Gabriele Conrath-Scholl

With their collection, Cologne-based couple Ute and Eberhard Garnatz impressively demonstrate just how inspiring and contemporary a private art collection can actually be. Over decades they have assembled a body of work that celebrates painting just as much as photography. Sculptural works also form part of the collection. The Garnatz Collection bears witness to their enthusiasm and keen sense of quality. And, amidst all this, the ­proximity to the artists has always been important to them. Rather than owning a singular work, they follow the artistic development, and in some cases remain in exchange for years. This publication ­focuses on the photographic aspect of the Garnatz Collection and juxtaposes selected posi­tions with those from the Photographische Sammlung/SK Stiftung Kultur. Particularly interesting in this respect is the documentary-conceptual ­direction, as represented by Bernd and Hilla ­Becher. The Cologne institution is entrusted with the Becher Archive, and the Garnatz Collection also contains distinctive photographs by the artist couple. Works related stylistically by Candida H fer, Thomas Ruff, and Thomas Struth have been included in this context.