Gail M. Nomura

The first in-depth exploration of a prominent Seattle-based Issei artistBorn in Japan, acclaimed Seattle artist Kenjiro Nomura (1896–1956) came to the United States as a child of ten, received artistic recognition by age twenty, and in the 1930s became the best-known artist of Japanese descent in the Northwest, his artwork widely exhibited regionally and nationally. Along with more than one hundred thousand Japanese Americans from the West Coast, Nomura was incarcerated during the war but continued to paint, leaving a visual record grounded in place and circumstance. In postwar years he developed a new abstract style that brought him recognition once again. In Kenjiro Nomura, American Modernist, Barbara Johns presents Nomura's life and artistic achievement within their historical context. Her account depicts Seattle as a stronghold of prewar Issei artistic activity, and Nomura's work as providing a meaningful contribution to the history of American art. The book is generously illustrated with artwork tracing Nomura's entire career. David F. Martin, curator of the Cascadia Art Museum, expands the context of Nomura's accomplishment with an account of the artists with whom Nomura associated. This publication is distributed for the Cascadia Art Museum.

Challenging the notion that Nikkei individuals before and during World War II were helpless pawns manipulated by forces beyond their control, the diverse essays in this rich collection focus on the theme of resistance within Japanese American and Japanese Canadian communities to twentieth-century political, cultural, and legal discrimination. They illustrate how Nikkei groups were mobilized to fight discrimination through assertive legal challenges, community participation, skillful print publicity, and political and economic organization. Comprised of all-new and original research, this is the first anthology to highlight the contributions and histories of Nikkei within the entire Pacific Northwest, including British Columbia.