Fyodor Dostoevsky

This haunting interpretation, exploring the mental anguish and moral dilemmas of a poor student who murders a miserly pawnbroker, is reimagined in Putin-era St. Petersburg. Hailed a 'resounding success', it brings fresh relevance to this chilling tale.

Into a compellingly real portrait of nineteenth-century Russian society, Dostoevsky introduces his ideal hero, the saintly Prince Myshkin. The tensions subsequently unleashed by the hero's innocence, truthfulness, and humility betray the inadequacy of his moral idealism and disclose the spiritual emptiness of a society that cannot accommodate him. Myshkin's mission ends in idiocy and darkness, but it is the world that is rotten, not he. Written under appalling personal circumstances when Dostoevsky was travelling in Europe, The Idiot not only reveals the author's acute artistic sense and penetrating psychological insight, but also affords his most incisive indictment of Russia's struggling to emulate contemporary Europe and sinking under the weight of Western materialism. This new translation by Alan Myers is meticulously faithful to the original and has a critical introduction by W. J. Leatherbarrow. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Notes from the Underground (1864) is one of the most profound works of nineteenth-century literature. A probing, speculative book, often regarded as a forerunner of the Existentialist movement, it examines the important political and philosophical questions that were current in Russia and Europe at the time. The Gambler (1866), set in the fictional town of Roulettenberg, explores the compulsive nature of gambling, one of the author's own vices and a subject he describes with extraordinary acumen and drama. Specially commissioned for the World's Classics, this new translation includes a full editorial apparatus. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the authors most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy, and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it "the allegory for the world's maturity", but with children to the fore. This new translation does full justice to Doestoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In this almost documentary account of his own experiences of penal servitude in Siberia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Devils, also known in English as The Possessed and The Demons, was first published in 1871-2. The third of Dostoevsky's five major novels, it is at once a powerful political tract and a profound study of atheism, depicting the disarray which follows the appearance of a band of modish radicals in a small provincial town. Dostoevsky compares infectious radicalism to the devils that drove the Gadarene swine over the precipice in his vision of a society possessed by demonic creatures that produce devastating delusions of rationality. Dostoevsky is at his most imaginatively humorous in Devils: the novel is full of buffoonery and grotesque comedy. The plot is loosely based on the details of a notorious case of political murder, but Dostoevsky weaves suicide, rape, and a multiplicity of scandals into a compelling story of political evil. _ This new translation also includes the chapter `Stavrogin's Confession', which was initially considered to be too shocking to print. In this edition it appears where the author originally intended it. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. _ _

This passionate novel of ethics and morality, religion and philosophy was Dostoevsky's final and best work. After spending four years in a Siberian penal settlement, during which time he underwent a religious conversion, Dostoevsky developed a keen ability for deep character analysis. In The Brothers Karamazov, he explores human nature at its most loathsome and cruel but never flinches at what he finds. The Brothers Karamazov tells the stirring tale of four brothers: the pleasure-seeking, impatient Dmitri; the brilliant and morose Ivan; the gentle, loving, and honest Alyosha; and the illegitimate Smerdyakov: shy, silent, and cruel. The four unite in the murder of one of literature's most despicable characters--their father. While on the surface a story about patricide, this novel is, on a deeper level, a spiritual tale of the struggle between faith, doubt, reason, and free will.

Perhaps better than any other work of fiction, Dostoevsky’s novel The Gambler captures and analyzes gaming’s fatal attraction. We follow Aleksey Ivanovich’s ups and downs in the make-believe German city of Roulettenburg, where nationalities mix in a frenzied competition for money and status. Written in twenty-six days to beat an unscrupulous publisher’s deadline, The Gambler is based on the author’s own struggles with gambling addiction. It will leave readers amused and baffled at Aleksey’s contradictory and self-destructive energy.

One of the greatest works of fiction ever written, Crime and Punishment is at once an intense psychological study, a terrifying murder mystery, and a fascinating detective thriller instilled with philosophical, religious, and social commentary. Dostoevsky studies the psychological impact upon a desperate and impoverished student when he murders a despicable pawnbroker, transgressing moral law to ultimately "benefit humanity." After killing the old woman, haunted by guilt and terror, the young man must decide whether to assuage his conscience by confessing or attempt to get away with the perfect crime. Crime and Punishment takes the listener on a journey into the darkest recesses of the criminal and depraved mind and exposes the soul of a man possessed by both good and evil who cannot escape his own conscience.

Two small masterpieces in one volume. First, The Double, a surprisingly modern hallucinatory nightmare that foreshadows Kafka and Sartre. A minor official named Goliadkin becomes aware of a mysterious doppelganger - a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of his increasingly paranoid hero, Dostoevsky makes vividly concrete the inner plurality of consciousness that would become a major theme of his work. Second, The Gambler, a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his wife's wedding ring- knew intimately from his own experience. In the disastrous love affairs and gambling adventures of Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.

Nineteen-year-old Arkady Dolgoruky, the illegitimate son of a landowner, has difficulty establishing his personal identity amid the political and social upheavals of nineteenth-century Russia, in a new translation of a novel by the author of Crime and Punishment. Reprint.

Dostoevsky was writing at a time when Russia had reason to be optimistic, but the warning signs in his fiction perhaps leave us clues as to why Russia still has social problems today - and why, less than 40 years after Dostoevsky's death, Russia embraced Communism and destroyed the society in which Dostoevsky had lived

&&LDIV&&R&&LDIV&&R&&LI&&RThe Idiot&&L/I&&R, by &&LB&&RFyodor Dostoevsky&&L/B&&R, is part of the &&LI&&RBarnes & Noble Classics&&L/I&&R&&LI&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&RNew introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences--biographical, historical, and literary--to enrich each reader's understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RJust two years after completing &&LI&&RCrime and Punishment,&&L/I&&R which explored the mind of a murderer, &&LB&&RDostoevsky&&L/B&&R produced another masterpiece, &&LI&&RThe Idiot.&&L/I&&R This time the author portrays a truly beautiful soul--a character he found difficult to bring to life because, as he wrote, "beauty is the ideal, and neither my country, nor civilized Europe, know what that ideal of beauty is." The result was one of Dostoevsky's greatest characters--Prince Myshkin, a saintly, Christ-like, yet deeply human figure.&&LBR&&R&&LBR&&RThe story begins when Myshkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Myshkin's very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint.&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LSTRONG&&RJoseph Frank&&L/B&&R &&L/B&&Ris Professor Emeritus of Comparative Literature at Princeton University and Professor Emeritus of Comparative Literature and Slavic Languages and Literature at Stanford University. He is the author of a five-volume study of Dostoevsky's life and work. The first four volumes received the National Book Critics Circle Award for Biography, two Christian Gauss Awards, two James Russell Lowell Awards of the Modern Language Association, a Los Angeles Times Book Prize, and other honors. Frank is also the author of &&LI&&RThrough the Russian Prism: Essays on Literature and Culture, The Widening Gyre,&&L/I&&R and &&LI&&RThe Idea of Spatial Form.&&L/I&&R He also wrote the introduction to the Barnes & Noble Classics edition of Dostoevsky's &&LI&&RThe House of the Dead and Poor Folk.&&L/I&&R&&L/P&&R&&L/DIV&&R

The connection between these works is unmistakable, as is their direct relation to Dostoevsky's life--sensational, harrowing, and frenzied.--From the Introduction by Ralph E. Matlow

The illegitimate son of a landowner and his common-law peasant wife, Arkady Dolgoruky has scarcely seen these parents during his nineteen years of life. In a narrative combining farce and pathos, Dostoevsky describes Arkady's visit to St Petersburg in search of the 'accidental family' who have dominated his dreams. The confrontation with them does not turn out quite as he imagined it. This relatively late novel, written in the last decade of the author's life, nevertheless captures the exuberance and embarrassments, the bliss and bale of adolescence in all its volatility and uncertainty.