziolog", primeril na sebja neskolko professij i, na radost ljubiteljam vysokoj prozy, ostanovilsja na literature, s pervykh zhe publikatsijsdelavshis populjarnym pisatelem, a po itogam svoego tvorchestva - odnoj iz samykh jarkikh zvezd "Zolotogo veka" fantastiki. Krome "Sagi o Fafkhrde i Serom Myshelove", proslavivshej ego kak sozdatelja geroicheskoj fentezi, i drugikh izvestnykh krupnykh proizvedenij, on napisal nemalo stol zhe jarkikh povestej i rasskazov, gde ironija podchas prichudlivo spletaetsja s khorrorom, nauchnoe prekrasno uzhivaetsja s absurdnym, a izoschrennyj psikhologizm niskolko ne sglazhivaet ostrye sjuzhetnye ugly. Literaturnoe nasledie Lejbera udostoeno shesti premij "Nebjula", chetyrekh "Khjugo", trekh "Vsemirnykh premij fentezi" i mnogikh drugikh pochetnykh nagrad. Bolshinstvo proizvedenij, voshedshikh v etot sbornik, publikuetsja na russkom vpervye ili predstavleno v novom perevode.

The burning wreck of a passenger jet with a missing cargo of gold and a desperate plea from a friend lead Tarzan of the Apes deep into intrigue in the jungles of Brazil. Soon the ape-man finds himself facing his most deadly nemesis yet: a criminal mastermind named Vinaro, whose enemies perish in mysterious explosions of gold and flame. But that may be only the beginning of Tarzan's challenges. For if he is to defeat Vinaro, Tarzan must confront him in the legendary golden city of Tucumai, from where no outsider has ever returned.

This is the fantasy anthology you've been looking for. Two hundred thousands words that will sweep you away to realms you've never imagined by some of the greatest writers the fantasy field has ever known. Pygmalion's Spectacles by Stanley Weinbaum Lean Times in Lankhmar by Fritz Leiber The Tree of Life by C. L. Moore The Hunt by Steve Rasnic Tem Beyond the Door by Philip K. Dick The Wild One Marion Zimmer Bradley Second Sight Alan E. Nourse Visitors' Night at Joey Chicago's by Mike Resnick The Lost Gods by Dorothy Quick Beyond the Black River Robert E. Howard Show of Shows by Gene Mederos Dream World by R. A. Lafferty The Trader by Nicole Givens Kurtz Subject to Change Ron Goulart Storm over Warlock Andre Norton Witch of the Demon Seas Poul Anderson The Laminated Woman by Evelyn E. Smith The Hunt by Brea Viragh The Salem Horror by Henry Kuttner Shatter the Wall by Sydney Van Scyoc Wizard by Laurence Janifer Famous Dead People by Warren Lapine Warm by Robert Sheckley How the Bells Came from Yang to Hubei by Brenda Clough

Armchair Fiction presents extra-large editions of classic horror and fantasy double novels with original illustrations. The first novel is a Fritz Leiber science-fantasy, "Scylla's Daughter." Sword and sorcery heroes Gray Mouser and Fafhrd thought that they were assigned the easy task of helping to transport grain and provisions to Movarl. What they deemed a "cushy" job would be anything but- Hisvin, the father of the Demoiselle Hisvet, had arranged the delivery of twelve talented white gift-rats to the Overlord Glipkerio. When one of the seven ships disappeared into the night along with one of the white gift-rats, coupled with the emergence of a German-born time traveler who rode a six-headed dragon, the crew of the Squid truly learned the secrets of love and betrayal. Join acclaimed writer Fritz Leiber in a humorous and adventure-filled short novel that was a finalist for the 1962 Hugo Award for Short Fiction and would later inspire the Leiber's full-length novel "The Swords of Lankhmar." The outer space adventure, "Terrors of Arelli" by Aladra Septama is the second novel. They were trapped on a planet of tentacled death Here's what Amazing Stories editor T. O'Conor Sloane had to say about this exciting tale: In "The Princess of Arelli," author Aladra Septama was much concerned with the televisophonic communication with the inhabitants (as he found them) on the moon, and his hero's trial flight across the void. In this sequel, however, interstellar travel being an established fact, the story is concentrated in its entirety on our satellite, the moon. It is quite logical to assume that since this is the closest body beyond the Earth's atmosphere, man will naturally try to solve its mysteries during the first experimental stages of interstellar travel, if and when that time comes. Until such time, it will be impossible to say what might be found upon-or perhaps below-the cold surface of the moon. As a writer of thrilling scientific fiction, this author needs no further comment. We can, without any hesitation say, "Terrors of Arelli" is even better than its predecessor. Enjoy this latest Armchair Ace Double style edition